Archive for the ‘Informational Stuff’ Category
Musing on Life’s Purpose
There’s a lot of angst right now, partly due to election season and partly because of other factors. But we all need to realize this: We have a purpose in this life even if we don’t know what it is.
If we can do one good thing for someone else, just one, that can move mountains in time. It doesn’t seem like it. It’s maybe an incremental change, rather than a sweeping one…but doing something good for someone else just because is one of the best virtues I know.
The way I define success is, “Did you make any positive difference for anyone?” And, honestly, I think most of us do. We’re not perfect by any means, but most of us try to be good to others, at least some of the time — or to help someone we don’t know, because it’s needed in that moment.
I’ve run into a lot of different things in my life that have changed the course of it significantly. Some were very good, such as meeting and marrying Michael, my late husband. Some were not good. Some were just plain bad, in fact. But when you look back on your life, you can sometimes find small moments that made a huge difference.
My small moment was this: I had been divorced, I’d just gotten out of a relationship that hadn’t gone the way I’d hoped, and then I met Michael. I had a choice: could I open my heart to him, despite how badly I’d been hurt? Or was I going to just drown in the sorrow of it all?
I chose the risk. I opened my heart.
As difficult as it has been to be without Michael all these years since his passing, it would’ve been far, far worse for me to have stayed closed and to have kept Michael at arm’s length. I’d have missed out on great love, happiness, true understanding…the two of us wanted to be around each other, wanted to make each other’s lives better. We could talk about anything for hours. We could sometimes even sit in silence, holding hands, looking at one another, and be perfectly content.
I was right to choose the risk. But no one would’ve blamed me (except myself, of course) had I said, “I have had enough of men, thank you!” and not done so.
The main reason I fight so hard to make any sort of positive difference I can in this life is that I believe Michael being in my life at all was a miracle. I know that has to sound very odd, maybe even a bit woo-woo/out there. But it’s what I believe.
So, if I had turned my face to the wall (metaphorically speaking) years ago, and not opened my heart, I’d have missed out on that miracle. I am glad I didn’t miss out.
For those of you who are hurting for various reasons, I hope you can take some comfort in the fact that you are not alone. Good human beings care about one another and try to help when they can. (I know I’ve been overloaded lately, as I said in my last blog. But I still try to do something, anything, that’s positive, even if it’s just wishing the cashier at the market a good day and telling them they did a great job.) Good human beings notice when you’re making your best effort, and that does matter.
It may seem like it doesn’t. But don’t believe that.
Believe that you are worthy. Worthy of love, worthy of friendship, worthy of understanding, care, and concern.
Don’t let anyone, ever, grind you down into nothing. You are worth more than that.
Linkin Park Hires a New Co-Lead Singer, and I Have Thoughts…
In case you haven’t heard yet, Linkin Park has a new lead singer, or probably better explained as co-lead singer along with singer/rapper Mike Shinoda. They needed someone because their iconic lead singer Chester Bennington died seven years ago by his own hand, and most of Linkin Park wanted to play together again. (The exception was their original drummer, Rob Bourdon.) So they’ve hired a woman, Emily Armstrong, who fronted a group known as Dead Sara, to sing the parts that Chester would’ve sung had he still been alive.
Note that I did not say “to replace Chester,” as there’s no way to replace Chester Bennington. But Linkin Park wanted/needed someone to sing those parts, and Emily Armstrong can sing melodies and then scream in a heartfelt way. My guess is that Emily A. sings in a similar range to Chester, or at least is close enough that with some minor arrangements (perhaps changing the key signature and/or mode — as lots of groups use modes like Mixolydian, Lydian, Dorian, etc., in addition in order to better reflect a mood or feeling), Linkin Park’s songs can be rendered well enough for fans to appreciate them.
This is a big controversy because of two things. One, you can’t replace Chester; he had a unique set of skills, including an emotional awareness that was almost uncanny, that could never be reproduced by anyone else. Two, one of Chester’s sons, Jamie, is very unhappy about this. Jamie pointed out that September is International Suicide Awareness month, which seems disrespectful to him as his father Chester died by suicide.
That raises a good point: as Linkin Park had been working with Emily A., quietly, for months, why didn’t Linkin Park wait another month to drop this news? Or why not move it up into August? Why court this sort of drama when you don’t have to?
See, there was someone else, a musician — I can’t remember the guy’s name right now — who had reported about four, maybe five months ago that he’d heard that Linkin Park had hired a new female singer. Mike Shinoda and other Linkin Park members pooh-poohed this and said if there was any news to report, they’d report it themselves, thank you.
But the guy who reported this was a fellow musician. I knew at the time, being a musician myself, that something was undoubtedly going on even though the guy who’d said he’d heard Linkin Park had a new lead female singer backtracked pretty quickly once Mike Shinoda, et. al., basically said the man should mind his own business. Still, from that report, I figured Linkin Park was probably rehearsing, trying to lay tracks in the music studio, and figure out if a combo with some woman — who we know now to be Emily A. — was commercially viable.
That’s exactly what was going on, as we now know.
My thoughts on this are a bit mixed. First, it is hard for me to conceive of anyone singing the parts Chester sang so well and so distinctively. Chester Bennington was an integral part of Linkin Park, and as I said before, I do not believe he can ever be replaced. But second, as a musician, I know that the members of Linkin Park wanted to play again. It’s been seven years since they last played a concert in public, and most of them (Rob Bourdon, original drummer, aside) were itching to get out there and to perform.
I can’t blame any musician for wanting to perform, OK? That’s kind of what we do, providing we’re healthy enough to do it. Every performance, even of a well-known song like Linkin Park’s “In the End,” is a little different, because the energy of the crowd may be different. Or maybe one or more of the group members is feeling especially emotive. Or there’s some extra tenderness in a quiet musical interlude. Or the bombastic, up-tempo stuff seems to have extra fire one day, while the next, while still fun to listen to and hopefully fun for the group members to play, doesn’t quite meet that level of intensity.
This is true of any human music group anywhere in the history of time. Live music has variables to it, and can be extremely good one night, good the next, a bit off the third (though probably the audience won’t recognize it, the members of the group assuredly will know and feel like they let themselves down), and back to good the fourth night. It is just the nature of the beast.
As I’ve said before at my blog, there are such things as post-concert highs and post-concert lows. For example, I believe famous singer Chris Cornell may well have been dealing with a post-concert low before he called his wife and sounded so odd just a few hours before he took his own life. Audience members, from what I can recall at the time as he passed a couple of months before Chester did, said that Chris seemed frustrated, maybe a little unhappy, and his performance was not necessarily up to par. Again, some of this is the nature of the beast, and every musician worth his/her/their salt knows it. But it can be hard to remember, in the moment, that as wonderful as music is, and as wonderful as it is that some people get to live their dreams and make a living from music, that being a musical performer is not the sum total of everything we are.
I’ve had both post-concert highs and post-concert lows. They can be disconcerting, but the lows are worse by far than the highs. On those nights, I wonder why I even bothered to take up an instrument. (I don’t sing in public and am glad I don’t.) My hands felt a little off, maybe, or it was very hot outside and playing an outdoor concert was uncomfortable and unpleasant. Either way, it affected my performance for the worse. Because of that, I felt like I’d let down the audience, let down the group I was playing in, let down myself too, and just wished the ground would swallow me up, whole.
At any rate, getting back to Linkin Park and their new singer Emily A. — I think we should give the new-look and new-sound Linkin Park a bit of time to see how things go. I also think that as open-hearted as Chester B. often was, he’d not want to keep his bandmates from making music with someone else (even if it doesn’t feel easy for fans).
Finally, Shinedown’s lead singer Brent Smith posted on social media that he believes Linkin Park is doing what’s right for them. It sounded to me like Smith also believes fans should give the new version of Linkin Park time, and at least be open to listening to Emily A.’s vocals. (He spoke in a quite complimentary manner of Emily A., too.)
I think that’s a good position to take, and it’s one I can live with.
So, while I still wish that Chester was alive, singing his heart out, and playing/singing music to his heart’s content, I’m at least willing to listen to the new version. I make no promises yet as to what I think…but I will at least listen, and hope all goes well for them.
The Perils of Customer Service
Folks, I know it’s Sunday. I usually come up with some sort of deep thought, or at least an attempt at deep thought, with regards to spirituality, religion, etc.
So, why am I talking about customer service today instead? Simple. I ran into some not-so-good service about a week ago, and I had excellent service on both Thursday and Saturday (two of the last three days), so I figured comparing and contrasting that might be interesting to talk about.
Besides, I haven’t blogged in a couple of weeks. That’s too long to go without saying anything. I get lots of questions like, “Barb, are you alive? Why aren’t you writing? What’s up with your blog? I’m used to seeing something there, and you’re falling down on the job!” (OK, only I said that last one. But the other three have been asked more often than not.)
Anyway, regarding customer service: If you don’t get good service, sometimes it’s frustrating in the moment to say something about it.
See, the bad service I got was at my local credit union. I needed something from them that they’re capable of, but it takes an extra-long time for them to do it; because of that, I had to wait while standing, with my cane, for at least twenty to twenty-five minutes. I started shaking my legs out from the hips so I would be able to walk out of there…and what bothered me most was that the young teller (he couldn’t have been much more than twenty-one, if even that) didn’t seem to realize I was having trouble. He’d seen me come in with my cane, then realized he’d need a supervisor’s help…the supervisor never saw my cane, so I can’t blame her for much of anything as she was on the phone with people trying to straighten stuff out.
(Yes, he saw me shaking my legs out, too. But he didn’t ask what I was doing, much less why I was doing it.)
Anyway, this problem eventually got sorted out, and I went on my merry way. But I wondered, the whole time, if I should’ve asked for a chair. I knew that the teller and his supervisor were trying to solve this other issue, and I felt as if I’d made it too difficult for them just by going in there.
An hour later, in great physical pain (my back acted up), I called and complained. I was able to talk with two different people who both helped me, and they reassured me that not only should I not have been treated that way, I should never feel I’m a burden to them. Customers exist because they need something; the bank or credit union knows this, and they don’t want to drive good customers away. So, reassured, I went off to nurse my bad back, etc., and resolved to speak up sooner the next time something weird happens.
Then, I had two instances of excellent customer service: you know, the type you’re lucky to run into once in a blue moon. Both of these positive experiences were at local grocery stores. I tend to have a number of high-value coupons as one of my family members is a huge coupon clipper. (We’re talking in the $5, $6, $8, and $10 off range.) These can be difficult for cashiers to handle, as most high-value coupons are over the preset limit that the store allows one person to have in an order. The more coupons, the more likely you’re either going to need a supervisor, or at bare minimum you’re going to need someone very experienced to be able to accept the coupons and get me rung up and out of there again.
Fortunately for me, at the first store, one of my favorite cashiers was acting as a type of supervisor for the younger cashier at the register. Things got done quickly, which is a plus; no one behind me in the line got upset (I can’t tell you how often it happens these days where someone does, and I always feel bad about it), and I was able to find nearly everything I needed.
At the second store, I went in for a few specific things. I had eight coupons that had to be used by 8/31 (and it was 8/31, so it was then or never). These were all for shampoos that cost around $10 to get. The coupon was for slightly less than that, and that can trip up a cashier quite easily if they’ve not seen it before. In addition to that, I grabbed some other coupon items (that weren’t expiring, but were still helpful), less difficult to process, along with a few things that weren’t coupon items to round out the order.
So, for this second positive experience, I was fortunate in getting a very experienced cashier who was about as quick with the coupons as anyone I’ve ever seen. She also was quite pleasant to speak with, which I appreciated. I smiled on the way out, and made sure to buy a couple of pieces of candy from the kids raising money for youth sports leagues (as I figured I wanted to pass that good karma around a little) on the way out.
So, what did all this tell me? Mostly, it reaffirms the value of human connection and the powers of observation. The teller did not seem to understand what limping in on a cane meant, so he didn’t make any effort to try to mitigate the problems I was having. But both cashiers understood; they saw my cane in the cart, and made sure I didn’t have to lift out the 24-pack of water (in one case) or anything else heavy. They also asked if I needed help to get to the car (I didn’t, but I thanked them for asking), and finally, they were pleasant and did everything in their power to set me at ease.
Compare that with the young teller for just one more moment. The teller, once things were reasonably straightened out, did not meet my eyes (and had earlier, so as far as I know was not neurodiverse) and didn’t apologize for the length of time I had to stand. He completed the transaction and acted as if I were Br’er Rabbit after being thrown in the tar pit, and obviously couldn’t wait to see the back of me.
I didn’t like this, and I didn’t appreciate it for several reasons. (As I’ve said.)
But both cashiers acted the way they should. They were polite, they made conversation, they didn’t act as if what I was doing in bringing coupons (that can really mess up a cashier if they don’t know what they’re doing) was an imposition, they met my eyes, they smiled…all in all, I felt much better about shopping than I’d expected.
So, that’s the perils of customer service. You can run into someone who doesn’t know what to do when the customer throws him an inadvertent curveball, and that person (the teller, in this instance) does not give even adequate customer service thereby. But you also can run into highly accomplished people who know their jobs, who are good at putting people at ease, who don’t blame the customer for bringing coupons even if they’re high-value (and thus can make it harder for the poor cashier to do their job), and who get you in and out of the store with a minimum of muss or fuss.
I wish all customer service people were as good as those cashiers or the two people I spoke with by phone at my credit union after the bad experience I’d had there. But it’s a mixed bag, and you never do know exactly what you’re going to get.
Anyway, what sorts of customer service have you dealt with lately? Good, bad, or indifferent, tell me about it in the comments! (That is, providing you’re still reading. I know I’ve been intermittent lately…ah, well.)
Paying Tribute to Willie Mays (dead at 93) #mlb #heroes #SFGiants
Tonight, baseball legend Willie Mays, who played most his career with first the New York Giants, then the San Francisco Giants after they moved coasts, has died at age 93.
Mays was a true original and one of the greatest men to ever play any variety of major league baseball. (I don’t know if everyone knows this, but many of the Negro Leagues now have major league status. It’s long overdue.) He played in the Negro Leagues for a little while, then played for the Giants for the vast majority of his career. Despite needing to take a few years out for military service in the United States Army, Mays amassed an impressive career.
Mays had 660 home runs, 3293 hits, a .301 batting average, 1909 runs batted in, 339 stolen bases, and 2068 runs scored. (Stats were pulled up via baseball-reference.com.) He also was a tremendously gifted center fielder, partly because he had such speed and partly because he had a very strong arm, winning twelve Gold Gloves for his defensive excellence.
The Encyclopedia Brittanica has a few pages about Willie Mays, saying that many people recognize Mays as the greatest all-around player in the history of Major League Baseball. The Baseball Hall of Fame in Cooperstown, NY, also has a page recognizing the greatness of Mays’s career. Mays was also given the Presidential Medal of Freedom in 2015 for his contributions to the United States as a whole and major league baseball in particular.
So, many people knew him and many people admired him. For example, my late husband Michael told me he’d met Mays, along with several other Giants greats over the years, because the Giants were one of the first teams to be known for their philanthropic efforts. Mays was a “special ambassador” for the Giants from 1986 to his death, and was well known in San Francisco due to his sunny and exuberant personality as well as his various duties with the Giants over the years, and I assume that’s how and why Michael would’ve met Mays. (He also met Barry Bonds, and said Bonds was far more gracious in person than Bonds had ever been given credit for. YMMV, of course.)
I never met Willie Mays, but I admired him. He was a brilliant player, a kind-hearted man by all accounts, loved baseball, and loved his life. He gave of his time often, especially if it would help children in any way, with much of that philanthropy being done quietly and with no fanfare. Mays was one of the first African-American superstar players to enter MLB after the pioneering efforts of Jackie Robinson (NL and MLB-wide) and Larry Doby (AL), and he always conducted himself with grace and class.
In short, Willie Mays was my type of guy. I mourn his death but am grateful for his well-lived life and for everything he accomplished in baseball.
Think you know Peter Welmsley? Think again…#milSF rules! Time for a #MFRWHooks Bloghop!
Folks, it’s been a while since I participated in the Marketing for Romance Writers BookHooks Bloghop. The main reasons for not doing so have been due to family illnesses, not to mention my father’s passing last year. But as I have a new story out, co-written with Gail Sanders as I’ve said before, in the Tales of the E4 Mafia military SF anthology, it seems prudent to actually write a blog post and take part this time.
Mind you, I have tried to help the other members of Marketing for Romance Writers (MFRW.org) whenever possible. Because I know how good this (absolutely free) organization is, and how helpful it is for writers, I wanted to make sure my fellow writers in the Tales of the E4 Mafia anthology knew about it.
So, before I get into my bit about Peter Welmsley (introduced in my and my late husband Michael B. Caffrey’s novella “To Survive the Maelstrom,” available on Kindle Unlimited), I wanted to say this about Marketing for Romance Writers: It’s for all writers. You do not, absolutely do not, need to have romance in your stories to be part of this wonderful group. All you have to do is decide you want to be part of it, and join. (There is an Io Group and a Facebook Group. You can be part of either or both, as I understand it. For whatever it’s worth, I am.)
So, let’s get to the #BookHooks part forthwith, shall we?
As I said, #milSF rules. It’s fun both to write and to read, and because Michael left behind the huge, sprawling Atlantean Union universe for me to play around in, I have been able to write some stories that Michael never conceived of (or at best, never got a chance to write for himself).
For example, I have been working on a novella about Ryann Creston, the XO of the HMS Wendigo, presumed dead like so many others due to a violent attack by pirates. Peter, who is a Sergeant-Major by that time (highest-ranking enlisted Marine on the Wendigo), must take command of the ship and fly it out of there, saving whoever is left from the pirates. He nearly loses his life, and does lose the love of his life, Lydia, one of the ship’s nurses. But the more I write about the young Ryann Creston (she’s fourteen in my work-in-progress novella), the more I realize she must’ve found a way to get to an escape pod. She just hasn’t found a way to report in yet, that’s all. (This doesn’t at all mean she’s not injured. But dead? Not likely, not from this young lady.)
Anyway, Ryann will have her day, and soon…but right now I want to talk more about Master Sergeant Peter Welmsley, on TDY to the HMS Hyperion, helping another Master Sergeant keep the young Marines busy as the Naval contingent charts stellar nebulae. Note that Peter is younger in this story; he hasn’t yet met, much less lost, Lydia; he is far more relaxed, far less haunted, and altogether was just a joy to write about.
He’s not the main character in “Into the Night.” The main character is a guy named Marcus MacGruder. He’s a member of the E4 Mafia…at least, he’s a member in training, as he’s a Lance Corporal. And he knows a guy who knows another guy…that resourcefulness, not to mention willingness to help troubled shipmates (or at least one troubled shipmate, only partly because he desperately wants to date her), is why Peter picked Marcus to take part in an important mission that’s not as it seems…
So, “Into the Night” starts with a legal inquiry. MacGruder was found in an area of an orbital habitat he shouldn’t have been, all because he was trying to find a guy Peter wanted him to find. For three days, he and his legal counsel have been doing their best to bamboozle everyone as to what he’d been doing there; all he’ll say is he’d wanted to find a nice, clean sex worker, as they’d spent eighteen months on the rim charting nebulae and he needed some sexual relief.
(If you’ve ever known young military members, male or female, you will understand this right off, even though as far as I know, none have been out doing what these folks were doing on the Hyperion…yet.)
So, why did Peter want MacGruder to find this man? What purpose did it serve? Who is this other guy, and why does he matter…and also, who’s the shipmate in serious trouble and how can this mysterious other guy help her?
…have I hooked you yet? (I sincerely hope so!)
And mine is just one of eleven different stories in the Tales from the E4 Mafia anthology. Think about it. There are eleven stories, all about various aspects of the (possibly mythical) brotherhood of E4s everywhere called the E4 Mafia.
Before I go, I want to say two more things. First, here’s another Tweet from my writer and friend Kayelle Allen that you can use if you wish to talk about the Tales from the E4 Mafia antho (and do, do talk about it! Tell everyone you know. Please?):
Mastered a niche and adopted the best wisdom out there: Work smarter, not harder. If you need to bend a few rules? Well, that’s just effective leadership 😏🚀 #SciFi #MilSF #Military
Second, please check out the other authors taking part in this blog hop. There are all sorts of different writers doing different, valuable things out there, and the best way to check out these writers is to go to this page.
So, let’s get to getting, or at least get to hopping!
Thoughts on Papa Roach’s “Leave a Light On (Talk Away the Dark)”
Sorry about the brief hiatus in posts, folks. Nothing much to report, except that I’m still working on writing, editing, and that I hope to finish a musical composition of some sort soon.
Anyway, while I have been “away” (away in no real sense, but not posting), I’ve been contemplating Papa Roach’s single “Leave a Light On (Talk Away the Dark)” quite a bit. (Here’s a link to the YouTube video.) This song is a fundraiser for the American Foundation for Suicide Prevention (AFPS.org), a group close to Papa Roach’s heart.
Those of you reading along may not know who Papa Roach is. I didn’t, a few years ago, though I knew a few of their songs. (“Last Resort” is a personal favorite.) They are an American hard-rock group from California, and they once had a regular trombonist. (I approve of that! More rock groups should have interesting instrumentation.) They also have talked much about suicide, suicide prevention, depression, and anxiety throughout their career, as it’s important to them.
I’ve posted before about how this is a cause important to me (though I may not have put it that bluntly). One of my best friends killed himself before age forty. (We were on the same bowling team, years ago.) I’ve also watched as excellent singers and other musicians have struggled with addiction, anxiety, suicidal ideation, and more with my own unique perspective. (Hey, being a musician who’s not known along with being a writer who’s not known either has to have a unique perspective, or she’d just give up. I’m not into giving up. Moving on…)
When high-profile singers such as Linkin Park’s Chester Bennington and Soundgarden’s Chris Cornell die too young, what else can you think other than that life can be a major struggle? Being extravagantly talented can’t always save you.
But talking about your problems, honestly and with empathy, can.
That’s what Papa Roach’s song is all about.
Fortunately, because those musicians did so much to acknowledge their struggles while they were still alive, other musicians have continued to acknowledge their own struggles, partly because of the memories of their dearly beloved and departed friends. Papa Roach has a live version of “Leave a Light On (Talk Away the Dark)” that is dedicated to Chester Bennington, for example. Disturbed’s song “Hold on to Memories” has pictures of Bennington, Cornell, and quite a few other musicians who’ve died too young that Disturbed knew well to get across the fact that these people’s lives mattered. (I’ve discussed “Hold on to Memories” before.)
Perhaps a quote from a previous blog, which I called “When Life Does Not Go as Planned,” applies here:
Life, sometimes, is just damned hard. But we get up, we try, we do our best, we create or build or work hard on whatever it is that we feel called to do. Even when we’ve felt like we’ve failed at our deepest levels, what we’ve done matters. Even when our lives have been shattered, what we’ve done and who we’ve loved and how hard we’ve tried matters.
I believe, quite firmly, that’s what Papa Roach’s song “Leave a Light On (Talk Away the Dark)” is all about.
Anyway, I hope you will enjoy this song, if you haven’t heard it before. It’s one of several songs I’ve been paying attention to lately, along with the aforementioned “Hold on to Memories” and Shinedown’s “A Symptom of Being Human.”
Remember this, though: You don’t have to be perfect. You don’t have to do great things every single day. You don’t have to be anyone other than yourself. You are valuable just the way you are, and if you can keep putting one foot in front of the other, that absolutely matters. Whether anyone else aside from you knows it or not…it does, does matter.



