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Thoughts After Watching 2015 U.S. Figure Skating Championships

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The last few days have been challenging ones around Chez Caffrey, as I’ve been battling some health issues. That, and only that, is the reason I didn’t write something sooner about the 2015 United States Figure Skating Championships, held in Greensboro, North Carolina, this past weekend.

There’s a great many things I wish to say, both about the men’s and women’s competitions. They showcased persistence and heart as Adam Rippon won the free skate event and nearly walked off with the United States men’s title, and they also showcased the fighting spirit of Mirai Nagasu, who finished her long program after suffering a devastating freak injury by skating into the boards.

First, let’s talk about the men’s event, which was completed on Sunday afternoon.

  • Adam Rippon’s long program was a complete delight from beginning to end. It was lyrical, it was athletic, and it was brilliant. Rippon, who attempted a quadruple Lutz jump (by far the toughest quadruple jump ever attempted) and landed it (albeit with an under-rotation), deserved to win the men’s event, hands-down, as he was graded much more harshly in the short program than he should’ve been. But he did win the free skate, as he deserved…he’s my odds-on favorite for a World medal in Shanghai whether he lands the quad Lutz or not. (But if he does, watch out — Rippon could shock the world and win gold. Shades of Rudy Galindo, indeed!)
  • Jason Brown won the overall event with a good and solid performance that, three-quarters of the way in, I’d have called “robotic.” However, in his final minute, his footwork caught fire and he again became the showman I knew he could be. Brown’s spins and jumps are solid and beautiful, but he does not have a quadruple jump planned for World’s. He is likely to place somewhere between fifth and seventh even if he skates lights-out at World’s because of this.
  • Joshua Farris came in third with an introspective program that showcased his artistry along with a quadruple jump attempt. Farris has more chance at a medal than Brown, but probably less than Rippon, who has the most international experience of the lot. However, Farris reminds me the most of retired World Champion Jeremy Buttle of Canada…if Farris hits his quad and does everything else at the same level as he did in Greensboro, he has a fighting chance for a medal.

Those are the top three medalists, and all are both artists and good, solid jumpers. But what about the rest of the field?

Some quick hits:

  • Max Aaron tried two quads, landing one cleanly and the other two-footed and possibly a tad under-rotated. Still, he has guts and moxie, and I enjoyed his program (skated to the music from the “Gladiator” movie) immensely. Aaron has a similar style to Maxim Kovtun of Russia, yet Aaron never gets the same sort of PCS marks Kovtun gets from the judges (PCS means artistic impression, more or less). Aaron came in a strong fourth, and is the first alternate to the World team.
  • Jeremy Abbott skated a quiet and lyrical program, but fell twice; he did attempt a quad toe loop. His father passed away last week of Parkinson’s disease, and as such I felt Jeremy’s performance showed a great deal of grit and heart. As always, I enjoyed his musicianship and style. He finished fifth, but any other year, he’d have won a bronze.
  • I appreciated Ross Miner’s program. It was quiet, elegant, a little reserved, but seemed to fit him admirably. He was a bit under the radar due to being in the final flight of skaters with Abbott, Aaron, Rippon, etc. Miner skated as well as I’ve ever seen him; some years, what he did would’ve been enough for a bronze.
  • Douglas Razzano skated in the second flight of skaters, but I was impressed with his energetic performance. He has a wonderful sense of timing and rhythm. He attempted a quad toe loop and finished seventh; many other years, he’d have been in the top five.
  • Loved, loved, loved Sean Rabbit’s fire and showmanship. He doesn’t have a quad, doesn’t have a solid triple Axel, but man does he have talent. Truly enjoyed his performance.
  • Felt terrible for Richard Dornbush. He’s had boot and skate problems all season, and they came back to haunt him in Greensboro. He finished in tenth place, mostly because of equipment issues.

Now it’s on to the ladies’ event, which had its own share of drama and excitement.

I’ve been tough on Ashley Wagner in the past. I didn’t think she deserved to go to the Olympics last year, and I let everyone know it. But this year — ah, what a difference a year makes!

This year, she showed moxie, class, and confidence in adding a Triple lutz-triple toe loop combination — the toughest jump combo any woman attemped at the U.S. Nationals — very late in the game. She was easily the class of the field, and has an excellent chance to win a medal at World’s.

Quick hits regarding the other competitors who caught my eye:

  • Gracie Gold may not be hurt right now, but she skated tentatively and cautiously to a silver medal performance. She looked beautiful, as always, and I loved her layback spin and presentation. But if she skates like that at World’s, she’s probably going to be ranked somewhere between fifth and eighth.
  • Karen Chen’s delightful, effervescent performance deservedly won the bronze medal. She’s young, she’s fresh, she’s outspoken in the same way Ashley Wagner is — I look forward to much more from her. But because she is too young to go to World’s, she’ll be going to Junior World’s instead. (I fully expect her to dominate Junior World’s, too, if she skates anything close to what she did at the U.S. Nationals.)
  • Polina Edmunds’ fourth-place performance looked gawky and awkward, possibly because of some growing pains. (She’s just turned sixteen.) She has a boatload of talent; once she gets fully acclimated to her adult height (whatever it turns out to be), she’s going to be formidable. She’s been named to the World team; because of her “puberty issues,” it’s impossible for me to predict how she’ll do — she’s the ultimate wild card.

Longer takes:

  • I felt terrible for Courtney Hicks in the long program. She is a jumper, and is a strong presence on the ice. Her long program was conceptualized (according to what I found at Ice Network and via some Twitter conversations with other figure skating fans) as a woman slowly going insane, which makes sense in retrospect as her performance looked herky-jerky and as if she’d woken up with stiffness and soreness. Her jumps were solid, as ever, and her spins were good. But the program itself did not seem to showcase her good qualities. To my mind, Ms. Hicks needs to study skaters like the now-disgraced Tonya Harding, Elizabeth Manley, and Midori Ito — the powerful jumpers, in short. (Others to consider: Elaine Zayak, Kimmie Meissner, Emily Hughes, even Nicole Bobek — another disgraced skater, granted, but one who combined powerful jumps with an effervescent style at her best.) Hicks is never going to be a ballerina and should not try; her coaches did so well with her this year in the short program with something that truly suited her style. Now they need to find out whether or not Hicks can master the triple Axel — because if she can, that’s her ticket to a World medal, not to mention fame and fortune.
  • Finally, poor Mirai Nagasu. That woman cannot catch a break to save her life. She started off her long program with a strong triple flip-triple toeloop-double toeloop combination, landing it solidly (albeit with some underrotations called by the judges), and followed that up with another solid double Axel-triple toeloop combination. But then, she skated too close to the boards and fell down — shades of what happened to Jeremy Abbott last year during his Olympic short program — and injured her knee. Bravely, she finished her program despite being in obvious pain, and finished 10th overall. She deserves a medal for her strong spirit, fortitude in the face of adversity, and as many shoutouts as possible because no one — not the judges, not her own coach, not even the medical staff — seemed to realize how badly she was hurt, forcing her to go out and take bows even though she’d immediately skated to the side to get off the ice and rest her knee. Ms. Nagasu is a fighter of the first water, and showed her resilience and strength in full measure; what I saw from her on Saturday night was not just a portrait in courage, but a superbly trained athlete doing her all after becoming injured in the pursuit. I’m very impressed with Ms. Nagasu, and hope that whatever nonsense she may hear due to her 10th place finish will go straight out the window; I also hope her own coach, Tom Zakrajsek, will give her major “props” for finishing.

Anyway, these were my thoughts. I’m sure I’ll have more in the coming days…but until then, I hope that anyone who may come across this blog will remember one, final thing:

Do your best. Providing you’ve done that, nothing else matters. (I had to learn this as a musician when I competed in various events, and it still applies.)

Check Out Today’s SlingWords “Christmas Past” Blog…Featuring 12 Great Authors (Including Me)

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Folks, author Joan Reeves has been generous enough to share space on her blog, SlingWords, for a “Christmas Past Promotion.”

What does that mean? Ms. Reeves asked for a link to a book of our choosing (for me, it’s obviously AN ELFY ON THE LOOSE as that’s my only book thus far) and for a past Christmas memory.

Please check out the promotion at SlingWords forthwith, as there should be any number of interesting writers for you to “meet,” not to mention finding new books that interest you — just in time for Christmas!

In case you were wondering, though, here’s my Christmas memory:

In 2001, I was talking with an interesting man named Michael on Christmas Eve. We’d known each other about six months, had been introduced by a mutual friend — and you’d think nothing of this, except this was a long-distance relationship where we’d only met each other once due to him living in San Francisco and me in Iowa.

Anyway, Michael and I were talking. It was Christmas Eve. My family was far away, and his was, too…so we talked and talked and talked, and didn’t care about how much money it cost because hey, it was Christmas Eve. Before we knew it, we’d talked for nearly thirty-six hours in a row about everything under the sun. And at the end of that time, he told me, “I hope we can consider ourselves dating now.”

That was the beginning of my romance with the love of my life, my late husband, Michael B. Caffrey. It is the most precious memory I have…and it happened on Christmas Eve and Christmas Day, 2001.

(Yes, miracles truly do happen.)

For those of you with sharp eyes, yes, I’ve talked about this before, most notably at Murder By 4 in my guest blog last year. It is one of the most precious memories I have, and it did indeed happen at Christmas.

As I’ve said here many times, without Michael, I doubt I would’ve written AN ELFY ON THE LOOSE. I doubt I’d have finished CHANGING FACES (coming in 2015 from Twilight Times Books), either, and I certainly wouldn’t have written any military science fiction at all, whether it was to finish Michael’s stories or not.

Sometimes, one person can make a huge difference in someone’s life. Michael B. Caffrey obviously made a huge difference in mine (please check out my prior blog about Michael’s transformational life if you don’t believe me). He was encouraging, kind, knowledgeable, a skilled editor, and knew how to structure a novel. Between learning from him and working on my craft since, I’ve become a better writer, a better editor, and a far better person.

It is because I took a chance on Christmas Eve back in 2001 that I met and married the most wonderful person I have ever known — Michael B. Caffrey.

Thank you, Joan Reeves, for giving me the chance to spread the word about my work…and more importantly, about my husband.

Written by Barb Caffrey

December 17, 2014 at 1:33 am

Country Singer Craig Wayne Boyd Tears it up on “The Voice”

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Folks, I’ve never before written a blog about NBC’s “The Voice,” but tonight, it’s warranted. After watching singer Craig Wayne Boyd sing the Hell out of the song “Some Kind of Wonderful,” I had to come straight here and discuss what I’d just heard.

For those of you new to “The Voice,” it’s a show featuring singers who haven’t yet broken through to a wide audience. Craig Wayne Boyd is a man in his prime with a great big baritone voice, a huge stage presence, and charisma to burn. He’s someone who once you listen to him, you’ll wonder why he isn’t already a huge star — because my goodness, he ought to be.

I’ve seen two good articles explaining what Craig Wayne Boyd did tonight; the first is an overview of the entire show by writer Vicki Hyman for NJ.com, complete with links to the video performance, and the second is by Kenny Green for starlocalmedia.com, which discusses Craig Wayne Boyd in-depth and gives this excellent quote from coach Blake Shelton (who was talking directly to Mr. Boyd) during tonight’s airing of “The Voice:”

“I am going to go ahead and call it. That was the performance of the night, dude. That was so much power and muscle in your voice and just your stage presence. You got passed around, and that was stupid on my part. I can’t believe I got the chance to have you back,” Shelton said. “You are beating the odds every time you got out here and I think America is going ‘holy crap,’ this dude is the real deal.”

I agree with Blake Shelton, though I have thought from the beginning of this year’s season of “The Voice” that Craig Wayne Boyd was a potential power to be reckoned with. I didn’t say anything until now, though, for two reasons:

1) You never know how a musician is going to perform under pressure until he goes out and takes the stage. This is the most pressure-packed gig Mr. Boyd has ever had; to boot, he was placed in the final position, which could’ve sapped his strength.

Instead, he kicked serious butt.

2) While I was extremely impressed with Mr. Boyd throughout the previous rounds, because he has been coached by two different vocalists (Gwen Stefani and Blake Shelton), I wasn’t sure what to think of that.

Now, I think Mr. Boyd actually got the better end of that deal, because he has not one but two coaches in his corner. And with both of them, Mr. Boyd impressed them with his professionalism, his attention to detail, and his willingness to take direction. (It was at Ms. Stefani’s urging that Mr. Boyd cut his hair, for example, and got rid of his fringed jacket for a more modern one in black leather instead.)

Remember this name: Craig Wayne Boyd. He’s taken what could’ve been lemons in having two different coaches with two disparate approaches and learned from both. And he’s come out the other side with an even greater and richer musical palette to work with…I just can’t say enough about this man, and I hope he continues on “The Voice” for weeks to come.

————-

Before I forget, Adam Levine and his group Maroon 5 also performed their controversial song, “Animals” at the top of “The Voice.” (I’ve already weighed in with my take on this song previously; let’s just say I prefer the version they did on Saturday Night Live, but this one was fine, too.)

Jim Valvano and Michael B. Caffrey: Transformational Lives

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On this, the tenth anniversary of my husband Michael B. Caffrey’s passing, I want to discuss something interesting I’ve recently watched. Something I hadn’t expected to have parallels with my husband’s life . . . but actually did.

This, oddly enough, was the ESPN 30 for 30 documentary Survive and Advance, about the 1983 NCAA Champion North Carolina State Wolfpack and their charismatic coach, Jim Valvano.

For those who don’t know much about sports, you may not know much about Jim Valvano. He died in 1993 after a yearlong battle with bone cancer at the age of 47. But even though he’s been dead now for 21 years, Valvano’s shadow continues to linger — in a good way.

Valvano was a coach who believed very strongly in his players, in his team, and in dreams. (Yes, I said dreams.) He believed if you couldn’t dream something and believe it would happen, you couldn’t achieve it. And he actually had his team rehearse things like cutting down the basketball net (something done after winning a very important game, like a national championship), because he wanted them to know deep down to the bottom of their souls that they could do anything.

Valvano — affectionately known by his players as “Coach V” — lived a transformational life.

But what goes into making a transformational life, anyway? Was it the charisma, which is still evident in this speech (at the 1993 ESPY Awards, when Valvano was eight short weeks from death)? Was it the sheer tenacity of the man, who gave as his personal philosophy this phrase — “Don’t give up. Don’t ever give up.” — as part of that same speech? Was it because Valvano was one of the best basketball coaches the East Coast ever produced?

It was all of that, but it was also something more. Jim Valvano made people believe they could do it. He was a positive, inspirational force of nature, with the outsized personality of a stand-up comedian but a heart as big as the Atlantic Ocean. And he made people believe in themselves — not just his 1983 Wolfpack team, but the many people who heard his motivational speeches, read his autobiography, and heard his final major speech at the ’93 ESPYs.

Having a talent like that is incredibly rare.

I’ve only known one person who had it in my entire life: my late husband, Michael. Though Michael was not an outsized personality — certainly not like Valvano, at any rate — he had a presence that was beyond anything I’ve ever known.  A certainty, a positivity, and a belief that I could do anything I wanted no matter the obstacle. No matter how many times I might stumble. No matter how many times I might actually fall.

He believed I could do it. More than that: he believed I would do it.

Watching Survive and Advance was both inspirational and heartbreaking for two reasons. One, Valvano died at age 47; Michael died at 46. And two, there were so many things in there that “Coach V” said that reminded me of my husband . . . it’s hard to explain, because Michael’s manner was nothing like Jim Valvano at all.

But the message — the powerful, motivational message — was exactly the same.

The words that rang truest of all were these, again from Valvano’s ’93 ESPY speech:

“”Cancer can take away all of my physical abilities. It cannot touch my mind, it cannot touch my heart, and it cannot touch my soul. And those three things are going to carry on forever.”

My husband did not have cancer. He instead died of several heart attacks in one day, without warning, to the point his ventricle failed him. But he once told me that no matter what happened to him — as he believed his own health wasn’t all that wonderful — he believed his heart, his mind, and his soul would endure. And he’d never stop loving me. He’d never stop caring about me. And he’d never, ever stop believing in me.

He told me that about a year before he died, when I was about to go in for a needed surgery that I was fearful of, and I have never forgotten it.

I know that Jimmy V’s life was lived in the public eye. Michael’s certainly wasn’t. Michael’s life didn’t touch nearly as many people — how could it?

But Michael is remembered by many. He helped many writers, including the late Ric Locke, with his editing. He helped many people believe they could indeed do exactly what they put their mind to doing . . . and that’s what makes a transformational life.

You come into contact with someone like that, and your whole life changes. It gets better, because you can do more. Even through the mourning, you can still do more. And you get up every day and you try your level best, because you want to be worthy of that belief.

My husband would be astonished that I’d mention him in this particular context, especially as he was also a sports fan. He’d probably see absolutely no parallels between himself and the famous “Coach V.”

But he’d be wrong.

It’s because Michael lived, and was with me, that I continue to do what I do. His loss was so painful that I continue to struggle with it, ten years later . . . but it’s because I knew him, was married to him, and got to see how he overcame his own obstacles that I have refused to give up.

If that’s not the epitome of what a transformational life is all about, I don’t know what is.

————

Note: If you want to read Michael’s writing — and I hope at least some of you do — please take a look at the two stories I’ve been able to put up as independent e-books over at Amazon: “A Dark and Stormy Night” and “Joey Maverick: On Westmount Station.” These are both stories of military science fiction, though the first is while Ensign Joey Maverick is on leave and participating in a “low-tech” sailing regatta (meaning approximately 20th Century tech) and the second is when newly-minted Lieutenant Maverick is about to ship out for the first time. In essence, the first story is a search-and-rescue story with some romance, and the second story is that of a young officer stopping an unexpected saboteur at a very early hour in a completely unexpected place.

A third story has been started (a bridge story, written by me with some details from Michael’s notes), and I’ve also written two stories in Michael’s universe from a different perspective entirely that are currently making the rounds (if all rounds end up exhausted, they, too, will end up as e-books).

So at least some of Michael’s words continue to live, which is what I vowed when Michael died suddenly. And if I have anything to say about it — if I get enough time on this Earth — all of them will.

New, Wide-Ranging Author Interview (Mine) is Up at the MFRW Authors’ Blog!

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Folks, I’m very pleased to report that I have a new interview up over at MFRW Authors’ busy and well-read blog that was posted earlier today.

I hope you will all check out this interview, as it’s the most wide-ranging one I’ve done to date . . . some of the questions asked were about why I wrote AN ELFY ON THE LOOSE (Barnes and Noble link is here), whether or not I think love scenes in romances are a good idea (I definitely do, but when you write young adult novels, you have to be careful and I said so), and much, much more.

My most important part of the interview, though, touched on the people who have been the most important and influential in my life. My late husband, Michael, who died nearly ten years ago, but whose presence is still felt. (I’d go much more into this, but the anniversary of Michael’s passing is in two days and I have a special blog post planned for that occasion.) My late best friend, Jeff Wilson, who died nearly three years ago, but again . . . I remember what he said, and why, and it helps. And my three living writing mentors — Rosemary Edghill, Stephanie Osborn, and Katharine Eliska Kimbriel — who are all wonderful writers and editors, and I’ve learned so very much from them . . . any mistakes I continue to make are, of course, my own.

But I could’ve listed even more people. For example:

  • I’ve written book reviews for Jason Cordova over at Shiny Book Review since 2010. Jason gave me some good advice back then to keep sending my novel out; he liked it, he gave me a quote for the novel then known as ELFY, and I appreciated that. His career is starting to take off due to a series of popular Kaiju novels, and it couldn’t happen to a better person.
  • Early on, Kate Paulk was invaluable in discussing the art and craft of writing (besides, her impressions on the oddities of contemporary American life were not to be missed).
  • Author Dave Freer, a wonderful funny fantasist, had some good advice for me back in the day, too.
  • Ditto for Eric Flint, who gave a talk Michael and I attended back in Chicago of 2002 (a Baen Barfly gathering) that helped Michael and I figure out how to write together. (Without the two of us hearing that talk, my career would’ve turned out to be rather short-lived, methinks.)
  • And I had numerous friends and allies over at Ye Olde Baen’s Bar website (which still exists, but I’m mostly absent due to other concerns), such as the late author Ric Locke and author Loren K. Jones — of course, I’m still in sporadic communication with Loren, though Real Life (TM) has interfered in many ways.
  • And, of course, there’s my publisher, Lida Quillen of Twilight Times Books, and my fellow authors at TTB who’ve been so supportive and helpful — Aaron Lazar, Maria DeVivo, Dina von Lowenkraft, Scott Eder and Heather McLaren among them . . .
  • And the very kind folks at Marketing for Romance Writers (MFRW.org on Twitter, for short), who have in a very short time impressed upon me the need for two things in the writing business: patience and persistence. As far as I’m concerned, anyone who has written a romance or has any romance whatsoever in their books should check out Marketing For Romance Writers post-haste.

Anyway, it does take a village to make an author. But it also takes a lot of dedication, hard work, and energy on the part of said author in order to write, re-write, listen to your mentors, write some more, listen some more, listen to your editor(s), re-write, etc.

Without my husband Michael’s expertise and encouragement, without the pair of us hearing Eric Flint early on, and without Rosemary Edghill’s support, I wouldn’t have dared to finish the novel I then knew as ELFY, much less continued to keep after it after Michael died. Without Jeff Wilson’s faith in me, I don’t think I’d have been as likely to keep going. And without Stephanie Osborn reading and loving ELFY back in 2012, I’d not have finally found Lida Quillen at Twilight Times Books . . . without Katharine Kimbriel and all that she’s taught me about writing and editing (much less life in general), I doubt I’d be quite as sanguine about the whole Writer’s Life (TM) thing.

Because make no mistake about it: I am not well-known. My book has not yet found its audience.

But I believe that it will.

And because I believe that it will, I will keep doing whatever I can to get the word out that AN ELFY ON THE LOOSE exists. And that the people who believed in me most — Michael, Jeff, Rosemary, Stephanie, and Katharine — were and are right to believe in me.

U.S. Figure Skater Jeremy Abbott Falls Hard, Wins Big (at Life)

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Today, I witnessed something I’ve never before seen in my many years of watching figure skating. Reigning United States men’s champion Jeremy Abbott, who’s had his share of troubles in the Olympics already, took a very hard fall in the Olympic men’s short program at Sochi, lay on the ice for nearly twenty seconds . . . then got up and skated the rest of his program cleanly and with energy.

This was a big win for Abbott, even though it wasn’t reflected in the score column overmuch.

You see, Abbott, over the years, has had many problems with his nerves. They are well-documented, they are pervasive, and while they are also completely understandable (I doubt many of us would do well under so much scrutiny), they’ve kept him from attaining his immense potential — at least at the international level.

Martin Rogers of Yahoo Sports quoted Abbott afterward as saying:

“First thing, I was in a lot of pain and I was laying there kind of shocked and I didn’t know what to think,” Abbott said. “I was waiting for the music to stop. The audience was screaming, and I was, like, ‘Forget it all, I am going to finish this program.’

“As much of a disappointment as this is, I am not in the least bit ashamed. I stood up and finished this program, and I am proud of what I did in the circumstances.”

Abbott scored a 72.58, good for fifteenth place out of thirty, but what he achieved goes far beyond any scorecard.

No.

What Abbott achieved was the ultimate triumph of dedication, focus, and persistence. He refused to let a terrible fall — one that could still, potentially, knock him out of the competition — stop him from completing his short program. And in so doing, he won the respect of his competitors and the Russian crowd’s vociferous support, which wasn’t altogether easy as their lone entrant into the men’s program, Evgeny Plushenko, had abruptly retired directly before he was supposed to skate in the short.

I don’t doubt that Plushenko was injured — he clutched his back and looked like he could barely stand upright when he skated over to the judges in order to withdraw — and I also don’t doubt that Plushenko did the right thing in withdrawing, no matter how abrupt it turned out to be.

But what Abbott did in getting up from one of the worst falls I’ve ever seen and skating the rest of his program with vigor, energy, and even brilliance was as inspirational an effort as I’ve ever seen.

As Rogers put it in his headline, “Jeremy Abbott Loses Marks for Ugly Fall, Wins Hearts for Finishing Short Program.”

As I’ve been critical over the years of Abbott — much though I adore his skating — I felt it imperative to point this out: Jeremy Abbott has the heart of a true champion.

Whether he can skate the long program after a night of stiffening up and soreness, and possibly some bone breaks as well (as a hairline fracture can be hard to spot, especially right after an injury due to the inflammation incurred) is immaterial.

What Abbott did today in refusing to give up on himself is far, far more important than any marks could ever be. In or out of the Olympics.

You see, Jeremy Abbott proved today why he’s as big a winner at life as anyone I’ve ever seen.

And that, my friends, is extremely impressive.

Just Reviewed Katharine Eliska Kimbriel’s “Kindred Rites” at SBR

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Folks, if you’re looking for an excellent young adult dark fantasy to read — one steeped in authenticity, that’s set in the 19th Century and is part of a subset of alternate histories now being called “frontier fiction” — you owe it to yourself to check out Katharine Eliska Kimbriel’s KINDRED RITES, which I reviewed tonight over at Shiny Book Review (SBR for short, as always).

Note that I enjoyed this book so much, I’ve reviewed it before the e-book edition is officially out.  I found it to be one of the best, life-affirming fantasy novels I’ve ever read. Alfreda “Allie” Sorensson is the best type of heroine — she depends on her wits as much as her magic, she’s caring and compassionate yet is also no-nonsense in her approach to life — and kids of all ages should love this novel.

KINDRED RITES is an excellent book to read on a cold, winter’s night . . . or any night. So go discover this impressive book for yourself just as soon as the e-book edition is available for sale, OK?

Best of all, I’ve been reliably informed by Ms. Kimbriel that book three in Allie’s series (now being called the “Night Calls” series after the first book of Allie’s tale, NIGHT CALLS) is underway.

I can’t wait.

Written by Barb Caffrey

January 17, 2014 at 7:07 pm

Hanging on to a Dream

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Folks, this last several weeks has been incredibly difficult.  The difficulties haven’t been anything new — my health has not been the world’s best all year long, though I continue to fight for better health as best I can — but sometimes, life can be frustrating.

To put it mildly.

When your body doesn’t work right, when you’ve been ill for five weeks straight with no end in sight, when many of the people who’ve mattered the most are already on the Other Side doing whatever it is people who’ve outlived their mortal bodies do, it can be hard to get up in the morning.

What gets me up and moving?  Some days, I’m not sure, other than an unshakeable belief that I must keep trying.

I look at it this way.  I have talent for more than one thing — actually, like many human beings, I have talents for several things, but the major things I’m good at are music, writing and editing — and I want to keep using my talents.  Further, I want to develop them all I possibly can, and keep going as long as I can.

None of these things are earth shattering revelations, of course.  If you’ve read even one of my blogs (at least, any of the personal updates, or when I’ve talked writing, publishing, editing, or most especially about my wonderful late husband, Michael), you almost certainly already know this.

But I say all this because it’s rare that I see something on television that actually gives me hope.  Most of the TV programs I watch lately are downbeat (yes, even including Once Upon a Time, which has been focusing lately on rescuing Henry, who seems to be related to every other character through blood, marriage or adoption), and while the acting on some of these shows is phenomenal (James Spader has to be the frontrunner for an Emmy based off his work on The Blacklist, and Toni Collette would be my frontrunner for an Emmy for her work on Hostages), they are not exactly life-affirming in the traditional sense.

So it’s surprising when, while watching one of my favorite TV shows, Dancing with the Stars — something I’ve blogged about before, but not terribly often — I actually see something that is life-affirming.  More to the point, something that’s actually inspirational.

And the person who’s actually inspired me enough to write this blog is none other than former “wild child” turned respectable husband and father Jack Osbourne.  Osbourne’s dancing on DWTS has been very good to excellent all season long, but continuing to do his best despite his struggles with Multiple Sclerosis (by his own admission on DWTS last week, Osbourne had a nasty MS flare-up) and persevering to get to the finals is what got me to write this blog.

Of course, Osbourne is not the type of guy who thinks of himself as an inspiration.  He seems to be the sort of guy who gets up every day, goes to work (right now, that’s DWTS), puts in all the hours he needs to be good, then puts in the extra hours to be great, and then goes home to his wife and child without any undue fuss.

I think that’s why I like him, or at any rate, have liked what I’ve seen of him.  (Granted, I really enjoyed his sister Kelly, too, when she was on DWTS several seasons ago.)  I can relate to his work ethic and his refusal to give in to his illness, even though I can’t relate to his famous family, all the paparazzi he’s undoubtedly dealt with in his life, reality TV show fame, or anything of that nature whatsoever.

Still.  There’s something in what Jack Osbourne is doing with his pro partner Cheryl Burke that’s truly worth watching.  Jack’s become a very strong dancer, which came as a surprise to him and his partner, and because he’s fighting a long-term illness along with learning a new skill that’s way out of his comfort zone, he’s actually kind of endearing to watch.

In many ways, watching reality TV can be cathartic, especially if you see aspects of someone’s best self playing out on TV.  It can also be uncomfortable, as even the most admirable person doing the most admirable things can do and say things we, ourselves, would not say or do — but then again, if we were meant to be alone in our skulls, unable to learn anything new from observation or life experiences, what would be the point of living?

Anyway, we all have our own journey to make in this life.  Some of my journey hasn’t at all been what I’ve expected.  I lost my husband way too early, and every day, it’s a struggle to keep going — I’m not going to lie.

But on the other hand, because I keep going, keep fighting, keep writing as best I can, keep editing, keep playing my music whenever my health allows — well, folks, that’s a victory.

I take my victories where I see ’em, and I’ve had a few this year despite the illnesses and the arthritis and the carpal tunnel syndrome and all the other crapola I deal with on a daily basis.  I sold two stories (granted, still can’t talk much about the second sale, but just as soon as I’m cleared, I will).  The first half of my novel, ELFY, will appear during 2014 through Twilight Times Books — if all goes well, it’ll finally be out in April — which will complete a nearly eleven year odyssey (yes, ELFY has been in existence, more or less in its current form, since the end of 2003).  And it will vindicate my husband’s belief in me, which is no bad thing . . . though my husband would tell me, if he could, that I vindicated his belief in me long ago just by being myself.

I’ve hung on to my dream, and I’m still hanging on.  I think my dream of being a highly competent writer, editor and musician is achievable, and I continue to work at it in some way, shape or form every day.  And the reason I’ve hung on to my dream is because I believe in the power of persistence — and I believe in taking victories where I find them.

So let this all be a lesson to you, folks — keep hanging on to your dreams, whatever they are.  And do take your victories, whatever they are, however they manifest, as you find them.

If so, you’ve already won — whether you know it or not.

Just Reviewed “Brave Genius” at SBR

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Folks, I’ve rarely read such an entertaining, interesting, thought-provoking piece of nonfiction as Sean B. Carroll’s BRAVE GENIUS: A Scientist, a Philosopher, and Their Daring Adventures from the French Resistance to the Nobel Prize, which is why I reviewed it this evening over at Shiny Book Review (SBR for short, as always).  Carroll’s conception is this — if not for the French Resistance, would we even know about Albert Camus or Jacques Monod?  Would they be the same men?  Would they have the same drive?  And without them, would the Resistance have been anywhere near as effective?

Everything else in BRAVE GENIUS, including Camus’ sterling accomplishments as a writer and philosopher and Monod’s work with enzymes (and Monod’s later accomplishment as the writer of perhaps the most unlikely bestseller in the history of mankind, CHANCE AND NECESSITY), is subordinate to this premise.  And Carroll makes a very good case as to why this was so, to the point that I compared his case a few times to Malcolm Gladwell’s OUTLIERS.

Here we have two men who were at the beginning of their careers in 1940 when the French government fell to the Nazis.  (Carroll calls this “leading ordinary lives,” but I don’t really think any life is ordinary.  I’d rather say that they were still important, driven men who hadn’t yet found their voices.)  They were forged in the fire of the French Resistance, and without their efforts — Monod as “Malivert,” one of the top fund-raisers and activists in all of the French Resistance, and Camus as the then-unknown editor of the influential underground newspaper Combat — would everything have taken the same course at the end of World War II?

The World War II historicity here is palpable.  The suspense is still there, sixty-plus years after all of Monod’s and Camus’s efforts.  And it’s by far the standout part of the book, which it needs to be as this is Carroll’s central premise.

Overall, I think BRAVE GENIUS is one of the most interesting, most compelling pieces of nonfiction I’ve read all year.  It’s not 100% perfect (which is why I gave it an A rather than an A-plus), but it’s riveting, especially in those World War II sections.  Literally, if you open this book up and start reading, you won’t want to stop, even though some of Camus’s ideas (not to mention Monod’s research) takes more than a bit of thought to plow through.

That said, I think you definitely should continue on with BRAVE GENIUS no matter how long it takes you to finish it, precisely because those ideas are so important.

Really, if you’ve ever cared why existentialism as a philosophy matters (even though there’s evidence Camus hated the term and probably would’ve come up with another one, given time), or wondered what the French Resistance actually did during the Vichy appeasement besides the simple term “resist,” this book is for you.  And if you want to know why Monod’s research was so important, or more about Monod’s book CHANCE AND NECESSITY (not an easy read to get through, but a book with more compelling ideas per capita than most), or simply want to know more about what these two important, influential men were like as people, this book is for you.

I couldn’t recommend this book more highly, in short . . . so go grab a copy of BRAVE GENIUS (from your local library, if nothing else) and start reading as soon as you can.  Then come back here and let me know what you thought.

Written by Barb Caffrey

September 29, 2013 at 12:20 am

Just Reviewed Katharine Eliska Kimbriel’s “Night Calls” at SBR

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Folks, today’s review of Katharine Eliska Kimbriel’s NIGHT CALLS is up over at Shiny Book Review (SBR for short) and it’s something special.

You might be wondering why that is.  Well, today is the ninth anniversary of my beloved husband Michael’s death.  It’s not easy for me to do much of anything on days like this, so if I feel strong enough and competent enough and capable enough to review a book, right there — in and of itself — you should realize I feel very strongly about it.

But more to the point, NIGHT CALLS is a heartwarming book that should delight all lovers of fantasy.  It features a strong, capable young woman in Alfreda Sorensson who’s no one’s plaything; unlike the meek and mild female characters in Stephanie Meyer’s conception, Alfreda does for herself, thank you.  And in taking on responsibility slowly, we can see how Alfreda grows and changes and learns . . . all good, all life-affirming, all an excellent message if you need one, but done in such a way that it’s subordinate to the story itself.

To write a novel that’s more than the sum of its parts is very difficult.  Now, I’ve reviewed four of Katharine Eliska Kimbriel’s novels, and all four have been able to do this to one degree or another, in two different genres, no less — an outstanding record that I’ve rarely seen out of anyone not named Rosemary Edghill.  And best of all, to my mind, is this — NIGHT CALLS is a comfort book in that there’s so much good in it, so much meaning in it, that it’s something that I can see myself turning back to read and re-read many times over the years — just as I’ve done with Rosemary’s TWO OF A KIND and MET BY MOONLIGHT and all her shared work with Mercedes Lackey, not to mention Rosemary’s excellent “Hellflower” series (written as eluki bes shahar) and her three novels in the “Twelve Treasures” series.

That’s the highest praise I can possibly give.

Now, why would I want to write all this on one of the most difficult days of the year?  Well, it’s simple.  Michael and I both loved to read young adult novels.  We found them to be interesting, in the main, because seeing a coming of age story done well is, in and of itself, life-affirming.  If you can do it with some humor and heart — as Patricia C. Wrede did in CALLING ON DRAGONS, say, or as Diana Wynne Jones did in her “Chrestomanci series” — so much the better.

And trust me, Ms. Kimbriel did exactly that in NIGHT CALLS.

It was reading books like Ms. Kimbriel’s that inspired me to start writing ELFY in the first place.  Which is why I’m very glad to be able to read and review her work, even though until this last year I hadn’t a clue it was available.  The good part about that is that I’ve read four of her excellent books this year, and all four of them — the three in her “Chronicles of Nuala” series and NIGHT CALLS — are likely to be on my “best books of 2013” list.

This makes me wonder how many other excellent writers are out there that I don’t yet know about.  (“More writers left to explore?” I say.  “Whee!”)

And it also gives me some hope that my own writing career is not yet dead, even though my health this year has been terrible and I’ve been slow off the mark to get things done despite all the good will in the world due to that.

Anyway, that’s why I reviewed Ms. Kimbriel’s excellent NIGHT CALLS today.  For hope.  For inspiration.  For the belief that despite bad things happening, good people can still win out.

And I think that if you give Ms. Kimbriel’s work a try, you, too, will be favorably impressed.