Archive for the ‘Writing’ Category
Just posted review at SBR for “The Waters Rising”
Folks, please go read my review of Sheri S. Tepper’s unique, thought-provoking novel THE WATERS RISING. It is a novel that’s slow to develop, yet I enjoyed it a great deal — novels do not have to start quickly to be understood. (I wish more agents realized this; Ms. Tepper thanked hers, so he at least obviously understands this. Though I also realize that as Ms. Tepper is a well-known author, someone readers will seek out, that analogy only goes so far.)
At any rate, please go read my review, then check out Ms. Tepper’s book. Perhaps if more people read interesting novels like this one, agents won’t be so leery of trying something new. (One can only hope, anyway.)
Here’s the link:
WinningWriters.com Mentions My Blog in their end-of-the-year Newsletter
Folks, I was very pleased to see that WinningWriters.com had mentioned my blog in their recent end-of-the-year newsletter — though I knew in advance that they were at least thinking about it as I’d heard from WinningWriters.com editor Jendi Reiter (herself an excellent poet) that they appreciated what I’d written in my second blog about their War Poetry Contest.
I once again do not know how to properly give links to WinningWriters.com as this isn’t a page I found a way to see without actually logging in, but I can cut and paste what they said, first about my blog:
*******
BARB CAFFREY’S BLOG: “More on the War Poetry Contest at WinningWriters.com”
We appreciate Barb Caffrey’s recent comments about our War Poetry Contest on her blog. Here is an excerpt:“Those fighting the wars in Afghanistan and Iraq deserve our support, and our understanding. And the first part of giving our support and our understanding is to listen, to read, and to understand—not to shut out the soldiers who’ve given everything of themselves in order to derail the al-Qaedas and Talibans of this world so perhaps fewer innocents will die than would’ve died had our soldiers not given everything they have in the attempt.
“The War Poetry contest is a good way to keep the conversation going, and to understand exactly what is going on with our returning soldiers and how hard it is to deal with what most of us see as ‘normality’ after dealing with things that no man, or woman, or child should ever have to see. It also is a way to affirm the sacrifices of our men and women in a positive, life-affirming way.”
****** End cut-and-paste from Newsletter.
The kind folks at WinningWriters.com also listed my publication credits — more of ’em than I’d expected, actually, though I was very pleased with the “shout-out” — in this bit from the newsletter, once again cut and pasted:
Barb Caffrey has placed four short stories with e-Quill Publishing, a new e-book publisher in Australia: her original tale “The Fair at South Farallon”, a science fiction satire about aliens, friendship, and unemployment; “Iron Falls”, a near-future military suspense tale co-authored with Piotr Mierzejewski; and two stories co-authored with her late husband Michael B. Caffrey, “Trouble with Elfs” and “A Dark and Stormy Night: A Joey Maverick Adventure”. Three of Mr. Caffrey’s stories about Princess Columba and her shapeshifting cat/husband have also been released by e-Quill as a special anthology. Her poem “A Love Eternal” will appear in e-Quill’s anthology of poems about mortality. Visit their author pages (at e-Quill Publishing — www.equillpublishing.com). Ms. Caffrey blogs at https://elfyverse.wordpress.com. In other news, her poem “No Rest” was accepted by Midwest Literary Magazine for inclusion in their November issue and their anthology Bearing North.
********* end cut-and-paste.
I really appreciate them mentioning Michael’s work — his “Columba” stories — and that they mentioned my blog, not once, but twice.
I’ve known about this for a few days, but wanted to wait to post until Sunday — as Sunday is, for many, a day of private reflection where we might, occasionally, remember to give thanks for the good things which happen to us (along with condemning the bad ones, which tends to go on every single day).
Anyway, I’m very pleased about this; I just wish I knew how to give some decent links. But since I don’t, please go look at WinningWriters.com for yourself and sign up for the basic newsletter as it’s free — and as I’ve said before, I’ve found it very helpful and interesting.
BTW, the links that the kind folks at Winning Writers put in didn’t work when I cut and pasted them into this e-mail — I had to take them out (as they all referred back to WordPress’s “types of blogs” thing, which wasn’t what they should’ve done) — including the link to the War Poetry Contest itself. My apologies in advance for that error . . . I’m not great with links, but this is the first time a simple cut-and-paste did not work.
More on the War Poetry Contest at WinningWriters.com
Folks, I wrote to the kind folks at WinningWriters.com and asked for a link that would work so I could talk more about the War Poetry contest than I had, and Adam Cohen wrote back to me this morning with a link that will work:
http://www.winningwriters.com/contests/war/2010/wa10_pastwinners.php
Now, let’s talk about the top three poems since I have a good link to the contest that y’all can use. (By the way, if you are a poet or a writer or want to know more about what is available out there to read and to try for as far as contests go, the WinningWriters.com Web site is an outstanding place to start your research. I’ve been getting their free newsletter for at least a year and a half and I’ve found it very helpful.)
The Grand Prize winner was Gerardo “Tony” Mena with his poem, “So I was a Coffin.” (He won $2000.) He is a veteran who served in Iraq and Afghanistan, and his poem was written for his friend Corporal Kyle Powell.
This poem is searing in its imagery, and goes through a series of steps — we first see a spear, and when that doesn’t work, we see a flag. When that isn’t quite right, we see a bandage — and this is where the poem really starts to hit between the eyes — and when the bandage doesn’t work, then the poem talks about coffins. And about how finally, at long last, he’s a “good coffin,” when he’d been inadequate as a spear, a flag, and a bandage.
This poem stands one step away from heartbreak from the beginning, and its imagery is stark in its simplicity. Knowing it was written for Mr. Mena’s friend just adds another layer to what makes this personally moving, but even had I not known that (had Mr. Mena not said anything about it) I believe this poem would’ve had similar emotional intensity.
The second place winner, Bruce Lack, sent in three poems entitled “FNG,” “Get Some” and “Hadji.” Mr. Lack is a former member of the United States Marine Corps, and it’s obvious he’s used his military service as a springboard for his poetry. All three of these poems are searing, and there’s bad language in two of ’em — understandable bad language, to be sure. (I mention this in case anyone wants to read these with their children; adults, please check these out by yourselves just in case.) He won $1200 for his poems, but as with Mr. Mena, it appears far more important to Mr. Lack that his poetry be read and understood than that it earned money. (I’m sure neither of them are adverse to the money; it’s just that these poems do need to be read and understood by as many as possible.)
Specifically, “FNG” is about a soldier’s duty and how you’re supposed to keep yourself “shipshape and Bristol fashion” at all times. (That’s not how Mr. Lack puts it, mind you.) “Get Some” is all about a soldier who saw one of his friends die, and how he can’t put that image out of his mind no matter how hard he tries to resume his life. And “Hadji” is about war, and about what he thought he’d see but didn’t — yet what he saw was far more than he could deal with.
All three of these poems work as a set, but they’d work by themselves, too. But as a set, they show that even the most mundane tasks a soldier deals with daily can be difficult to deal with because all of them — all — lead to the soldier’s ultimate duty, that of war and how he (or she) must learn to deal with what they’ve seen and done, not to mention wanted to do.
The third place winner is Anna Scotti, and is the only non-veteran in the top three winners. Her poem is called “This is how I’ll tell it when I tell it to our children,” and it’s about “prettifying” the war so what the soldiers did to the protagonist doesn’t seem as terrifying as it actually was. Ms. Scotti won $600 for this poem, and it is a nice counterpart to the four other poems written by Mr. Lack and Mr. Mena in that it’s quieter, but no less intense. This is the one poem of the five that takes some effort to read, but once you figure out she’s talking around the subject rather than about it, it becomes just as heart-rending as the others.
I believe that this War Poetry contest is extremely important to highlight, which is why I’ve written this second (and far more comprehensive) blog about it. The two wars in Iraq and Afghanistan have fallen out of the public consciousness to a degree because for whatever reason the media isn’t covering it as much as it used to — maybe they’re bored with it. Or maybe they just don’t think it’s “sexy” to talk about people dying in a far-away place for an undetermined objective. (Or, rather, an objective that the media would rather not discuss; trying to undermine al-Qaeda or the Taliban is very important, but it’s something that can’t be conveyed in a quick “sound-bite.”)
I’ve known many veterans in my life; my husband Michael was a proud Navy veteran, my father is a proud Navy veteran, my uncles served in the Army and Marines, my cousins have served in the Marines and the Army, and my friends have served in all branches (Army, Navy, Coast Guard, Marines, and Air Force). I believe that serving our country is extremely important — my own health would never allow me to serve (I tried, in my youth) — but we can’t forget what our fine men and women see when they’re dealing with war and death. We can’t “prettify” it — that’s why Anna Scotti’s poem is so moving — or “gussy it up” so it’ll be more acceptable in a conversation. And we certainly cannot ignore it, because that also ignores the huge sacrifices our military men and women have made for us over the years and is damned cruel, besides.
Those fighting the wars in Afghanistan and Iraq deserve our support, and our understanding. And the first part of giving our support and our understanding is to listen, to read, and to understand — not to shut out the soldiers who’ve given everything of themselves in order to derail the al-Qaedas and Talibans of this world so perhaps fewer innocents will die than would’ve died had our soldiers not given everything they have in the attempt.
The War Poetry contest is a good way to keep the conversation going, and to understand exactly what is going on with our returning soldiers and how hard it is to deal with what most of us see as “normality” after dealing with things that no man, or woman, or child should ever have to see. It also is a way to affirm the sacrifices of our men and women in a positive, life-affirming way.
But the War Poetry contest really needs more people to go and read these fine poems (including the honorable mentions and the published finalists — I didn’t see a bad poem in the lot) and reflect upon what our veterans have done for us, as shown by the many veterans (and non-vets) who’ve written outstanding poetry about war for this contest.
So please, go to the WinningWriters.com Web site — go to the link that was provided — and read these poems. Then think about them, and talk about them, and pass them on to your friends and neighbors. Because maybe we can get the conversation going that seems to have been woefully absent in Washington, DC, and in all of our state legislatures besides — and a “maybe” in this case is far better than the “Hell, no!” our servicepeople have been getting to date in their personal re-writing of history in order to make it more palatable to their children, to their spouses, and to their friends.
A Round-Up of Thoughts: Bristol Palin, War Poetry, and more
The last few days, I’ve been under the weather, so I have more than one subject I’d like to talk about today.
First, if you haven’t been to WinningWriters.com yet, now’s the time to go. They have a War Poetry contest every year and the winners have been announced; I read the top three winners’ poems along with several of the finalists and honorable mentions, and can say without equivocation that they contain some of the most harrowing imagery I’ve read in quite some time. Two of the top three poets are veterans of the Iraq and Afghanistan wars, while the third is not . . . if you enjoy poetry but think there’s nothing new under the sun, nor that there’s any way for poetry to convey war in any sort of meaningful or relevant way, I urge you to go to WinningWriters.com and check out the winners of the War Poetry contest. (The links will not work unless you’re a member, I found out with an earlier version of this blog, which is why I have not posted links.)
Second, and far less serious: what on Earth is Bristol Palin still doing on “Dancing with the Stars?”
(While it may seem a travesty to have the erudition of war poetry and Bristol Palin in the same blog, these have been the two major things that have gone through my mind in the past two days, thus this blog.)
Listen. I have nothing against Ms. Palin. She was asked to be on “Dancing with the Stars,” has competed to the best of her ability, and has shown improvement. She’s done what she’s supposed to do, but something has gone wrong with both the voters at home (voting by e-mail or telephone or text) and the judges panel of DWTS.
Put simply, Ms. Palin is not up to the level of previous finalists, and while she’s been compared most to Marie Osmond or Kelly Osbourne or even Warren Sapp (all of them being finalists that were good performers, or in the case of Mr. Sapp, a good performer and a professional athlete, being a retired football player, but not necessarily outstanding dancers), I don’t really see that in her because Ms. Osmond was beloved by most of the audience because she was over 45 during her season on DWTS, was out of shape and overweight when she started, and while she’d had an extensive performing career (and still does) as a singer, she’d never danced much beyond some very basic moves on stage with her brothers (most particularly her brother Donny). And Kelly Osbourne was overweight and not exactly in shape when she started her “journey” on DWTS (by the way, the word “journey” has been so overused by DWTS and other reality shows; I’d prefer a different word such as “struggle,” or “toil” or “Labor”), so she won the hearts of the voters by how hard she tried. And of course Warren Sapp was out of shape and also overweight when he started DWTS; all three of these contestants, Osmond, Osbourne and Sapp, lost significant amounts of weight and thus their hard work was able to be seen and measured.
I hate to stress the “they were all out of shape and overweight” part, but they were — the other thing that binds Osmond, Osbourne and Sapp together were that none of them were expected to go to the finals, yet you could tell how much they enjoyed being on DWTS. To be blunt, the only competitor this season who engenders any of the feelings Osmond, Osbourne or Sapp did is Kyle Massey (whose professional partner is the inestimable Lacey Schwimmer), not Bristol Palin.
Ms. Palin is at a disadvantage, yes, because she’s not a performer, is not an actress, not a model, not a professional athlete, yet she is athletic — she played volleyball, softball and other sports in high school and hikes and bikes and does all sorts of athletic things for fun in her off-hours. So in that sense, she’s certainly healthy enough to do well at DWTS, and as I said before, she has improved.
So why am I upset about it? Well, there is evidence that many people who follow her mother, politically, have power-voted for Ms. Palin using fake e-mail addresses, exploiting a bug in ABC.com that other power-voters have apparently done before (I’ve followed this show since the second season, and never knew about this; I’ve always used only my legitimate e-mail addresses to vote). This has skewed the voting somewhat in Ms. Palin’s favor because apparently more people have done this for her than have ever done it for anyone else in the past, plus, they’ve done it publicly. (There are multiple stories online about this at the moment; I prefer the LA Times one which has timed out for me — apparently it’s getting many hits. Type in “Bristol Palin voting scandal” into Ye Olde Search Engine and you will find it, though.)
Because of these “power-voters,” Ms. Palin has outlasted better contestants — five of them, to be precise. She’s taken out Brandy (this week), Kurt Warner (last week), Rick Fox (the week before that), Audrina Patridge (the week before that) and Florence Henderson (the week before that). All of those — all — danced better than Ms. Palin does right now at the time of their elimination, and considering Florence Henderson is over 70 years old, that’s saying something.
Ms. Palin can’t help who votes for her, or the method in which they’re doing it. But she can ask that people who don’t watch the show refrain from voting; that would be a classy move and would take away some of the negative publicity she’s been getting since Brandy, and not Bristol Palin, went home this last Tuesday night.
Now, as for the judges? They’ve been giving Ms. Palin marks she doesn’t deserve for weeks now, and that has to stop. Ms. Palin has improved, yes, but she’s improved from a three on Len Goodman’s scale (he gave an explanation of how he votes a few weeks ago during the results show) to probably a six on a good day. She has no natural rhythm and no performance skills, and at some level she must know this because her body is stiff and her face has almost no expression on it much of the time. She does not look happy while she’s dancing and she does not look like she enjoys herself; instead, it looks like dancing is a struggle for her (which I sympathize with; I’d do very poorly on that show, which is why I’d never be a contestant even if I were famous), and that she’d rather be anywhere else than dancing in front of millions of people (hundreds in person, the rest via television, of course).
The judges must score her honestly; if she only gives a dance that’s a six on Len’s scale, that’s what they should give her — not nines, like she got last week, or eights, or sevens — sixes. And if the others are not giving ten-worthy performances (it’s very hard to get a perfect score in the real world), don’t give them tens, either! (How tough is this, judges?)
I’ve been thinking about this for the past two days now, and while it’s probably a waste of my time and energy, I can’t help but to dissect the problem. Ms. Palin didn’t ask for anyone to use fake e-mail addresses to vote for her, and she’s done what she’s needed to do — dance, improve, and have fun (I’ll take it on faith that she’s had some fun as for the most part I’ve not seen it). But that doesn’t mean she’s learned to dance well enough to become a DWTS finalist, and she would’ve been better off in many respects to have gone home this past Tuesday.
It’s time for DWTS to realize that their voting system has been subverted and deal with it, openly, honestly and in a completely above-board manner. Only in that way can I have any hope as a longtime viewer of DWTS that whoever wins this season’s “coveted mirror-ball trophy” is the true and legitimate winner.
** Note: Host Tom Bergeron recently said in a long interview that if you don’t vote, you shouldn’t complain. I did vote — though my five votes can’t help Kyle Massey and Lacey Schwimmer much compared to the “power-voters” for Bristol Palin and Mark Ballas, I did vote.
My poem, “No Rest,” accepted at Midwest Literary Magazine
I found out a few days ago that my poem, “No Rest,” has been accepted at Midwest Literary Magazine and will be in an anthology from them called “Due North” along with their November issue. Here’s their press release, which only gives my name — but does prove my work was accepted so I’m printing it:
http://midwestliterarymagazine.com/2010/11/14/congratulations-november-authors/
I wrote “No Rest” two years ago, kept revising it (I have at least seven different versions, which isn’t uncommon for poets — Dylan Thomas used to work and re-work his poetry constantly, and so did Byron and so did many others like Coleridge and Keats), and finally placed it this year toward the end of 2010. This is my third poetry sale; the first was to the Written Word online magazine in 2006 with my poem “A Love Eternal,” then sold my poem “Break the Dark Lens” to Joyful! Online magazine in December of 2009.
The writing life is fraught with peril, financially, and is extremely difficult to deal with mentally as there’s far more rejections than acceptances involved for any writer — much less someone who’s not well-known like me. But days like this are good ones; I wrote a lot this morning (see my earlier blog of today’s date for details) and placing “No Rest” at the Midwest Literary Magazine helps give me encouragement. I’d badly needed it after having possibly the best story I’d ever collaborated on rejected by the Writers of the Future contest as I’d reported last Friday.
The best thing you can do as a writer is to persist, while the second best thing you can do is to keep your work out there as best you can. I believe submitting stuff is very important, but refusing to give in and continuing to work on your craft however you can is the absolute most important thing when it comes to writing, bar none. So don’t let the rejections stop you, my friends; keep on keepin’ on, as that’s literally the only way to succeed in this business at any level.
Writers of the Future bounces 3rd quarter story.
Folks, some nights are beyond frustrating, and this is one of them.
The story I sent to WotF in the 3rd quarter is a Joey Maverick tale set in my late husband’s universe, with mostly his characters — this is the second tale, and for this one I’d added a great deal of things (more plot layers, a few new characters, deepening of the characters already there, some internal monologue). And were Michael alive, it would’ve been Michael who’d sent this in (providing he wrote all this in, of course), and I’d have been the one checking the MSS — meaning I’d have caught stuff that apparently got by me this time.
All I was told was that my story (based on Michael’s “Maverick” universe) “didn’t go in double-spaced” (I thought it had; I know they want traditional MSS format, which is what I use constantly) and I noticed on the page they sent back (which indeed wasn’t double-spaced, though I haven’t a clue why at this remove) that it had the wrong header — which I know I fixed. I was on my Mom’s computer at that point, not mine (Mom has air conditioning, and I don’t), and I know Mom’s computer can do some odd things to formatting. That’s probably what happened to the headers (I checked, but probably saw what I wanted to see; this is a failing). But as for the double-spacing, I haven’t a clue. Because I do know better.
At any rate, this is probably the best story I have ever sent them, and because of these two things, the story itself wasn’t considered. I don’t blame them for this, because they get so many stories, they’re going to have to kick stuff out however they can — they once bounced “Trouble with Elfs” because they said the “protagonists’ ages (were) too young,” because they were teens, even though I’ve seen stories about teens in the WotF anthology before and probably will again. That one frustrated me even more than this one, because it was perfectly formatted; fortunately, the story eventually sold in 2007. (I sent it to WotF in 2004, long before Michael passed away.)
I sent them something for the September 30th ending quarter, but I have no hopes for that story (which means it’ll probably be the one that finally breaks through, right?) — this was the one I had the hopes for, not that one.
It frustrates me beyond belief to be thought of as someone who didn’t do her homework; I always double-space my manuscripts, from the start, and when I got the print-out off the printer, I looked at it — I’d checked. It printed out double-spaced fine, for me. I still have the copy I printed out, for comparison; it is double-spaced throughout.
Mind, I believe I will place “Joey Maverick: On Westmount Station” quickly, so all is not lost.
But for a writer who’s doing her damndest to be professional in all her dealings, stupid crap like this bugs me. It truly does. And the only good thing stuff like this does is to remind me to check the formatting four or five times in short stories, and perhaps wait on the story a day if I have that time; you can call this a hard-won insight if you’d like, though I’m still mad as Hell at myself for not seeing this when I sent it in.
Realms of Fantasy bought . . . UPDATED
. . . by Damnation Books LLC.
UPDATE: Preditors and Editors does not recommend Damnation Books LLC; please see their Web site for further details:
Preditors and Editors is a highly reputable site that monitors agents, book publishers, and more. If they say this market is not recommended, I’d steer clear unless and until Damnation Books LLC proves they will be much more responsible and reliable than they’ve apparently been in the past.
Jason Cordova, in the comments section, said that he knew Damnation Books LLC wasn’t reliable; perhaps he’d checked Preditors and Editors.
The other things I found out about Damnation Books LLC with a quick search is that they do something rather odd; their e-book prices go up .05 per copy until 119 sales are reached, at which point they stay at $5.95. This is not author-friendly, to put it mildly, and is a very unusual business concept — I don’t see how it’d pay anyone to do it that way. (Please see this thread, here:)
http://absolutewrite.com/forums/showthread.php?t=155548
Worse yet, it appears from this thread that Damnation Books LLC makes their “real” money by the illegal use of what’s called a “kill” fee, where they do something wrong with your manuscript — bad editing, bad cover, bad whatever — then you end up paying them to get out of your contract. This is a horrible business practice, and it is one I cannot support.
Note that it’s not only unethical to do something like this (the whole “kill fee” issue), but it is illegal unless it’s actually in the contract. Even there, it probably won’t hold up in court because it’s not a normal business practice, so if for some reason anyone reading this blog has had bad dealings with Damnation Books LLC, they should go to a lawyer and find out their rights pronto.
The publisher pays the writer. It’s not supposed to be the other way around, and whenever you see writers paying the publisher instead, that is not a good sign.
It’s too soon to know whether they will behave at Realms of Fantasy the way Damnation Books LLC has behaved so far in their two years of professional existence. But since they have a history that’s bad, I’d not submit there until or unless I heard they had profoundly altered their business practices for the better.
Now, back to the link, and the original post. (BC)
******
Here’s the link:
http://www.rofmag.com/2010/11/09/damnation-books-llc-buys-realms-of-fantasy-magazine/
The substance of the press release states that all subscriptions will be honored by the new publisher; there’s a new address to submit stories, and the April 2011 issue will be a dark fantasy issue to commemorate the World Horror Convention. Damnation Books LLC will host a party there, and will have a booth in the press area, according to this press release.
Only time will tell how the new publisher does, much less the type of stories the new publisher buys; as for the editors of Realms of Fantasy, no official word is forthcoming.
New book review — LMB’s “Cryoburn” — plus remembering my husband, Michael
I reviewed Lois McMaster Bujold’s new novel about Miles Naismith Vorkosigan, Cryoburn, at the “sister” site Shiny Book Review this evening. Please go to this link:
All I’ll say here is, Cryoburn is worthy, interesting, and weighty — but not a pleasure-read by any stretch of the imagination. Make sure you are prepared for this, as Cryoburn, simply put, is all about death — and potential revival, for those who elect it — and that is not an easy or lightweight subject to contemplate.
And as for the writing of the review, it was far more difficult than I’d anticipated. I really, really like Lois McMaster Bujold’s writing — I like it a whole lot. But a novel about death, and about the survivors of those who’ve died but may yet be revived — well, it’s not an easy novel to enjoy, let’s put it that way. (At least not for me as a widow.)
******** SPOILER AND REMEMBRANCE ALERT ********
Reading Cryoburn stirred up all sorts of issues I thought I’d dealt with in my grief cycle, because I completely understood why Cordelia Naismith Vorkosigan made the choice she did at the very end (in her “drabble,” a short bit of story in 100 words). I would’ve done exactly as Cordelia, and for the same reasons, were our medical technology more advanced at the time of my beloved husband Michael’s passing; if a man has brain damage, and it is extensive — whether it’s from lack of oxygen or whatever else — and medical science cannot bring him back to the level he was before the brain damage, what kind of life would that be?
Fortunately I did not have to make that determination. Michael fought hard for life and I knew he wanted to stay with me. I desperately wanted him to stay with me, too, and prayed hard for that miracle to occur. But it wasn’t to be; his life on this plane of existence ended, but who he was and what he was all about lives on. That’s what Cordelia understood that her grieving son, Miles, did not get — maybe could not get. Simply put: the most important thing about her husband’s life, or mine, is this — he lived it his way.
If you’ve followed my blog to this point, or know anything about me at all, you know full well that I will do whatever I possibly can, ethically and morally, to keep Michael’s writing alive. I will finish it since I must, even though I wish with all my heart and soul and spirit that Michael were still with us in the totality of his intelligence, bright spirit and strong will. I’d rather he were alive to do this, because I loved watching him create, and I loved reading his stories.
Still. I am the only one left who understands what he was getting at, and I can write his style (with great effort, but I can do it). That’s why I will do whatever I can to complete his work, because in that way and only in that way do I feel like I’ve remembered Michael properly, as the man he always was — creative, alert, intelligent, witty, and beloved beyond words.
It’s important to remember a person as he lived, not as he died. That’s why the process of creation is so important to me. It was important to Michael, too, because writing something, creating something, meant we’d done something no one else on the planet was able to do in the same way. Creating is one way of exerting your own sense of individuality, of how you see the world, and it’s the best way to remember a creative person, in my opinion.
At any rate — while life is for the living, it’s also for remembering, positively and with great care, the honored dead. Maybe that’s why it was so hard for me to like Cryoburn, as it hits way too close to home for comfort.
On the Meaning of Friendship.
One of my friends on Facebook sent along a “status update,” something that’s supposed to discuss what she’s experiencing or thinking about. Hers was on the nature of friendship, which got me thinking about what, to me, constitutes a true friend.
To me, a true friend is someone who cares about you regardless of your background, your financial status, how you look, what your house or car might look like, or even if you have a house or car at all. A true friend cares about you because of who you are, not what, and he or she cares because of what makes you the unique individual you’ve become.
Or, to put it another way, friends care. They care how you’ve lived your life — what experiences you’ve gone through, and how they’ve made you who you are. They help you observe the various life lessons you’ve learned over time, and celebrate your achievements while mourning your setbacks. These are the things that bind you together.
It is that spark of interest from another person as to just how you’ve managed to get through it all that celebrates the best part of humanity. And it’s one of the things that makes life worth living no matter how difficult it may be the rest of the time.
I can’t say enough about the value of true friendship. Friendship is beyond any monetary price tag, and is right up there with love as far as I’m concerned.
If you have a good friend, cherish him or her, and tell your friend often how much you care. Life is too short, a truism often heard but rarely felt. Please don’t leave words unsaid if you can help it.
The Economy 2, SF/F magazines, 0 — or, RoF and DoD shut down due to poor sales figures.
I was shocked to read at Ralan.com this evening that both Dreams of Decadence and Realms of Fantasy (also called DoD and RoF by cognoscenti) are shutting down immediately due to poor sales figures. I knew Realms of Fantasy was in trouble; I didn’t know Dreams of Decadence was also in trouble, though they were both owned by the same parent company.
Warren LaPine, the publisher of Realms of Fantasy, said this in his final letter from the publisher, available at this link http://www.rofmag.com/2010/10/18/a-note-from-the-publisher/ :
I invested more than $50,000.00 of my own money into reviving (Realms of Fantasy). I tried every traditional method I could think of to increase the circulation, but nothing worked. I also spent a great deal of money trying nontraditional methods. I advertised online with Google and Facebook, neither of which came close to covering their costs. And we created DRM-free electronic versions of the magazine to see if that would help increase our circulation. Sadly, the DRM-free versions never sold more than twenty five copies per issue, and the Kindle editions sold fewer still.
As things stand, I would need to invest another large amount of money simply to continue publishing the magazine at its current level—an investment that I do not believe would have any chance of repaying itself. So, unfortunately, I have no choice but to close Realms of Fantasy and Dreams of Decadence.
This is horrible news for readers, who now have fewer choices when it comes to quality magazines that publish science fiction and fantasy, but it’s even worse news for writers. Simply put: the economy gets us coming and going. We all scramble for the available markets, and while a few new ones have opened that seem very, very good (Redstone SF, Daily Science Fiction, and John Joseph Adams’ new Lightspeed magazine), it seems that every time we turn around, there’s another venerable SF&F magazine like RoF biting the dust.
It’s sad. It’s shocking. And I wish I didn’t have to report such horrible news.
The only potential good that may come out of Mr. LaPine’s note as of 10/18/2010 is that he’s willing to sell Realms of Fantasy for $1. That’s right. One whole dollar. But don’t try to buy it unless you’re willing to put at least as much money — and time — as Mr. LaPine . . . I know that if I had at least $50K start-up, I’d be glad to buy Realms of Fantasy and Dreams of Decadence and put everyone back to work.
But I don’t. And many writers/editors are like me — flat-out busted.
So for now — and perhaps forever — we must bid adieu to these two fine magazines. How I wish it weren’t so.
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