Barb Caffrey's Blog

Writing the Elfyverse . . . and beyond

Working, Working…

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Folks, I thought I’d drop in a quick bloglet to let you all know I’m hanging in there.

Mostly, I’ve been editing a few different high-priority projects. (I’m also writing some music, and trying to figure out what comes next in my novel-in-progress Keisha’s Vow with whatever mental bandwidth I have left after editing and dealing with family concerns all day.) One is a nonfiction book. The other two are both anthologies; one is a multiple-author anthology, while the other is a single-author anthology.

Against the backdrop of work, work, and more work (and happy to have it, let me tell you), I’m preparing for the eighteenth anniversary of Michael’s death later this month, AKA “the saddest of sad anniversaries.” I always become more contemplative around this time of year; in addition, I wonder more as to how I’ve managed to live all this time without the love of my life standing beside me in a way everyone can understand.

(I have to put it that way, because I don’t believe Michael’s love went anywhere. I still feel his spirit, even now, almost eighteen years later. Because I knew him so well, and knew how much he loved me, I am able to continue on, though it is very difficult. But I digress.)

I’ve thought long and hard about many things, lately. Mostly, I’ve contemplated mortality, though it’s more along the lines of, “Is there still enough time for me to finish everything I’ve got in train?” (This comprises all editing projects, all musical compositions in progress, and of course all my writing projects.)

I don’t know the answer to that. Not to any of it. But I’ll keep trying, anyway, and hope that by putting one foot in front of the other — and by doing everything I possibly can every day — I’ll make progress.

Now, enough about me…what’s going on in your life? (Tell me about it in the comments, if you feel so kind. I get tired of shouting into the void, as the void never shouts back.)

Written by Barb Caffrey

September 8, 2022 at 3:22 am

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A Quick Writing Bloglet

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Folks, I just wanted to let you know I’ve sent out a 5500-word story to an anthology.

For the past three or four weeks, I’d been working on this. I knew the main characters right away–one man, one woman–and their respective situations. They have to make an alliance marriage to save both of their families from extinction, but they don’t know each other (the man knows of the woman, and knows she’s a female fighter/merc type), and the beginning of it all felt like setup to me.

I don’t know about you, but setting up a story for me is like pulling teeth. I want to get to the action. Or the romance. Or the suspense. Or drama.

In this case, just as the marriage vows are sealed, bandits are spotted heading for them. The man immediately defers to the woman (which she didn’t expect), as she has much more experience than he as he’s a scholarly type.

I don’t want to give the rest away, so I won’t (bad me), but I hope the anthology editor is going to love it.

I’m also working on restarting (yet again) KEISHA’S VOW and finishing up three edits (one nonfiction).

What’s going on in your lives?

Written by Barb Caffrey

August 29, 2022 at 4:49 pm

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Hard vs Soft Rejection (and why the difference matters)

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Jason goes into the differences between soft rejections (meaning, fix what’s wrong and send it again) and hard rejections. This is well-said and possibly the most succinct-yet-folksy way of describing the differences between the two. Listen to him. (And don’t give up.)

Jason Cordova's avatarJason Córdova

Getting a rejection letter is hard. Quite frankly, it’s one of the worst feelings a writer will go through in their career. That feeling of utter failure, the emotional kick to the stomach that your baby just isn’t good enough. The anguish and despair upon reading “Dear [[insert name here]], we regret to inform you…” Rejection letters are inevitable in this business and we, as authors, are expected to take that rejection letter and move on.

But… but what if… the rejection letter isn’t quite what it seems? In fact, what if the rejection letter is an invitation to resubmit said novel? The only problem is, nowhere in the letter does it say this. Wait, what? Where is the manual for this publishing business, and why is it wonkier than dating in high school? Why is the principal a werewolf? Who let a zombie teach history?!

Ahem

Sorry. I digress.

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Written by Barb Caffrey

August 28, 2022 at 6:22 pm

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Milwaukee Bridge Opens Unexpectedly, Kills Tourist

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Folks, last week in Milwaukee, Wisconsin, there was a shocking accident.

A man, Richard Dujardin — a retired writer and religious reporter who’d covered the Dalai Lama, Pope John Paul II, Billy Graham and Jerry Falwell — was visiting Milwaukee along with his wife, Rose-Marie. They were walking over the Kilbourn Avenue bridge over Milwaukee River. Rose-Marie had safely crossed, but her husband was behind her, slowly navigating the bridge, and looking at his iPad. The bridge unexpectedly opened, Mr. Dujardin grabbed for a railing and held on for a few minutes, but then plunged over seventy feet to his death.

This is hard to fathom for many reasons.

First, when bridges open and close in Wisconsin, there are lights, sirens, and alarms. These all functioned properly and should’ve warned Mr. Dujardin. But he was 77, hard of hearing, and focused on his iPad.

In other words, he didn’t hear or see anything until it was too late.

Second, the bridge was operated remotely. More of Milwaukee’s bridges appear to be operated this way, rather than having someone directly on site who would’ve been able to see that Mr. Dujardin was still on the bridge before opening it up. No one has any idea how the poor man was missed, as far as I can tell.

(This is one reason I waited almost a week to discuss this.)

Third, the remote operator apparently didn’t see that Mr. Dujardin was still holding on to the railing for a few minutes before he fell!

This seems to be an egregious lapse, to put it mildly.

Anyway, I have felt terrible ever since I heard about this accidental death. I know how it feels to wake up a wife and suddenly, without warning, end up as a widow.

More importantly to me than that, though, was the detail that his wife had already crossed the bridge. That meant she was in front of him. She could not help him when this happened.

Longtime readers of my blog probably know this, but that’s exactly the situation I was in when Michael collapsed on the lawn at our rented duplex years ago. Normally he’d have been in front of me, or we’d maybe be side-by-side holding hands. But this one day, he was behind me…and then he fell backward.

(Yes, I rushed forward, but I couldn’t do anything to break his fall. That I would’ve dislocated both arms had I somehow been in position to catch him makes no nevermind.)

I’m now nearing the eighteenth year of my widowhood. I still see Michael falling, me unable to catch him, in blinding technicolor.

I would imagine that Mrs. Dujardin may end up having similar flashbacks.

Anyway, I’m well aware that life is short, that we have no idea whether today is our last or if we have eighteen more years of widowhood in our future. (Or whatever.) We can only do the best with every day and honor the memories and the love we shared as we continue to go forward in whatever halting way we can.

I feel bad for Mrs. Dujardin. I wish I could help her.

(I couldn’t help Eric Flint’s widow, Lucille, either, though I hope someone is. And someday, maybe I’ll get to meet her again and attempt to show kindness as well as respect, ’cause she deserves it. But I digress.)

All I can ask you, right now, are two things:

Number one: Be kind.

Why do I say that? Well, many people are on edge due to the ongoing Covid pandemic, politics seems even more brutal than usual, and folks have forgotten they have more in common with each other than not.

Some have decided as the world is bleak, they have permission to be their worst selves. They spread misery.

Don’t do it. Refuse the impulse.

Be kind, instead.

Number two: Help the widows and widowers in your life, no matter how long — or short — it’s been since their spouses died.

See, I can tell you for a fact that I still want to talk about the most important person in my life, who’s ever been in my life. That’s my husband, Michael.

Other widows and widowers have said the same.

Too often, we who are grieving are told to just “move on” and in that spirit, we’re supposed to look toward the future and either forget the past entirely or suppress it.

I’m sorry. I refuse to do either. And most widows and widowers that I’ve spoken to over the years feel the same way.

We want to speak about our favorite people. Our formative influences. Our various experiences.

We need to do that. It’s part of who we are.

Hell, even those who’ve ended up finding a second great spouse to marry have said the same things. They can love their second husband (or wife) even better because of the experiences they had with their first spouse.

Otherwise, I hope that Mrs. Dujardin finds out why the remote bridge operator screwed up. She needs to know why that was the final day of her husband’s life.

But I also hope that the people around her will be kind and support her in her hours of grief. She will need that kindness and support for the rest of her life (whether it be short or long).

My Thoughts on the Salman Rushdie Stabbing

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Folks, yesterday, in Chautauqua, NY, author Sir Salman Rushdie was about to give a speech at the Chautauqua Institution. He’d stepped up to the podium with another man, Henry Reese (the co-founder of the nonprofit City of Asylum), as they were both going to speak about the importance of freedom of speech with regards to artistic expression.

This is an important topic. It always is. Freedom of speech and freedom of expression is of paramount importance, especially in the United States of America.*

So, picture yourself there. It’s a crowded room, as Salman Rushdie is a well-known author with multiple, well-received books to his credit. Everyone there wants to see and hear him, as he’s been under the threat of persecution for a long, long time…

All except for one.

That guy, a twenty-four-year-old idiot, ran to the podium and stabbed Rushdie multiple times before he was brought down by audience members and a lone policeman. Rushdie sustained injuries in the throat, to his liver, to his arm (nerves are reportedly severed), and to one of his eyes (which he may lose). The idiot also stabbed Reese in the face**, possibly to get Reese out of the way quicker so he could go to town on Rushdie.

(As per usual, I am not going to name this guy.)

This all happened a bit before 11 a.m. EDT, and the people on the scene said the lack of security was a problem. One spoke on one of the cable news networks (I forget which) to say that they were screening out people who brought coffee and water into the auditorium (or wherever this speech was to be held); they’d have done better to screen for weapons.

And think about that lack of security for a moment. Was this a good idea, especially considering Rushdie was about to speak?

Rushdie has had a fatwa, otherwise known as a price on his head, since the late 1980s after his novel The Satanic Verses came out. The last anyone checked, the bounty for killing Rushdie was up to $3.3M.

Just writing that sickens me.

A person’s life is worth so much more than any amount of money. What one person can do, what one person’s strengths can do, what one person’s transmutation of weaknesses can do, is unable to be monetized. Because it is infinite in possibilities.

I said at my Facebook page that I understand people hating books. I understand, even, people hating authors. But leave it there. Don’t attack authors just because you hate them.

We believe in freedom of speech in this country, which might be one reason why Rushdie relocated here in the early 2000s. (He has never become a US citizen, I don’t think. Last I checked — which was last night — Rushdie is a citizen of the UK.)

So, in a nation that celebrates free speech, at a place that most especially discusses writing and writers and thoughts related to such, a twenty-four-year-old decided to stab one of the most decorated writers alive.

I don’t care about the stabber’s motivation. I care that he stabbed Rushdie multiple times, that Rushdie is said to be on a ventilator right now, that Rushdie has injuries to his arm (nerve damage is a serious thing), and that Rushdie may lose an eye.

I sincerely hope that Salman Rushdie will fully recover. I hope he won’t lose his eye. I hope his liver will heal. I hope his nerves in his arm that apparently got severed will be reattached, and that with physical therapy and time, he will be restored to himself in full measure.

But the thought that a fellow writer — albeit one that’s wealthy and well-known, unlike me — had this happen bothers me greatly.

I wrote a blog a while ago called “Where Can We Be Safe?

That rings in my mind right now, as I continue to ponder the utter wreckage this twenty-four-year-old stabber left in his wake.

————

*The way I always learned it was, “I may not like what you have to say. I may really hate it, in fact. But I will defend to the death your right to say it.” (That is, providing you’re not doing something asinine like yelling fire in a crowded theatre that’s not actually on fire.)

**In case you’re wondering about the other speaker, Mr. Reese, he was treated and released from the hospital.

My Take on the Josh Hader Trade (One Week Later)

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Last week, the Milwaukee Brewers traded their best player, relief pitcher/closer Josh Hader, to the San Diego Padres for four other players: pitcher Dinelson Lamet, relief pitcher/closer Taylor Rogers, OF prospect Esteury Ruiz, and pitching prospect Robert Gasser. This was an extremely surprising thing to do, because the Brewers were atop the National League Central division.

In other words, teams make trades like that — trades of their best player — when they don’t think they can make the playoffs.

That, of course, is not what the Brewers front office has said about it. Their take is, “We’re a small-market team, and we need to plan for the future, not just now.”

But the thing is, the players know this is wrong, for the reason I gave above.

Now, what do I think about the players the Brewers got in return? Well, Rogers is a good pitcher, but we’ll only have him until the end of the year, when he’ll be a free agent. (Rogers is not as good as Hader, mind. But he is good.) Lamet has already been waived; the Colorado Rockies picked him up. The other two, well, time will tell, as they’re both in the minor leagues.

But that’s not the entirety of what I think.

See, I view this as a slap in the face to the fans, as well as to the team as a whole. The fans want the team to do well; more to the point, they want to root for people they recognize. (A major trade like this, of a team’s best player, usually happens in the off-season, not in the middle of the season like this one.)

Josh Hader pitched for the Brewers for several years. In that span, he won three NL Reliever of the Year awards. He’s also a four-time All Star (meaning he’s been selected to go to the All Star Game), and as I said above, he’s arguably their best player.

So, the fans hate this move.

The players also hate this move, probably because it shows them that the Brewers will trade anyone — doesn’t matter how good they are — if the price is right.

Two players, pitcher Brandon Woodruff, and relief pitcher Devin Williams, said things like this a day after the Hader trade (best paraphrase from watching two Milwaukee Journal-Sentinel videos):

Williams: “Some things just don’t make any sense.”

Woodruff: “The first thing I thought, when I heard about the trade, was this: ‘Is this a joke?'”

That speaks volumes, doesn’t it?

Also, during last night’s edition of Brewers Extra-Innings (a radio talk show that happens after every Brewers game on WTMJ-AM 620 in Milwaukee), sportscaster Greg Matzek said that the entire team was still unhappy regarding the Hader trade.

(Considering the Brewers have now lost five of the last six games since the trade of Hader, that seems to be a reasonable assumption.)

So, my view boils down to this:

Ruiz had best be the second coming of Hank Aaron, for this trade to ultimately pan out. Otherwise, there is no point to this trade beyond a salary dump (as Hader was making the most of any pitcher on the staff at about $11 million dollars).

And if that’s the case, that’s flat-out disgraceful.

Written by Barb Caffrey

August 8, 2022 at 7:55 am

Moving on, again (Plus: Answering the Q, “How Can You Still Edit?”)

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As my last blog said, I am no longer a member of the Racine Concert Band.

It’s been a couple of very strange weeks, I must say. Every time there’s a rehearsal, I keep thinking I need to go (until I correct myself); every time there’s a concert, I feel how wrong it is that I’m not there.

All I can do, though, is move on.

I’ve had many experiences lately where I’ve had to move on when I wasn’t ready to do it. It never gets easier. But I will keep working at it, because as I know well, much of life and life’s experiences remain out of my control.

Let’s move on to something else.

One of my friends asked me why I was so forthcoming in regard to admitting I had a pulmonary embolism in 2020 and haven’t been the same, health-wise, since. She was afraid I might mess up my editing prospects, as there are a lot of folks out there who don’t want to deal with anyone who admits to illness, much less chronic illness.

(To put this in perspective: my friend also deals with chronic illness and has for years.)

So, I figured I’d discuss the elephant in the room, which is this: “Barb, if you’re not able to play your instruments right now, how can you edit?”

Simply put, they are two different things.

Yes, both are creative pursuits. However, there are many ways to edit once you get past the grammatical aspect, and I tend to be as creative as possible while making my points to various clients.

As most of you no doubt know, music is usually performed with other people; even if you’re playing a recital with a pianist, you still must play with another person at a scheduled time and place. (Yes, sometimes there are late cancellations for different reasons, but then you have to find a makeup date.)

Editing is done by me and can be scheduled at any point in any given day. (I tend to edit at night, when there are fewer distractions, but I’ve proven I can edit at any time of any day if need be.)

I hope this answers the question as to how I can continue to edit despite all that’s gone on in my life since 2020.

In conclusion, I appreciate my clients. They are all great people, and many of them have become my friends, which is something that pleases me greatly. I enjoy their company, I enjoy their manuscripts, and I appreciate the work.

Oh, one final, thing (I know I sound like Lt. Columbo from TV, years back): My Elfyverse “holiday” story was accepted into the Fantastic Schools: Holidays anthology. Thank you all who asked me privately about this and reminded me to come say something about it.

What’s going on in your life, writing or otherwise? Tell me about it in the comments!

Racine Concert Band Parts Ways With Me

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Folks, this is a blog I never thought I’d write, but here goes.

Four days ago, I received a letter from the current president of the Racine Concert Band’s board of directors. It was titled “RCB Letter,” and at first I thought it was something they wanted me to look at to give my writing/editing opinion (as they’ve occasionally done that before).

That was not it.

The letter said it was “uncomfortable” for them to ask this, after my many years of service, but that they wanted me to resign for the good of the band.

I will not do it. They can put me out, and I’m sure they will. But I will not resign, and I will not pretend this was my decision. It wasn’t.

I have been a member of the RCB for over twenty years. Every time I was capable of playing music and in the area, I was in the band. I played oboe, clarinet, and saxophone in the band, and soloed (in front of the band) on all three instruments. I’ve also played in both the regular concert band and the jazz ensemble.

However, if you’ve read my blog for any length of time, you have to realize my health is problematic. Especially for a band that has a summer outdoor concert series like the RCB, my health issues — which include asthma, allergies, and migraines — have always been difficult to deal with for me.

Until the last few years — after Covid-19 hit the US with great force — I was able to power through most of the time. I still had migraines and still had asthma issues (one knocked me out of half of a rehearsal, several years ago; I went to the local hospital’s ER to get a breathing treatment), but I played many concerts under hot, humid, and difficult conditions.

The difference now is, I suffered a pulmonary embolism in early 2020. (We did not yet know Covid was in the country, so all I can do is presume that’s why it happened. There were obviously no tests for Covid at that time.) I have really never been the same since then, though I have regained some strength and some health.

Just not enough.

Anyway, the RCB has been important to me for a long time. I was fourteen when I first joined. (Yes, fourteen.) I never have wanted to cause trouble for the band, or its members, or its board. (Especially as I was on the board for two years myself, once upon a time.)

I’ve loved playing the music over the years and have appreciated the fact that they put up with my health for the past two years before making this decision to part ways with me.

There are many great people in that band. I want them to be able to play music, enjoy themselves, and enjoy life.

But I will not say I resigned, because that is not the truth.

The truth is, I was forced out.

And it makes me very, very unhappy that this is so.

Written by Barb Caffrey

July 28, 2022 at 9:35 pm

Sunday Musings: Why should you help a widow? (Or widower?)

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Folks, my last blog asked you to please help Eric Flint’s wife, Lucille, in her time of need. (I was one of many people asking for people to help.) She received an outpouring of financial support, and the GoFundMe for Eric’s final expenses has been closed.

Thank you all.

That said, there are still other things to be done to help her, or other widows/widowers suffering from the loss of their spouse.

First, though, I wanted to answer this (somewhat obvious) question: Why should you help a widow or widower?

I’ve thought a lot about this question in the intervening years since Michael’s passing. And I’ve come up with a few reasons as to why you should always help a grieving widow or widower — any grieving widow or widower, whether you like them personally or not.

When you’ve been newly widowed, you are exceptionally vulnerable. All of your support, all of the love you had that you had freely shared with your spouse, is suddenly gone. That love has no place to go. And worst of all, you are often misunderstood when you try to express your grief in any way, shape, or form.

It’s incredibly difficult to deal with the world when you’re in deep shock, suffering with the worst wound you’ve ever had. That’s just a fact.

Everything seems unreal. Nothing feels the same. It’s very hard to go on, alone except for memories (and, if you’re like me, the knowledge that the spirit is eternal and that you will eventually be reunited in joy somewhere/somewhen again).

We all grieve differently, but what I just said tends to be in common for nearly any grieving widow/widower if they deeply loved their spouse.

Anyway, I wanted to talk more about Eric’s wife and widow, Lucille, at this point. I do not know Lucille except for that one meeting in 2002 I’ve previously discussed (and there, I asked Eric a question; I should’ve asked her one, too, in retrospect, but I didn’t think of it). But I do know that if I were within a hundred miles of where she is (I’m not), I would try to bring her a cooked meal or two. Or volunteer to run errands.

And if I knew her better, I’d offer to listen to her talk at any time of the day or night.

Lucille is a valuable person in her own right. Yet if she’s anything like me, or the other widows and widowers I’ve known, she’s not going to be able to feel that for quite some time.

She deserves to be helped in as many ways as possible in whatever way she’ll allow on any given day. She should be given all available love, stamina, support, and whatever other good things she can possibly be helped with for as long of a time as she needs.

Her loss should be respected.

People should talk with her about Eric, as soon as she’s able to do that (or wishes to do that). He was her favorite person in this world. It’s unlikely she’ll want to stop talking about him, merely because his Earthly presence is gone.

Give her time, space, if she needs that. (I know this seems contradictory, but much about grief seems contradictory, too.) But help her as much as you possibly can, those of you who know her best. (I will help, too, if I ever get a chance to meet her again, and if she allows.)

In other words, while monetary help is great, it’s not the only way to help a grieving widow or widower.

Now to a bit more personal stuff, about my own feelings regarding being a widow.

Those of you who have met me, in person, or even have known me through my blog or my books, should know how much I value — and will always value — my marriage to the most wonderful man in the world, Michael B. Caffrey. I had some monetary support at the time of his passing, enough to help me buy an obituary for him, and help to pay for his funeral expenses. I appreciated that, too, at the time.

But no one knew how to help me with my grief. (My grief was so bad, a grief-support group sent me away.)

My family understood that Michael’s death was a huge loss. They didn’t have any idea how to help me process that.

I suffered, mostly on my own, with how to come to terms with it. How to see myself as valuable in my own right. How to go on alone (except for memories and the belief, as I said before, that the spirit is eternal). How to keep writing on my own, with little to no support or understanding of why I felt I must write (whether it be poetry, SF/F, or nonfiction/essays).

I had to figure it out one step at a time, stumbling and fumbling in the dark.

I don’t want anyone to have as much trouble as I did, not even the person who believed Michael was better off dead than with me. (I will never forgive that person. Never. But I still don’t wish ill on them. No point.) If and when they lose their spouses, I want them to have help and support.

That, most of all, is why I dearly hope that Lucille will be aided in as many ways and for as long of a time as she needs. And I pray very much that this will be so.

Eric Flint dies at 75, and his wife Lucille needs help

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Folks, Eric Flint passed away yesterday due to a long illness. He was a brilliant writer, an interesting soul, and a kind-hearted man — the last needs to be pointed out at great length, as most people focus on the other two.

I only met Eric Flint and his wife Lucille once. It was in 2002, not long after I married Michael. At that point, Michael and I were both trying to figure out how to write together, as our writing styles were about as opposite as can be imagined.

Anyway, it was a Barfly gathering, in Chicago. Many others were there. Some knew we’d just gotten married. (I don’t know if Eric did, but at least a few of ’em did.) We weren’t saying much (observers R us, or at least we both were), but were taking in as much information as we could.

I somehow got enough energy and gumption to ask Eric how he wrote so well with disparate people. (At that time, he’d worked with David Weber, Dave Freer, Mercedes Lackey, K.D. Wentworth, and I think he was in the process of working with Ryk Spoor. This was not long after his landmark novel 1632 was published.) I told him that my writing process was far different from my husband’s, yet we wanted to write together. How could we do that?

I figured Eric had the answer, and he did.

Eric said that the way to collaborate with someone is to play to their strengths. If someone writes fast — such as Dave Freer — work with that and add what you can. If someone needs more time and thought — as did Michael — let him add what he could. Otherwise, try not to step on each other’s toes, and remember to have fun…I’m pretty sure he said all that, and if not, he probably meant to say all that (so I’ll attribute it to him anyway).

This made a huge difference to us. We knew we could do it, you see, but we needed the right words from an expert to let us know it was OK to fail. (This may seem counterproductive, but bear with me.) If one of us could write faster than the other (believe it or not, that person was me), the other could take his time and add what he wanted. If the other needed to write things in longhand before transcribing them to the computer, that was fine…if he wanted my help, I could slow down just a little, and help him out.

This was very, very important to know. And it grew more important after Michael died, because I now was looking at a bunch of stories that Michael left in progress, wondering how I could possibly finish them and do justice by them. (I’m still working on that part.)

Anyway, I mention all of this because Lucille, Eric’s wife, needs help now. Eric was ill the last year or so, and while he plateaued out for a while, he wasn’t able to do much writing. (He did encourage people right up until the end, though. That counts more than anyone can possibly know.) Without being able to write, the income stream narrows…without being able to write, the writer is in danger of people forgetting all about them (though I find it hard to believe anyone could forget about Eric Flint, maybe he worried about that as he was human and it’s a justifiable worry). And without being able to write, the writer gets frustrated, stymied, wondering what in the Hell has gone wrong — just because health has intruded, why does that mean we can’t write?

(That’s how I see it, anyway. I can’t ask Eric anymore to know if that’s how he did.)

At any rate, Eric Flint was a very generous soul who cared about others and nurtured many fine writers along the way. He also was a very good husband to Lucille, and as I understand how it feels to be suddenly widowed and in need of help, I wanted to make damned sure I passed along this link so you could go help her out.

This is the link: https://gofund.me/6b66d7f6

If you can’t donate now, share the link as far and wide as you can.

And please, please, stand with the widows and widowers in your life, most especially right after they’ve been widowed. They need much care and love and concern, most particularly because they are unable to care or love or take any concern about themselves due to their bereavement.

Written by Barb Caffrey

July 18, 2022 at 4:13 pm