Barb Caffrey's Blog

Writing the Elfyverse . . . and beyond

Posts Tagged ‘anthology

#Updated# There’s a New Peter Welmsley Story…in a New #MilSF Anthology from Henchman Press

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Folks, I should’ve been able to find some time to blog about this last week, when the anthology Tales of the E4 Mafia came out, but I was hip-deep in an edit and the bit I was able to carve out for writing I used on the “super-secret” project.

#Update: Here’s a banner for you that my friend Kayelle Allen, herself a proud U.S. Navy veteran, made for the new anthology. Use it widely, not to mention wisely…

Anyway, I am very proud to let you know that I have a new story, featuring Peter Welmsley as a secondary character, in the above anthology. The story’s called “Into the Night,” and was co-written by my good friend Gail Sanders. Gail is a Specialist in the Army Reserves, and as every story in the Tales of the E4 Mafia anthology must feature someone of that rank, Gail had the verisimilitude I needed, along with the experience, to fully flesh out this story.

In other words, her help was invaluable.

Anyway, for those of you who’ve wanted another story with Peter Welmsley, here is just a bit of that story in the hopes it’ll whet your interest:

“Please state your name, rank, and ship for the court record,” requested the JAG officer.

“Peter Thomas Zachariah Welmsley, Master Sargeant, of the HMS Wendigo, seconded to the HMS Hyperion for the duration of this crisis,” he said. “And by that, I don’t mean this inquiry.”

The room erupted in laughter yet again. The judge, looking most put upon, banged her large gavel again. “Order must be maintained,” she said, “even though I agree with Master Sergeant Welmsley’s sentiments.”

“And what is your role on the HMS Hyperion? How long have you been there?” Ryder asked.

“I’ve been with the Hyperion now for the last nine months, as Wendigo needed significant repairs after the last fight with the Bryan pirates. I’ve been told it will be at least six more months before the Wendigo will be fully repaired, and I can go back to my regular ship.” His face, usually merry, scowled.

So, do you want to know more? Such as, what is Peter doing there? Who is he helping? (I’ll give you a small hint; he is helping a Lance Corporal, AKA someone of the E4 rank.)

I can tell you that this is a younger version of Peter Welmsley, perhaps as much as fifteen years younger than the man we meet in the short novella “To Survive the Maelstrom.” I enjoyed seeing Peter in slightly less emotionally fraught days, and hope there will be many more stories ahead as time goes on.

Anyway, this is the first story I’ve written with someone else in my late husband Michael B. Caffrey’s Atlantean Union Universe, and I’m quite proud of it. I think Michael would like it. I also think he’d enjoy the humor of it, and of the anthology overall (as most of these stories are funny).

Mind you, it does feel weird to write in Michael’s universe with him being dead. But that hasn’t stopped me before, and I don’t think it’s going to stop me now either. (Picture me emphatically nodding, here.)

So, do go check out the story, will you? I hope you will enjoy it in the spirit intended, and the rest of the E4 Mafia anthology as well.

#Update: Kayelle also sent along some sample Tweets, and my favorite was this one:

Think you know the military? Think again. 11 E-4 Mafia stories mix sci-fi, humor, and mischief for a reading adventure that’ll keep you on your toes 🤖📚 #SciFi #MilSF #Military #PlotTwist

So, now you’ve got some help if you can’t think up a good Tweet. (And I’ll admit it; I couldn’t think up something this good, much less this pithy. But Kayelle could and I appreciate it.)

Just Reviewed “The New Arcana” at SBR (Experimental Poetry)

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Folks, THE NEW ARCANA by John Amen and Daniel Y. Harris is an extremely unusual book.  Experimental in nature and eclectic in the extreme, this was a book that grew on me after many, many re-reads.

This isn’t your father’s book of poetry.

Instead, this is a book full of postmodern sentiment, faux journalism and mock academic writing, photographs of made-up people, and even fake autobiographies mixed in with some excellent poetry of the most trenchant sort.  The sly and subtle wit these two writers have come up with takes a while to understand, but once it finally manifests (or once my brain fully processed it, whichever), it’s more than worth the price of admission.

Some pages are far more understandable than others (as I said in my review at SBR, I absolutely didn’t understand the four lines on p. 99), but there’s enough here to please just about any poetry lover if he or she just gives the book a chance.  And if the poetry lover enjoys postmodern sentiment, for that matter, as without an appreciation for postmodernism, this book is likely to fly right over the poetry lover’s head.

Look.  This is a book I agonized about reviewing, mostly because it is so very different and is the farthest thing from an easy read that I can possibly imagine — and partly because it took me a while to appreciate the golden nuggets floating amidst a veritable ocean of words.

My belief is that THE NEW ARCANA is akin to a jazz improvisation that starts out as tonal, quickly becomes atonal, then does something unprecedented that somehow melds the two yet transcends the two at the same time.

Seriously.  Go read my review.  Then take a gander at THE NEW ARCANA.  Read it several times.  Try not to pre-judge it.

Then figure out whether it’s a really good book based off an unusual interpolation of forms, or just an odd mix that doesn’t quite hit the mark.  Because while Ornette Coleman and the “free jazz” movement of the 1960s can be really interesting to listen to — especially for lovers of music history and theory — it’s not always an easy experience.

Besides, not every instance of jazz improvisation works for everyone, because humans simply aren’t wired that way.  (Thus the reason for poetry in the first place.  But I digress.)

My final word is that THE NEW ARCANA is a valuable piece of literature that’s worthy of study by poets and other writers, and should intrigue lovers of postmodern and experimental poetic forms everywhere.  (Further part-time poet sayeth not.)

Written by Barb Caffrey

December 2, 2012 at 12:57 am