Posts Tagged ‘jazz’
More Music Discussion Upon the Passings of Ozzy Osbourne and Chuck Mangione
I know that’s an unwieldy title, folks…but it at least is an honest one! And it is descriptive, so…here we go.
Chuck Mangione passed away earlier this week at age 84. He played the trumpet and the flugelhorn, was considered one of the first “smooth jazz” or “soft jazz” icons, and played with an uncanny lightness of being. That’s why his mega-hit song “Feels So Good” still shows up in so many different contexts.
As I said yesterday in my blog, Mangione was trained to be a jazz trumpeter first, and played with Art Blakely’s Jazz Messengers. The Jazz Messengers play a very traditional type of jazz that’s usually exemplified by bebop, with some 1950s/early 1960s jazz expressionism (from Miles Davis and John Coltrane; think the LP Kind of Blue and you’re getting somewhere) thrown in.
For those of you who don’t know a lot about music, or jazz in particular, think about trumpeter Dizzy Gillespie, he of the tilted-up trumpet. (If you’ve ever seen his signature trumpet, with the bell pointed usually straight up at an angle, you’ll know instantly who I’m talking about.) Dizzy was a great bebop trumpeter and always was; in his youth, he and Charlie Parker made their names playing in the same small group.
So, here’s why I mentioned Dizzy Gillespie, folks. Dizzy was the best of friends with Mangione until the end of his life. Dizzy recognized good music when he heard it, and he didn’t care if it was “too soft” or “not hard enough” or “not swinging enough” for the cognoscenti of the jazz world.
Mangione, mind you, had a great sense of humor, and was often on animated programs sending himself up. He took what he did seriously, but he didn’t take himself seriously, and maybe that’s why his music was so good.
Anyway, you might be asking why I’m talking so much about Mangione when Ozzy Osbourne, who just died at the age of 76, is by far the bigger name. (Rock is just that much more popular than jazz.) Mangione did something different, and not just because he played the flugelhorn more often than his trumpet; because of that, he and Ozzy Osbourne actually have some things in common.
See, Ozzy came up with the famed hard-rock group Black Sabbath. They were perhaps the first heavy metal band to become not only popular, but household names. This was only partly because of the name Black Sabbath (which was picked as it was divisive and memorable, no doubt); it mostly was because they were working on a wholly new style of music, one that was mutating almost faster than thought.
Black Sabbath featured heavier drums, louder and “crunchier” bass playing, and it was set off to perfection by Ozzy’s vocal stylings. The subject matter was often about difficult subjects like death, war, suicide, intense frustration…while such things had been discussed before, they hadn’t been discussed so openly or with so much feeling behind it.
When Ozzy and Black Sabbath parted ways, no one knew, least of all Ozzy, that he’d have a bigger second act by himself than he’d had with Black Sabbath. But that’s what happened, all because he took risks. He sang “Perry Mason,” which had nothing to do with angst or anger and everything to do with nostalgia and how sometimes we really need someone to fix things for us. (Perry Mason was almost legendary in being able to fix nearly anything in a legal context, after all.) He sometimes leaned into his fame, such as with the songs “Crazy Train” and “No More Tears.” He also showed a willingness to work with all sorts of different types of musicians, which is possibly the best thing I could say about him or any other musician as it shows he was more about the music than the fame.
So, Ozzy, with Black Sabbath and without them, was helping to define the new type of music called heavy metal. Mangione was helping to define the new type of jazz, a softer, more inclusive, more melodic jazz that regular people could hear and understand right off.
Both men were all about the music. They also had good senses of humor (Ozzy’s wasn’t known until the reality show about his family, The Osbournes, came into being), played all over the world, were household names (or at least their biggest songs were), and did what they were born to do.
Now, I can see at least some of you shaking your heads, because Ozzy had drug issues, once bit the head off a live bat, and when in some sort of fugue once killed all of the household’s cats. There’s no way Mangione would’ve done those latter things. (I don’t know about the drug issues, mind you, as many musicians of all types have used various types of recreational drugs throughout known history. I can only say I am not aware of it in Mangione’s case.)
That’s all true. But I think one of the reasons we’re on this Earth is to learn, grow, and be the best person we are able to be. Ozzy Osbourne and Chuck Mangione both showed growth throughout their lifetimes, gave pleasure to millions with their music, and were both known at the end of their lives as good people who did the best they could.
I don’t know of a better epitaph than that, and it applies to both men.
Written by Barb Caffrey
July 27, 2025 at 4:11 am
Posted in Music, Public figures
Tagged with Art Blakely's Jazz Messengers, bebop, Black Sabbath, Chuck Mangione, Dizzy Gillespie, Feels So Good, flugelhorn, heavy metal, jazz, Kind of Blue, metal, music, Ozzy Osbourne, rock, rock singers, smooth jazz, trumpet
In Tough Times, Try to Have Fun (Say the Brewers and Musician Chuck Mangione)
There’s a lot wrong with the world right now, especially in the United States. It can be tough to remember that there is still good in the world, along with good people who will do their best to make the world the best place it can be.
I mention this because of two things. One, jazz flugelhornist Chuck Mangione passed away at age 84 earlier this week. His signature song was called “Feels So Good,” and it came out in 1978. (I know some of you were not born yet.) 1978 was a time of distress for many. There was “stagflation” going on — both inflation and stagnancy, which is kind of the worst of both worlds when it comes to economics. Many people were struggling, as the work they had didn’t pay enough to live, or maybe they’d just lost their job.
So, why did Mangione come up with “Feels So Good” at that particular time?
No one knows the answer to that but him (and he can’t tell us anymore). The best I ever garnered from various interviews and such was that he felt life was a gift. He wanted to showcase something fun, something upbeat, and something memorable.
He certainly did that, and in spades.
I recently found out that Mangione was not only a trained jazz musician (that was obvious), but had worked with Art Blakely’s Jazz Messengers group before breaking out with “Feels So Good” and leading his own group. The Jazz Messengers are a hard-swinging group playing traditional jazz (mostly bebop, with some late 1950s into the early 1960s expressionism if it made sense to them). This was quite a surprise to me, as you’d never think anyone who’d worked with them (as Mangione did) would’ve come up with “Feels So Good.”
Anyway, I have a second reason that reminded me it’s important to have fun, and here it is: The Milwaukee Brewers 25th Anniversary of their home field (now called American Family Field; originally called Miller Park) included one of the most fun events I could possibly conceive of as a Brewers fan, that being an Alumni Home Run Derby.
The Brewers had many wonderful players in the last twenty-five years, and the Derby brought back ten of them. Eric Thames hit massive homers and was — and still is — built like a bodybuilder. Nyjer Morgan was a speedster, but did credibly in the Derby, hitting a couple of homers. Corey Hart, one of my favorite all-time Brewers, hit five homers in the limited time given to each player, and actually made the two-person finals. Ryan Braun and Prince Fielder, Brewers icons, of course were there, and so was Carlos Gomez with his elegant swing and happy-go-lucky attitude. Bill Hall, one of the best all-around infielders the Brewers have ever had, did credibly also. Casey McGehee was an entrant, but wasn’t able to hit a homer (that was OK with the fans, I read; they were just glad he tried). Brewers pitcher Yovani Gallardo, who won a Silver Slugger award for the best-hitting pitcher when pitchers still hit, looked good and hit well. And, finally, Keon Broxton, a very speedy outfielder and mostly a defensive specialist when he was with the Brewers for a few years, hit five homers to match Hart and gain the final round.
Now, I have to mention something about both Broxton and Hart. Broxton is only thirty-five and never had a major injury to his feet, legs, or knees as far as I’m aware. Hart is forty-three and suffered major injuries to his knees which required surgery. Broxton looks like he could still play, similar to Ryan Braun, whereas Hart looks more like what he is now: a proud father and a decidedly retired player. (Note that I do not mean “out of shape” here. Every Brewers alumni player who went up to bat showed they’re still in exceptionally good shape. Broxton was notable because he almost looked like a triathlete, if that makes any sense, and none of the rest of them did.)
But Hart’s swing is still the same, a long, looping, easy swing, and that’s why despite a torn muscle, he not only attended the Derby but was its runner-up.
Mind you, both Hart and Broxton were not the players thought of to be in the playoffs. Most thought it would be Ryan Braun, Prince Fielder, and/or Carlos Gomez (as I don’t think most fans realized it was only going to be a two-person final; I know I didn’t). Hart was probably picked more often than Broxton, though, because Hart was known to be a power-hitter (Hart, like Broxton, was also excellent defensively and quite speedy before knee injuries robbed him of his speed and flexibility).
But it was Broxton’s day. He won the Derby, he took a celebratory trot around the basepaths, and when he got to home plate, all the Brewers alumni who’d participated fell down (as they did once for Prince Fielder after a booming homerun).
See, the Derby was just plain fun. Lots of good things came out of it, and fans went away smiling even though the game beforehand wasn’t the best (as the Brewers lost to the Miami Marlins, 5-1).
The reason I talked of both things — Mangione’s passing, along with his huge hit “Feels So Good,” along with the Brewers Alumni Home Run Derby — is because they both promoted happiness and well-being. The song is a bit playful (if you ever listen to the whole thing; it’s often sampled now in commercials, which to me waters down its impact), while the Derby sparkled with former Brewers still showcasing their God-given abilities.
Of the alumni, Hart and Fielder both suffered injuries that ended their careers far earlier than they would’ve liked, but on this day it did not matter…they gave joy to the fans, who gave joy to them, and it was almost a picture-perfect version of a positive feedback loop.
At any rate, the fact remains that we have to look for reasons for hope sometimes. We need that. We need to know that it’s not only OK to have fun, it’s necessary.
Chuck Mangione knew that. The Brewers alumni knew that (and still know that), too.
Somehow, I need to remember that in my own life.
I will work on it, as my life continues its major upheaval (as I will be moving soon, destination still unknown).
Written by Barb Caffrey
July 26, 2025 at 12:05 am
Posted in baseball, Casey McGehee, Corey Hart, Heartwarming stories, Inspirational stuff, Milwaukee Brewers baseball club, Music, Prescient observations, Prince Fielder, Ryan Braun, Yovani Gallardo
Tagged with "Feels So Good", baseball, Bill Hall, Carlos Gomez, Chuck Mangione, eric thames, fun things, hope, jazz, keon broxton, life, Milwaukee Brewers, Milwaukee Brewers alumni, MLB, Nyjer Morgan, optimism, sports, writing