Barb Caffrey's Blog

Writing the Elfyverse . . . and beyond

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Linkin Park Hires a New Co-Lead Singer, and I Have Thoughts…

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In case you haven’t heard yet, Linkin Park has a new lead singer, or probably better explained as co-lead singer along with singer/rapper Mike Shinoda. They needed someone because their iconic lead singer Chester Bennington died seven years ago by his own hand, and most of Linkin Park wanted to play together again. (The exception was their original drummer, Rob Bourdon.) So they’ve hired a woman, Emily Armstrong, who fronted a group known as Dead Sara, to sing the parts that Chester would’ve sung had he still been alive.

Note that I did not say “to replace Chester,” as there’s no way to replace Chester Bennington. But Linkin Park wanted/needed someone to sing those parts, and Emily Armstrong can sing melodies and then scream in a heartfelt way. My guess is that Emily A. sings in a similar range to Chester, or at least is close enough that with some minor arrangements (perhaps changing the key signature and/or mode — as lots of groups use modes like Mixolydian, Lydian, Dorian, etc., in addition in order to better reflect a mood or feeling), Linkin Park’s songs can be rendered well enough for fans to appreciate them.

This is a big controversy because of two things. One, you can’t replace Chester; he had a unique set of skills, including an emotional awareness that was almost uncanny, that could never be reproduced by anyone else. Two, one of Chester’s sons, Jamie, is very unhappy about this. Jamie pointed out that September is International Suicide Awareness month, which seems disrespectful to him as his father Chester died by suicide.

That raises a good point: as Linkin Park had been working with Emily A., quietly, for months, why didn’t Linkin Park wait another month to drop this news? Or why not move it up into August? Why court this sort of drama when you don’t have to?

See, there was someone else, a musician — I can’t remember the guy’s name right now — who had reported about four, maybe five months ago that he’d heard that Linkin Park had hired a new female singer. Mike Shinoda and other Linkin Park members pooh-poohed this and said if there was any news to report, they’d report it themselves, thank you.

But the guy who reported this was a fellow musician. I knew at the time, being a musician myself, that something was undoubtedly going on even though the guy who’d said he’d heard Linkin Park had a new lead female singer backtracked pretty quickly once Mike Shinoda, et. al., basically said the man should mind his own business. Still, from that report, I figured Linkin Park was probably rehearsing, trying to lay tracks in the music studio, and figure out if a combo with some woman — who we know now to be Emily A. — was commercially viable.

That’s exactly what was going on, as we now know.

My thoughts on this are a bit mixed. First, it is hard for me to conceive of anyone singing the parts Chester sang so well and so distinctively. Chester Bennington was an integral part of Linkin Park, and as I said before, I do not believe he can ever be replaced. But second, as a musician, I know that the members of Linkin Park wanted to play again. It’s been seven years since they last played a concert in public, and most of them (Rob Bourdon, original drummer, aside) were itching to get out there and to perform.

I can’t blame any musician for wanting to perform, OK? That’s kind of what we do, providing we’re healthy enough to do it. Every performance, even of a well-known song like Linkin Park’s “In the End,” is a little different, because the energy of the crowd may be different. Or maybe one or more of the group members is feeling especially emotive. Or there’s some extra tenderness in a quiet musical interlude. Or the bombastic, up-tempo stuff seems to have extra fire one day, while the next, while still fun to listen to and hopefully fun for the group members to play, doesn’t quite meet that level of intensity.

This is true of any human music group anywhere in the history of time. Live music has variables to it, and can be extremely good one night, good the next, a bit off the third (though probably the audience won’t recognize it, the members of the group assuredly will know and feel like they let themselves down), and back to good the fourth night. It is just the nature of the beast.

As I’ve said before at my blog, there are such things as post-concert highs and post-concert lows. For example, I believe famous singer Chris Cornell may well have been dealing with a post-concert low before he called his wife and sounded so odd just a few hours before he took his own life. Audience members, from what I can recall at the time as he passed a couple of months before Chester did, said that Chris seemed frustrated, maybe a little unhappy, and his performance was not necessarily up to par. Again, some of this is the nature of the beast, and every musician worth his/her/their salt knows it. But it can be hard to remember, in the moment, that as wonderful as music is, and as wonderful as it is that some people get to live their dreams and make a living from music, that being a musical performer is not the sum total of everything we are.

I’ve had both post-concert highs and post-concert lows. They can be disconcerting, but the lows are worse by far than the highs. On those nights, I wonder why I even bothered to take up an instrument. (I don’t sing in public and am glad I don’t.) My hands felt a little off, maybe, or it was very hot outside and playing an outdoor concert was uncomfortable and unpleasant. Either way, it affected my performance for the worse. Because of that, I felt like I’d let down the audience, let down the group I was playing in, let down myself too, and just wished the ground would swallow me up, whole.

At any rate, getting back to Linkin Park and their new singer Emily A. — I think we should give the new-look and new-sound Linkin Park a bit of time to see how things go. I also think that as open-hearted as Chester B. often was, he’d not want to keep his bandmates from making music with someone else (even if it doesn’t feel easy for fans).

Finally, Shinedown’s lead singer Brent Smith posted on social media that he believes Linkin Park is doing what’s right for them. It sounded to me like Smith also believes fans should give the new version of Linkin Park time, and at least be open to listening to Emily A.’s vocals. (He spoke in a quite complimentary manner of Emily A., too.)

I think that’s a good position to take, and it’s one I can live with.

So, while I still wish that Chester was alive, singing his heart out, and playing/singing music to his heart’s content, I’m at least willing to listen to the new version. I make no promises yet as to what I think…but I will at least listen, and hope all goes well for them.

The Perils of Customer Service

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Folks, I know it’s Sunday. I usually come up with some sort of deep thought, or at least an attempt at deep thought, with regards to spirituality, religion, etc.

So, why am I talking about customer service today instead? Simple. I ran into some not-so-good service about a week ago, and I had excellent service on both Thursday and Saturday (two of the last three days), so I figured comparing and contrasting that might be interesting to talk about.

Besides, I haven’t blogged in a couple of weeks. That’s too long to go without saying anything. I get lots of questions like, “Barb, are you alive? Why aren’t you writing? What’s up with your blog? I’m used to seeing something there, and you’re falling down on the job!” (OK, only I said that last one. But the other three have been asked more often than not.)

Anyway, regarding customer service: If you don’t get good service, sometimes it’s frustrating in the moment to say something about it.

See, the bad service I got was at my local credit union. I needed something from them that they’re capable of, but it takes an extra-long time for them to do it; because of that, I had to wait while standing, with my cane, for at least twenty to twenty-five minutes. I started shaking my legs out from the hips so I would be able to walk out of there…and what bothered me most was that the young teller (he couldn’t have been much more than twenty-one, if even that) didn’t seem to realize I was having trouble. He’d seen me come in with my cane, then realized he’d need a supervisor’s help…the supervisor never saw my cane, so I can’t blame her for much of anything as she was on the phone with people trying to straighten stuff out.

(Yes, he saw me shaking my legs out, too. But he didn’t ask what I was doing, much less why I was doing it.)

Anyway, this problem eventually got sorted out, and I went on my merry way. But I wondered, the whole time, if I should’ve asked for a chair. I knew that the teller and his supervisor were trying to solve this other issue, and I felt as if I’d made it too difficult for them just by going in there.

An hour later, in great physical pain (my back acted up), I called and complained. I was able to talk with two different people who both helped me, and they reassured me that not only should I not have been treated that way, I should never feel I’m a burden to them. Customers exist because they need something; the bank or credit union knows this, and they don’t want to drive good customers away. So, reassured, I went off to nurse my bad back, etc., and resolved to speak up sooner the next time something weird happens.

Then, I had two instances of excellent customer service: you know, the type you’re lucky to run into once in a blue moon. Both of these positive experiences were at local grocery stores. I tend to have a number of high-value coupons as one of my family members is a huge coupon clipper. (We’re talking in the $5, $6, $8, and $10 off range.) These can be difficult for cashiers to handle, as most high-value coupons are over the preset limit that the store allows one person to have in an order. The more coupons, the more likely you’re either going to need a supervisor, or at bare minimum you’re going to need someone very experienced to be able to accept the coupons and get me rung up and out of there again.

Fortunately for me, at the first store, one of my favorite cashiers was acting as a type of supervisor for the younger cashier at the register. Things got done quickly, which is a plus; no one behind me in the line got upset (I can’t tell you how often it happens these days where someone does, and I always feel bad about it), and I was able to find nearly everything I needed.

At the second store, I went in for a few specific things. I had eight coupons that had to be used by 8/31 (and it was 8/31, so it was then or never). These were all for shampoos that cost around $10 to get. The coupon was for slightly less than that, and that can trip up a cashier quite easily if they’ve not seen it before. In addition to that, I grabbed some other coupon items (that weren’t expiring, but were still helpful), less difficult to process, along with a few things that weren’t coupon items to round out the order.

So, for this second positive experience, I was fortunate in getting a very experienced cashier who was about as quick with the coupons as anyone I’ve ever seen. She also was quite pleasant to speak with, which I appreciated. I smiled on the way out, and made sure to buy a couple of pieces of candy from the kids raising money for youth sports leagues (as I figured I wanted to pass that good karma around a little) on the way out.

So, what did all this tell me? Mostly, it reaffirms the value of human connection and the powers of observation. The teller did not seem to understand what limping in on a cane meant, so he didn’t make any effort to try to mitigate the problems I was having. But both cashiers understood; they saw my cane in the cart, and made sure I didn’t have to lift out the 24-pack of water (in one case) or anything else heavy. They also asked if I needed help to get to the car (I didn’t, but I thanked them for asking), and finally, they were pleasant and did everything in their power to set me at ease.

Compare that with the young teller for just one more moment. The teller, once things were reasonably straightened out, did not meet my eyes (and had earlier, so as far as I know was not neurodiverse) and didn’t apologize for the length of time I had to stand. He completed the transaction and acted as if I were Br’er Rabbit after being thrown in the tar pit, and obviously couldn’t wait to see the back of me.

I didn’t like this, and I didn’t appreciate it for several reasons. (As I’ve said.)

But both cashiers acted the way they should. They were polite, they made conversation, they didn’t act as if what I was doing in bringing coupons (that can really mess up a cashier if they don’t know what they’re doing) was an imposition, they met my eyes, they smiled…all in all, I felt much better about shopping than I’d expected.

So, that’s the perils of customer service. You can run into someone who doesn’t know what to do when the customer throws him an inadvertent curveball, and that person (the teller, in this instance) does not give even adequate customer service thereby. But you also can run into highly accomplished people who know their jobs, who are good at putting people at ease, who don’t blame the customer for bringing coupons even if they’re high-value (and thus can make it harder for the poor cashier to do their job), and who get you in and out of the store with a minimum of muss or fuss.

I wish all customer service people were as good as those cashiers or the two people I spoke with by phone at my credit union after the bad experience I’d had there. But it’s a mixed bag, and you never do know exactly what you’re going to get.

Anyway, what sorts of customer service have you dealt with lately? Good, bad, or indifferent, tell me about it in the comments! (That is, providing you’re still reading. I know I’ve been intermittent lately…ah, well.)

Kayelle Allen Blogs about “Tales of the E4 Mafia” — and I am thrilled

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Folks, I know the above title is quite lengthy, but it’s true.

My friend, author Kayelle Allen, blogged about TALES OF THE E4 MAFIA at her own website, and I am very happy about it. (Thrilled, as I said.) She also put a banner, which she’d made herself (the ones I’ve shared before are from her also) and listed the book’s description.

And if that was not enough, she also said this: As a former E4 myself, I’m proud to share a military sci-fi anthology featuring one of my favorite editors and an altogether awesome person – Barb Caffrey.

Thank you, Kayelle! I appreciate it.

Now, if you want to read my story “Into the Night,” (co-written with the inestimable Gail Sanders), which is a new story set in the Atlantean Union universe and features Peter Welmsley at an earlier, unshadowed time of his life (and no, he’s not the guy at the heart of this story; however, without Peter, I don’t think much of anything would’ve happened), the easiest way to do it is to go to Amazon and get a copy for yourself. It also is available, now, via Kindle Unlimited, so those of you who have KU can read it. (Note: Read it now. While you still have time.)

Mind you, there are eleven stories in this anthology, not just mine and Gail’s. All of them are fun reads that you should enjoy immensely. (I say that, and I mean it.)

Happy reading! (And thank you again, Kayelle, for your generosity and help. Kayelle, herself, is awesome as both a person and a writer.)

Written by Barb Caffrey

July 12, 2024 at 10:21 pm

#Updated# There’s a New Peter Welmsley Story…in a New #MilSF Anthology from Henchman Press

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Folks, I should’ve been able to find some time to blog about this last week, when the anthology Tales of the E4 Mafia came out, but I was hip-deep in an edit and the bit I was able to carve out for writing I used on the “super-secret” project.

#Update: Here’s a banner for you that my friend Kayelle Allen, herself a proud U.S. Navy veteran, made for the new anthology. Use it widely, not to mention wisely…

Anyway, I am very proud to let you know that I have a new story, featuring Peter Welmsley as a secondary character, in the above anthology. The story’s called “Into the Night,” and was co-written by my good friend Gail Sanders. Gail is a Specialist in the Army Reserves, and as every story in the Tales of the E4 Mafia anthology must feature someone of that rank, Gail had the verisimilitude I needed, along with the experience, to fully flesh out this story.

In other words, her help was invaluable.

Anyway, for those of you who’ve wanted another story with Peter Welmsley, here is just a bit of that story in the hopes it’ll whet your interest:

“Please state your name, rank, and ship for the court record,” requested the JAG officer.

“Peter Thomas Zachariah Welmsley, Master Sargeant, of the HMS Wendigo, seconded to the HMS Hyperion for the duration of this crisis,” he said. “And by that, I don’t mean this inquiry.”

The room erupted in laughter yet again. The judge, looking most put upon, banged her large gavel again. “Order must be maintained,” she said, “even though I agree with Master Sergeant Welmsley’s sentiments.”

“And what is your role on the HMS Hyperion? How long have you been there?” Ryder asked.

“I’ve been with the Hyperion now for the last nine months, as Wendigo needed significant repairs after the last fight with the Bryan pirates. I’ve been told it will be at least six more months before the Wendigo will be fully repaired, and I can go back to my regular ship.” His face, usually merry, scowled.

So, do you want to know more? Such as, what is Peter doing there? Who is he helping? (I’ll give you a small hint; he is helping a Lance Corporal, AKA someone of the E4 rank.)

I can tell you that this is a younger version of Peter Welmsley, perhaps as much as fifteen years younger than the man we meet in the short novella “To Survive the Maelstrom.” I enjoyed seeing Peter in slightly less emotionally fraught days, and hope there will be many more stories ahead as time goes on.

Anyway, this is the first story I’ve written with someone else in my late husband Michael B. Caffrey’s Atlantean Union Universe, and I’m quite proud of it. I think Michael would like it. I also think he’d enjoy the humor of it, and of the anthology overall (as most of these stories are funny).

Mind you, it does feel weird to write in Michael’s universe with him being dead. But that hasn’t stopped me before, and I don’t think it’s going to stop me now either. (Picture me emphatically nodding, here.)

So, do go check out the story, will you? I hope you will enjoy it in the spirit intended, and the rest of the E4 Mafia anthology as well.

#Update: Kayelle also sent along some sample Tweets, and my favorite was this one:

Think you know the military? Think again. 11 E-4 Mafia stories mix sci-fi, humor, and mischief for a reading adventure that’ll keep you on your toes 🤖📚 #SciFi #MilSF #Military #PlotTwist

So, now you’ve got some help if you can’t think up a good Tweet. (And I’ll admit it; I couldn’t think up something this good, much less this pithy. But Kayelle could and I appreciate it.)

Thoughts on Papa Roach’s “Leave a Light On (Talk Away the Dark)”

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Sorry about the brief hiatus in posts, folks. Nothing much to report, except that I’m still working on writing, editing, and that I hope to finish a musical composition of some sort soon.

Anyway, while I have been “away” (away in no real sense, but not posting), I’ve been contemplating Papa Roach’s single “Leave a Light On (Talk Away the Dark)” quite a bit. (Here’s a link to the YouTube video.) This song is a fundraiser for the American Foundation for Suicide Prevention (AFPS.org), a group close to Papa Roach’s heart.

Those of you reading along may not know who Papa Roach is. I didn’t, a few years ago, though I knew a few of their songs. (“Last Resort” is a personal favorite.) They are an American hard-rock group from California, and they once had a regular trombonist. (I approve of that! More rock groups should have interesting instrumentation.) They also have talked much about suicide, suicide prevention, depression, and anxiety throughout their career, as it’s important to them.

I’ve posted before about how this is a cause important to me (though I may not have put it that bluntly). One of my best friends killed himself before age forty. (We were on the same bowling team, years ago.) I’ve also watched as excellent singers and other musicians have struggled with addiction, anxiety, suicidal ideation, and more with my own unique perspective. (Hey, being a musician who’s not known along with being a writer who’s not known either has to have a unique perspective, or she’d just give up. I’m not into giving up. Moving on…)

When high-profile singers such as Linkin Park’s Chester Bennington and Soundgarden’s Chris Cornell die too young, what else can you think other than that life can be a major struggle? Being extravagantly talented can’t always save you.

But talking about your problems, honestly and with empathy, can.

That’s what Papa Roach’s song is all about.

Fortunately, because those musicians did so much to acknowledge their struggles while they were still alive, other musicians have continued to acknowledge their own struggles, partly because of the memories of their dearly beloved and departed friends. Papa Roach has a live version of “Leave a Light On (Talk Away the Dark)” that is dedicated to Chester Bennington, for example. Disturbed’s song “Hold on to Memories” has pictures of Bennington, Cornell, and quite a few other musicians who’ve died too young that Disturbed knew well to get across the fact that these people’s lives mattered. (I’ve discussed “Hold on to Memories” before.)

Perhaps a quote from a previous blog, which I called “When Life Does Not Go as Planned,” applies here:

Life, sometimes, is just damned hard. But we get up, we try, we do our best, we create or build or work hard on whatever it is that we feel called to do. Even when we’ve felt like we’ve failed at our deepest levels, what we’ve done matters. Even when our lives have been shattered, what we’ve done and who we’ve loved and how hard we’ve tried matters.

I believe, quite firmly, that’s what Papa Roach’s song “Leave a Light On (Talk Away the Dark)” is all about.

Anyway, I hope you will enjoy this song, if you haven’t heard it before. It’s one of several songs I’ve been paying attention to lately, along with the aforementioned “Hold on to Memories” and Shinedown’s “A Symptom of Being Human.”

Remember this, though: You don’t have to be perfect. You don’t have to do great things every single day. You don’t have to be anyone other than yourself. You are valuable just the way you are, and if you can keep putting one foot in front of the other, that absolutely matters. Whether anyone else aside from you knows it or not…it does, does matter.


	

My Discussion Regarding the Milwaukee Bucks and Their Series Loss to the Indiana Pacers

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Folks, I have neglected my blog lately. I am sorry about that. I’ve been running out of hours in the day, and writing, whether it’s blogging or some fiction or whatever else, is taking a big backseat to Life (TM) these days. But as I am a fan of the Milwaukee Bucks, and as they were in the playoffs, I made sure to either listen or watch every single game this past week. (Considering I try to listen or watch every game during the regular season as well, that’s not too surprising.) And I have some thoughts.

Here we go.

I was fortunate enough to watch the Bucks play the Pacers in their last two playoff games (I listened to the others). I was seriously impressed by how hard the Bucks played despite their overall series loss to the Pacers (more on this in a bit). They were brilliant in Milwaukee in Game Five, which they needed to be in order to force Game Six in Indiana. One of their two big stars, Damian Lillard, played in Game Six after having to sit out the two previous playoff games, and did rather well, especially considering he was dealing with a strained Achilles tendon. He led all scorers, in fact…but despite good defense from nearly every Bucks player (including Lillard, and his forte is definitely not defense), the Bucks ran out of gas. They lost, 120-98, and the Pacers now advance to the next round.

Mind you, the game was not quite as lopsided as the score says. The Bucks coach, Doc Rivers, took most of his players — the starters, the main bench people, etc. — out of the game starting at around the four-minute mark. I believe the Bucks were down by sixteen at that point, and while that’s potentially doable if someone like Lillard hit a bunch of three-point shots and the extremely tired and gassed defense was able to get four or five stops in a row, it would’ve been a very long shot. I think Rivers did the right thing in pulling out guys like Lillard, Bobby Portis, Khris Middleton (who had a brilliant series of his own, especially in Games Four and Five), Patrick Beverley (aka “PatBev”), and Brook Lopez. Those guys should all hold their heads up, as they did the best they could all the way around.

Why do I say this? Because the biggest star on the Bucks, Giannis Antetokounmpo, was not able to play at all. He averaged something like forty points a game against Indiana, even though the Bucks as a whole had not done all that well against them. So, if you count him, and you see all these other players doing what they just did in stepping their games way up (or in Middleton’s case, reminding everyone why he was an All-Star a few years ago), I think at minimum the Bucks would’ve forced Game Seven in Milwaukee. At maximum, they would’ve won.

One stat for Game Five tells pretty much the whole story. There had never before been a playoff team, without its top two scorers (in the Bucks case, those were Lillard and Giannis), that had actually won a playoff game before. But the 2023-4 Bucks did just that. Middleton and Bobby Portis (a Sixth Man of the Year candidate; he finished third for the second year in a row) both scored twenty-nine points, and had twelve and ten rebounds, respectively. In addition, PatBev played the point position and passed the ball around — something he usually is not called upon to do — and scored thirteen points with twelve assists. Center Brook Lopez also scored twelve points. The Bucks played outstanding defense, held the Pacers to just 92 points in Game Five, and beat them 115-92.

In other words, without Giannis and Lillard, they were more like the “little team that could” (except for how tall they are, of course). They believed in themselves, and it showed. It was good that they got one more win at home and got to hear the love from the Milwaukee fans, because they really did pour it all out onto the floor.

So, the Bucks should hold their heads high despite losing the series to the Pacers. They did their best. Lillard came back in Game Six, and, while obviously not healthy, scored twenty-eight points and played far better defense than I’d expected. Portis had twenty points and fifteen rebounds. (The Indiana crowd hates Portis, so this was I hope some small amount of solace for Portis going into the offseason.) Lopez played one of his best games of the year, scoring twenty points and pulling down five rebounds. PatBev, while obviously tired and injured — he’d been playing despite an oblique injury for the past several weeks — again pulled down five assists and scored six points. (Remember, he’s not usually called upon to do either one. He was used primarily as a defensive “energy” guy, which makes sense: Beverley has been a member of the NBA All-Defensive Team three separate times.)

I was — am — happy with my favorite team. I wanted them to win Game Six just as much as they did…well, maybe not quite as much, but certainly I wanted them to win.

They didn’t win, no. But they did their level best. I can’t get angry with any of them.

For other sad Bucks fans out there: You need to remember that in any playoff scenario, a good team is going to go home in round one. Maybe several good teams will go home in round one. It doesn’t matter if it’s the NCAA Basketball Tourney, or the major league baseball playoffs, or the wildcard games in football…a good team or two always ends up going home sooner than expected. Oftentimes, it’s because key players were injured and/or were not able to play up to full capacity.

And we both know who wasn’t able to play at all, while several others couldn’t play up to their full capacity (but did their best and came darned close to it).

What I saw from my favorite team, the Bucks, was perseverance, grit, teamwork, and a never-say-die attitude. I hope most of the players will be back next year (I think it’s a lock that Lillard and Giannis aren’t going anywhere, and I’d be stunned if Middleton went anywhere either), as I think if folks like PatBev (a midseason acquisition) had played with everyone all year long, it’s possible this team would’ve forced Game Seven even without Giannis (a former two-time MVP of the NBA, a past multiple winner of the all-defensive team, and, like Lillard, a member of the all-NBA 75th anniversary team).

What I will take away from this loss is this: You can hold head up high when you do your level best. You may not win all the time. You may not be able to meet your own goals (PatBev said right away he wanted to win the NBA Championship just as soon as the Bucks traded for him; he also had some negative history with Damian Lillard, and said he had to “get right with Dame”). But you will still impress people if you give it your best shot, and most especially if you go outside of your comfort zone and do things completely unexpected of you. (That would hold true for the vast majority of the 2023-4 Milwaukee Bucks.)

Grief, and Nothing More’s Song “Fade In, Fade Out”

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Folks, most of you know if you’ve followed my blog for any length of time that I am grieving my father’s passing last October at the age of eighty-six. Because of that, and because I am a musician anyway (always will be), I have been listening to songs differently.

One such song is Nothing More’s “Fade In, Fade Out.” (Link to main YouTube video is here.) It discusses, explicitly, the link between fathers and sons, so it’s not too much of a stretch to consider this dialogue from a father to a daughter as well.

“But why this song,” you ask? “And who is Nothing More?”

First, I’ll answer the second question. Nothing More is a rock group from the American Southwest. They skew more toward metal than anything, but they have various influences on their music. Their lead singer, Jonny Hawkins, started as their drummer/percussionist, but realized he needed to front the band instead. Their music has a lot of life, and speaks to many different emotions and states of being.

As to why this particular song? Because of some of the lyrics, combined with the power of the music, just speak to me in a way that I can’t quite understand, except by listening to this song, crying somewhat, and then listening to it again.

The song starts out with a grown son realizing his father has grown old. They speak, almost as if it’s their final conversation; the son listens as his father says (from lyrics):

Son, I have watched you fade in
You will watch me fade out
I have watched you fade in
You will watch me fade out
When the grip leaves my hand
I know you won’t let me down

The father continues, telling his son to follow his heart, to never settle, to hold his head up, and to never run away from change. (If you look at the lyrics, which I found here, you’ll realize I’m telling this out of order. That’s OK. This is how it speaks to me.)

These next lyrics are essential to understanding “Fade In, Fade Out,” as far as I’m concerned:

(From a bit later in song)

When the morning comes and takes me
I promise I have taught you everything that you need
In the night you’ll dream of so many things
But find the ones that bring you life and you’ll find me

That’s where you’ll find me (repeated several times until the end)

The song ends on a huge crescendo, as another child is born, this to the son.**

To my mind, though, what matters most is the line about “find the (things) that bring you life, and you’ll find me.” The reason this matters so much to me is, the passions I, myself, have, are partly because of the passions my parents had. Dad loved music; so does my mother. Both of my parents were inveterate readers (and Mom still is); so am I, though I read some different things than they did (and Mom still does). The learning I took in, regarding morality and ethics and what’s truly important in life, I also took in from family influences.

So, the things that bring me life are music, words, and important relationships with friends and family. (My friends are my family, too. Just in a slightly different way. But I digress.)

Anyway, symbolically in this song, the son ends up with a child. I have no children, unless you count the workings of my mind and heart, as Michael and I were not blessed with any. (He was worth everything, though, and still is. You’ll know this if you read my blog for any length of time.) But overall, the point still matters: the oldest among us die, to make way for the new, but there is continuity between one generation and another.

In that sense, my father’s mother (who died when he was only eleven) has lived on, through him. In that sense, my maternal grandfather, who died when I was seven, has lived on, too (among others). Even though they couldn’t teach us directly, they did teach and impart values and such to my father and mother, who passed them on to me and my sibs.

So, in the parlance of “Fade in, Fade Out,” Dad watched me as I grew older (thus, faded in). He grew old and passed away (thus, faded out). But I haven’t forgotten what he taught me, the good, the bad, and the indifferent…and I never will.

What songs have mattered to you most, especially when you’ve been grieving? (All of us grieve something, mind you. That’s the parable Gautama Buddha gave, in a perhaps apocryphal story, when he sent a woman looking for someone without grief around the world. She couldn’t find anyone.) Tell me about ’em in the comments…and hey, if there are any other Nothing More fans out there, chime in, too. (That group deserves wider fame, methinks.)

———

**There’s an acoustic version of “Fade In, Fade Out” available here that’s also well worth listening to…then again, anything Nothing More does is worth it, and I can say that about very few bands. (Disturbed, Nothing More, Linkin Park…that’s about it. I’d add a few earlier bands and singers to that, such as Phil Collins with and without Genesis, and Styx with Dennis DeYoung.)

Discussing Other, Alternate Timelines

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Folks, the last several weeks have been extremely challenging. I am unable to say why, as what’s going on mostly does not pertain to me…let’s just say it’s a family health crisis and be done with it.

Anyway, I knew I should write a blog, but about what?

I could write about sports — the Milwaukee Bucks made a coaching change, mid-season, which is quite unusual — but that didn’t seem right.

I could write about politics — some of what I’m seeing from people like Rep. Elise Stefanik of NY (R) is extremely disquieting. (Rep. Stefanik seems to have the attitude of “Vice President or Bust” and is doing her best to ingratiate herself with former POTUS Donald Trump despite her past voting record, which shows at one point she was a moderate.) But again, that didn’t seem right…though I do admire Nikki Haley’s pluck in refusing to get out of the Republican primary, mind you. (She’s right that only two states have spoken. There are 48 states and a number of US territories, plus the US emigres abroad, that have yet to vote and thus indicate a preference.) While Haley is almost certainly not going to win the Republican nomination, any more than Bernie Sanders was going to win the Democratic nomination in 2016, Haley can highlight important issues to voters and ultimately make a positive policy difference (if nothing else).

And while that was a long digression about politics, that’s not what I want to talk about today. I am a SF&F writer, no matter how little-known, and thus I think about a lot of stuff most other folks don’t. I’ve done this for a long time, mind you; my Elfy books, which feature alternate universes (where the Elfs lived — don’t call ’em “Elves” as that’s a swear word to them– and the Elfys were created, among other races), were not the first time I’ve ever thought about alternate universes. I may have thought about them even sooner than age fourteen, which is when I read Philip K. Dick’s classic MAN IN THE HIGH CASTLE, which features an alternate universe where the Nazis and the Japanese won World War II.

I’m not the only one to think about this, of course. There are other writers who’ve discussed this in various ways, such as Doris Lessing and the more recent book THE FUTURE OF ANOTHER TIMELINE by Annalee Newitz. But my own ruminations lead me to how my own, personal timeline could’ve been changed by the following events:

2004: Instead of dying after four heart attacks, Michael has one heart attack and survives with brain and body intact. He does cardiac rehab, which I fully support him doing, and we get another ten-twenty years together rather than two. More books of different types result, and at least some of Michael’s artwork survives. (In this timeline, I have one piece of Michael’s artwork. That’s it. It was a brief drawing of what the uniforms looked like in his Atlantean Union universe.)

But even if Michael had still died in 2004, I had another possible better timeline with which to work, as follows:

2011: Instead of dying of a massive stroke, my good friend Jeff Wilson lives despite the heart virus that nearly killed him. He does cardiac rehab and anything else they suggest; after six or eight months of treatment, he’s allowed to leave the rehab hospital (really a nursing home). During this time, we start to date, long-distance…maybe I even manage to visit him in Fort Collins while he’s in the hospital, as it’s under the threshold of altitude that I can tolerate. (Jeff knew I get high-altitude sickness at about 7000 feet and it gets worse the higher up I go.) Books and stories follow, and whether we ever progressed beyond a very solid friendship or not, things would’ve been much better all the way around for both of us.

And even if Jeff had still died in 2011, I had yet another possible, better timeline to work with, as follows:

2014: A good friend, someone I had no idea that was interested in me, makes a play and I respond. (This happened in real life, though not in 2014.) Things progress. Books and stories follow. The relationship is serious enough to perhaps lead to marriage, and despite some major difficulties, we manage to overcome them and forge a life together.

Of course, that timeline didn’t happen either. So how about this one?

2020: Covid-19 does not happen. Millions of people do not die. (If this was lab-grown in China or anywhere else, it does not escape the lab.) People are not shut in for weeks, months, or years; there is no such thing as public-shaming over mask-wearing (I believe masks can help, especially if you, yourself, are ill and don’t know it; you won’t give it to someone else that way. But shaming people is wrong.) There’s no such thing as kicking people off public trails because of fears that they might get Covid…one of the dumbest things I ever heard, yet it happened to a good friend of mine in 2020. (I wish that hadn’t happened to him, too. As we found out later, Covid is not likely to spread outside with the same frequency as it’s going to spread inside with the greater density of people to work with.)

And as we all know, unfortunately that timeline didn’t happen either.

I’ve avoided some of the obvious ones, mind you. (Some folks may be asking, “Why not go back to 2000 and have Gore win instead of W.? Why not go back to 2016 and have your choice, Hillary Clinton, win instead of Trump?” Or even this: “Why didn’t you eliminate the war in Ukraine?”) I think many others have gone over those possibilities, and I wanted to make you think more about smaller, more personal decisions rather than stuff like that. (Well, with the exception of Covid, of course, though Covid caused more small-scale upheaval than just about anything in the past fifty years in my own not-so-humble opinion.)

So, what other timelines could you have had? What other timelines do you wish you would’ve had? (I know I wish Michael would’ve lived. Everyone who’s ever read this blog or known me in any way whatsoever should know that’s been my most fervent wish.) And is it still possible to create a better timeline in the future than the one we fear may happen? (I hope so, otherwise I’d not do anything, much less write this blog.)

Looking for Optimism in 2024

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Folks, 2023 was a difficult, frustrating, and disempowering year for me. A whole lot I wanted to get done didn’t happen. A whole lot that I never wanted to occur did.

So, how can I look for optimism in 2024?

It seems like every time I turn on the news, something else awful has happened. There’s a tornado in Alabama. There’s a documentary about a young woman, Gypsy Rose Blanchard (now happily married, married name Anderson), who was mistreated horribly by her mother and who served several years in prison for conspiring to kill her mother. (If you saw what her mother did to Gypsy Rose Blanchard, you might be like me and say, “Small loss.” Especially after Ms. Blanchard tried hard to get away from her mother, and how no one understood the horrific stuff her mother had put her through.) Blanchard’s story sent ice straight down my spine, as her late and (to my mind) unlamented mother kept her looking ill and much frailer than she ever should’ve been due to Blanchard’s mother’s significant mental illness. (The diagnosis for Blanchard’s mother, who I’m not naming as I feel she was among the world’s worst villains of the last thirty years, was Munchausen’s Syndrome by proxy, meaning Blanchard’s mother put Gypsy Rose through all sorts of crap by making her appear sick — as a cancer patient, as needing various surgeries Gypsy Rose never required, etc.)

Then, of course, there are the usual problems. Snow. Ice. Wind. Man against nature.

So, it’s a dark and rather depressing opening to 2024 for me. It’s cold, there’s not a lot of light at the end of the tunnel, and I’m frustrated overall because I’ve tried very hard for the last nineteen years-plus since my late husband Michael died (yes, I know to the hour, but I won’t be that anal-retentive today) to live the best life I can. Maybe I’ve done that, but my creativity has not been where I wish it to be; I didn’t achieve my goals in 2023 of getting some new stories out under my own name due to my father’s passing in October (partly, anyway; I was already behind that expectation due to the earlier cellulitis of the face I suffered in February and March before he died); work lagged, and I was having to play catch-up even before I caught Covid-19 in early December.

When looked at all as a piece, it seems much worse than what it was when I lived through it. And it’s of course not a patch on what Gypsy Rose Blanchard lived through for years until her mother was killed by Gypsy Rose’s then-boyfriend. (Don’t judge that young woman until you’ve seen what her mother put her through.) But pain is pain, and Michael always told me that it’s invalidating to try to compare your pain to others’ pain.

I think that’s good advice.

In my case, stuff builds up inside. I have no way to express it safely, or at least it seems like there isn’t one. This feeds depression, this feeds illness, this feeds lack of creativity and this also feeds despair, hopelessness, and as my friend Karl Ernst put it in his book Rocking Change, stuckness.

That doesn’t mean I’d not have been ill with Covid-19 if my problems magically went away. (Plus, life seems to be all about how to navigate problems. We always have some, somewhere.) That doesn’t mean everything would be lightness, creativity, brightness, and happiness, either.

What it does mean is that the real issues I’ve got: grief, again, this time due to the loss of my father; iffy health (that I continue to work on to get at least slightly better); loneliness; frustration; anger; hopelessness; well, they all get stuffed together in a maelstrom of despair.

That said, I think there are some reasons for optimism here.

First, I am aware of these problems. They aren’t just sitting there, unremarked and misunderstood.

Second, I have managed to write over 36K words in the last year into a new story I can’t tell you much about yet (it’s in a friend of mine’s universe and will eventually go out co-branded with his name), which is the highest word count I’ve managed in the last three years. This means the prospective novel is about one-third completed. (Yay!)

Third, I have good friends I trust, along with family, that have known me for many years. That has to help.

Fourth, while 2024 is already shaping up to be a year of change for me in many senses, I believe there is room for me to take a new role upon the stage somehow. (As life is but a stage, and we are merely players according to both Shakespeare and the rock group Rush, this needed to be said.)

Or as my father used to put it, “There’s always another season.” He was talking about sports, but I think that’s applicable to life as well.

So, what I’m going to do is this. Write. Edit. Compose music. Talk to other people as best I can. Continue on my path, as I know exactly what it is, and do whatever I can and whatever it takes to make my life happier, more stable, and far more satisfying.

See, I can’t control the future. I can’t control what other people think about me. I can’t control all the vicissitudes of life.

But I can control how I react to it.

That’s my overarching reason for optimism in 2024. (What’s yours? Tell me in the comments!)

A Nonmaterialist’s Approach to the Holidays

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Folks, as I write this it’s five days until Christmas Day. The holidays are likely to be a subdued affair at Chez Caffrey due to my father’s recent passing, and as I’ve said many times before at this blog, they’ve been less than stellar for quite a few years now.

That said, I try to keep the holiday spirit in mind. I can’t ever promise to be “happy happy, joy joy” because that’s just not me. But I can try to help people as I’m able, and I also can do my best to pay attention. Sometimes just being able to do these things, or give a kind word to someone who needs one, is enough to make someone else’s day.

Supposedly, there are different types of ways to say “I love you” besides just saying the words. I’m more of a “do stuff for others” type than saying the words, and I think my whole family (which includes my good friends) knows this. That’s how I try to give presents, as I don’t have a lot of cash and again, everyone in my life knows this.

I’m guessing there are a lot of people in my boat this year, in that finances are tight, lots of stuff has gone wrong, and perhaps the holiday spirit is in short supply. So for those of you who need it, remember that the best present you can give anyone else is your presence and your time. Try not to worry if you can’t give someone a monetary gift even though you would if you could…just keep doing your best for as long as you are able, and try to let those in your life know that you appreciate them.

Also, I am a firm believer in miracles, in that I’ve seen two genuine miracles happen in my life thus far. (No, I won’t tell you what they are. But most of you will probably guess one of them correctly. Just sayin’.) I think there’s nothing wrong with asking the Deity for something, anything to go right, and I have to admit that I have indeed asked this before and will probably ask it again.

Finally, remember that we all have disagreements with people. We don’t have to be disagreeable about it, mind, which of course is a tough thing when emotions are high and tempers are already frayed (as holidays can bring out the worst in people). But we can remember that most of the time when other people act badly, it’s not personal. It’s just that they have nothing else left to give, and are basically saying, “I can’t handle any more!”

So, happy holidays to you all, and may your 2024 be filled with blessings.