Archive for the ‘Inspirational stuff’ Category
What Is Strength?
Folks, this is a special post for the blogging event Collaboration with a Purpose. I hope you’ll enjoy it.
Strength. What is it, why do we covet it, and why should we care about it?

I think strength is one of the more underappreciated of human virtues. Without strength, no one would live through famine, dearth, wars, or anything profoundly traumatic.
Actor Kevin Sorbo knows this. In his book TRUE STRENGTH (which I reviewed a few years ago over at Shiny Book Review), Sorbo discusses his brush with a catastrophic, life-threatening health condition that robbed him of his physical endurance and what he’d thought of as his strength — that is, everything he could do, physically. At the time, he was known mostly for his work as Hercules, and as such, he had to be strong, cool, confident, and portray someone who could break heads without breaking a sweat, then go to the tavern afterward with his buddy Iolaus and crack jokes.
But this illness changed things. He learned what he was really about; it wasn’t his physical attributes that mattered, as they weren’t what made him strong.
What mattered was his mind. His heart. His spirit. His desire to live, to get better, to take up the mantle of his life again on his terms…and to not give in, until he’d found a way back to the life he was meant to live.
Sorbo credited much of this willingness to continue fighting with faith, along with the love of his wife, Sam. And there is no doubt that’s all true.
Still, I tend to think that it’s the person he was, annealed in fire (or at least forged in illness) that shows exactly what strength is — and what it isn’t.
See, most of us only see the outsides of things. We don’t see the inner workings. We can’t, or we won’t, or maybe we’re afraid to be vulnerable and to admit that we’re all frail in some respects. That we can all make mistakes. And that our lives can change in an instant, whether it’s due to a life-threatening illness, the death of a spouse, or other catastrophic events.
Who we are is often shown in starkest relief after we’ve lived through something incredibly painful. The fact that we endured this, that we came out on the other side and lived to tell about it, is what strength really is.
Now, as to why we should covet it? I think that’s more because some of us are afraid that we may not be everything we think we are. When the chips are down, will we convert on our promise, or will we roll over and play dead?
Granted, being strong means you have to admit that sometimes you’re weak, vulnerable, and not at your best. You have to know that in your darkest moments, even when you’ve lost all hope that things will ever improve, that somehow you’re going to survive, and keep trying, and refuse to give up.
Why we should care about strength is obvious. It’s what makes us who we are. It taps into our souls, into our innermost selves, and demands that we be true to ourselves, or else.
Providing we are, and give it our all, that strength, that innermost drive to survive and do our best will get us through many dark periods of time in our lives. (As well as a few good ones here and there; maybe more than a few?)
At any rate, that’s what I think of, when I think of what strength truly is (and isn’t). What do you think about? (Let me know in the comments.)
(Later today, I’ll add links to all the other bloggers taking part in today’s Collaboration with a Purpose event. I was showing my strength — or at least my bullheadedness — in writing this down now, during a migraine headache. But even my strength has limits; I’ll have to add the links to the other bloggers later, and hope they’ll forgive me down the line.)
Time Waits for No One…
Folks, I’ve had it up to here with mortality.
I’ve lost my husband. I’ve lost my best friend. I’ve lost my grandmother, my uncles, my aunt, and numerous other good friends way too early.
But I’m not the only one.
Other friends of mine have lost sisters, mothers, fathers, brothers, best friends, you name it.
We’re all here for a short time. I’m not entirely sure what we’re supposed to do with that time, other than love one another and develop our gifts and talents as much as we possibly can.
So please, remember that time doesn’t wait for anyone.
That’s why you have to make the most of today.
Don’t wait. Use your talents, use your mind and heart and body and spirit, and cherish your family, your friends, and all your loved ones as much as you possibly can.
Do everything you can to make a positive difference, while you still have time. Don’t let anyone put you off; don’t let anyone tell you that the small things you can do on your own won’t ever matter.
Because that is a lie. And you need to remember that.
Mind you, there’s a lot about life that really frustrates me. But one thing I know is true:
Time waits for no one.
So do your best today. Love your best today. Create your best today.
And never stop trying, loving, or creating. (Because the day you stop is the day you lose. Guaranteed.)
Preparation Is Key
Folks, I recently played a concert with the Racine Concert Band, and I was struck by the difference good mental preparation made in my performance.
When I was younger, I never thought about this at all…I figured if I’d done the work, learned the pieces, my instrument was in good repair and I had a good reed, that’s all I needed to do. But preparation doesn’t stop with the mechanics of playing music; it actually starts there.
Because I have hand problems now, I have to think a great deal more about what I’m going to do, whether it’s with music, writing, or anything else. And what I’ve found is that if I put myself into a calmer frame of mind and tell myself I’m going to do the best I can, and not beat myself up beforehand because I can’t do what I once was so easily able to do, I come pretty close to being able to do what I used to do so effortlessly.
Now, I did prepare for big moments on stage, of course. I mentally played through solos, recitals, various high-profile gigs…so this mindset is not totally alien to me.
I’d never thought about it with a run-of-the-mill concert before, though.
So, as I was thinking about this, I wondered if it might help my writing, to stay in that same mindset as best I can. Just the belief that I can do it may make a difference on a bad day…and we all need that, whether we realize it or not.
Granted, I write on different days for different reasons. Sometimes I am writing an intensely emotional scene and I need to be able to feel that. Staying detached under such a circumstance won’t work.
But the belief that I can affect my own outcome a little…that is worth having.
You see, the biggest threat to creativity is the belief that it doesn’t matter. That who you are, that what you create, won’t ever make a difference to anyone.
We creative types have to have at least a small bit of an ego to take up a creative profession; otherwise, we’d get ground to powder quickly, as creating against strong headwinds is not for the faint of heart.
So, just for today, I want you — and me — to believe one thing:
It does matter.
What you do, what you create, what you are, all matters.
Don’t let anyone tell you different. And keep doing whatever you need to do, in order to be your best self.
Sunday Reflection…about CHANGING FACES?
Folks, over the last month or so, I’ve told you a lot about my new novel, CHANGING FACES. I’ve told you some of what I was about when I wrote it, and about my process in writing it, and about all sorts of other stuff…but as it’s Sunday, I thought I’d tell you the real reason I kept going.
After my husband Michael died in 2004, I was absolutely devastated. (I think everyone who regularly reads my blog knows this.) For a while, I didn’t recognize myself, at all…I was in so much pain, I could not create, could not write, could not play music, and saw no purpose to my life at all.
In the middle of 2005, one of my good friends asked me to come to Kansas City for a convention, ConQuesT. I had another friend offer to pay for my expenses while I was there; she and her family put me up in her house. It was the first time I’d tried to go that far away since Michael died, and because I was worried about the length of the drive, I took the Amtrak train from Chicago.
Little did I know that doing that would change my life. But it did.
I went to the convention, stayed with my friends, talked with my other friend (who was also at the convention), met some writers, all that. I felt a little better, being around people who were more like me; they didn’t see me as inherently flawed, inherently broken, or inherently irredeemable, just because my beloved husband was dead.
But that was not what changed things. (I’m getting to that, trust me.)
On the way back to Chicago, I met a minister and his wife. His name was Reverend Evans, and was an older black gentleman. He told me about his life, and his work, but mostly listened to me as I told him about everything going on — my frustration, pain, anger, rage, all that. And about how I couldn’t write, but had two novels in progress — ELFY, and CHANGING FACES. And that I wondered if there was any reason, any reason at all, I was still alive.
Rev. Evans could’ve easily thrown platitudes my way. But he didn’t.
Instead, he said that God is love, and that I knew that, because I’d seen it. Reflected in the eyes of my husband, for one; and in every word I wrote, and had ever written, for another.
This all made sense to me.
And he talked a great deal about CHANGING FACES. He said he thought I was still here to finish it. Because the world needed to know that we all need love. Regardless of race, creed, sexuality, gender preference, love is what matters.
And finding love, reflecting that love, is what’s most important.
But believing in yourself, and your talents, is also important.
Why?
Because that’s how we best enhance the Godhead.
See, our creativity comes from the Higher Power, and as such, when we are creative, we are reflecting that love and faith…and it gives back to the universe, which gives back to us.
I view talking to Reverend Evans as one of the most pivotal moments of my life. He reminded me that I still had things to do. And that even though Michael had been embraced by God/dess, and was no longer here for me to embrace, I could still be a testament to that love, so long as I kept trying.
And I’d like to think that in getting ELFY published (albeit in two parts, as AN ELFY ON THE LOOSE and A LITTLE ELFY IN BIG TROUBLE) along with CHANGING FACES, I have done some of what I was put here to do.
*****
There are two guest blogs I’d also like to point you to, before I go. The first is new today, and is up at Kayelle Allen’s blog…it’s about writing bisexual characters. (Or at least a bisexual character.)
Here’s a bit from that:
Now, as to why (Elaine) still couldn’t accept herself as gender-fluid easily? Well, as a society, we’re only beginning to learn about people who don’t always feel male or female. Sometimes they feel one way, sometimes another, maybe a third time they have a mix of both traits. Gender preference is not the same thing as sexuality; not by a mile.
So, Elaine has dated women and men. She sees the worth of a person and is not automatically attracted only to one sex. In a way, Elaine isn’t attracted by anyone, sexually. She’s only attracted mentally and emotionally, and then, much later, sex comes into the picture. But that’s not that strange, considering she’s a scholarly sort. She can see into a person, and evaluate who that person is, in a way most people don’t. She doesn’t even think to do this because how she views people is part of who she is.
Ultimately, love is love. Who you love is far more important than what gender your love happens to be. Seeing a person’s soul, seeing a person’s heart, seeing a person’s worth, is far more important than whether that person is straight, gay, bisexual, or Martian.
Obviously, I believe this. (So did Reverend Evans. So did my late husband, Michael.)
And the second is an interview with Mayra Calvani; here’s a bit from that about my favorite authors (hint, hint — I mention Katharine Kimbriel, Jason Cordova, and Chris Nuttall here, so do tell your friends):
First, Lois McMaster Bujold is one of the best writers working today. She combines humor, scientific expertise, world building, romance, characterization, heart, and much more in a package that is incredibly appealing. She’s considered one of science fiction and fantasy’s modern masters by many, and for good reason.
Second, the work of Katharine Eliska Kimbriel is phenomenal. She has written three hard SF books in her Chronicles of Nuala series, and three alternate history/fantasy books in her Night Calls series. They are all excellent books with great writing, wonderful characterization, world building to spare, humor that arises from the characterization…just can’t say enough about her books. (And that she isn’t as well-known as LMB just vexes me. Writing of this quality should be celebrated far and wide, methinks.)
Third, I’m fond of Linnea Sinclair. She combines romance and SF in a way I find very appealing.
Fourth, my early mentor, Rosemary Edghill, writes exceptionally well in a wide variety of genres, from detective stories to Regency romance to urban fantasy (and beyond). The way she uses language is wonderful, and I always learn from her work, whenever I pick it up. (It’s like meeting an old friend.)
“But Barb,” I hear you protest. “What about the male authors?”
Oh, I have a number of favorites there, too. Robert A. Heinlein, Stephen R. Donaldson, David Weber, Dave Freer, Eric Flint…and don’t discount my friends Chris Nuttall or Jason Cordova, either. (Chris is so prolific, he’s put out at least ten books a year in various genres for five years running. Chris has gotten so good, he just might end up with one of those major awards like the Hugo or Nebula one of these years. And Jason can write anything…just give him time, and he’ll figure out a way to write it and sell a ton of books. That’s just how he is.)
So, there you have it.
Have a good Sunday, folks.
Try a Little Kindness
Folks, I want to tell you a story that means a great deal to me.
Years ago, when I was in high school and attending religious education, there was an exercise our teacher wanted us to do. We were given slips of paper with people’s names on it, and had to write something kind about the person we’d drawn. We were not to identify ourselves, and we had to use our own, personal knowledge to give them a heartfelt letter that would give this other person strength and peace and hope.
Needless to say, as a burgeoning writer, I felt this a nearly impossible task.
I don’t remember much about what I said about the person I drew. I barely knew him, but tried to give some sort of comfort…that much I’m sure of. I tried to show him that I had seen who he was, and what he was about, and that I admired it. (Because that much was the truth, and I could say that without giving any offense or feeling too squicky inside myself.)
What I do remember is the message I received, from a wholly different person in the class. She drew me as all the colors of the rainbow. (Maybe this is what led, eventually, to the formation of Michael the Rainbow Man in CHANGING FACES, but I digress.) She showed me as artwork, and then mentioned five or six things she really liked about me that were all true — but weren’t at all how I felt about myself at the time.
Why? Well, my parents were in the process of divorcing. (This was about a year before they actually split up, if I remember right.) I was unsettled, at best, and trying to hold to an even keel when I felt nothing but chaos all around me.
I’ve never been good at projecting things I don’t feel. But what I have been good at is trying to remember that we’re all people, and we all deserve kindness and respect. That is what this young woman in my class saw, and that’s what she drew on the paper with the pastel rainbows.
That work of kindness has stayed with me to this day. The young lady who drew this didn’t have to do any of that. She could’ve written something facile, something about me as a musician (because I was already known for it), or something about my poetry (as I’d won some sort of minor award for that), or about me being a Brewers fan…she could’ve picked a number of things, but she didn’t do that.
Instead, she did her best to represent me in the way she saw me. She was kindness itself when I needed that. And she reminded me that I can’t see myself the way others do; it’s impossible.
There are a couple of different inferences to be drawn, here.
First, we have to treat others with kindness, dignity, and respect. It’s imperative. Whether you believe in the Golden Rule, the Rule of Three, or are an atheist, we are all human and we all deserve to be treated the way we, ourselves, want to be treated. (This is harder with some people than others, and sometimes we’re going to fail. But keep trying.)
Second, if we treat others with kindness, that will be remembered. It will help the other person in ways you can’t possibly imagine. And that ripple effect does more to resist the vagaries of time, space, and indignities more than anything else can possibly do.
In other words, I hear a lot about “resistance” these days because of the Trump Administration, and that’s fine — I, personally, believe that everything that any presidential administration does should be sifted with great care, and in this particular case, I believe more care should be applied than most with the sifting. But if you don’t treat others with kindness, respect, and dignity, you are doing the work of people who want to tear you down for them…and that just won’t do.
So, please…remember to be kind. Always. Try your best. Treat your friends with care. Help others as you can.
And don’t do the work of your enemies for them. (Please?)
Hope: Just Do It
It’s Sunday, and I was in need of spiritual sustenance. So I started thinking about hope, and its necessary qualities.
See, when you’re down, it’s hard to believe that anything matters. Life has given you a bunch of lemons, sour ones at that, and your attempts to make lemonade out of them don’t seem to be working…and it’s hard to believe in hope.
But you have to, because that’s when you need hope the most.
There’s a reason that hope was in Pandora’s Box. That one thing can make the difference between success and failure, because it reminds you that it’s all right to fail once in a while, just so long as you get up again.
It’s because of hope that I keep writing.
I realize that hope alone is not enough. But if I believe I have a good story idea, and do my best to flesh it out, I can use that hope and weld it to my will and work ethic to get something done.
I know this works. Because today, finally, after several weeks of illness and frustration, I did what was necessary and finished up my final edits with regards to my novel CHANGING FACES. My publisher has the file now, and aside from proofreading the PDF advance reader copy when it comes out (I’ll keep you posted on that), my work is now complete.
While I was feeling poorly, it was very hard to hope that I would be strong enough to do what was required. But I held on to my hope that I would do it, and I did it.
So that’s why the title above.
You need to believe in hope, because without hope, it’s nearly impossible to believe in yourself.
If you remember only one thing today, believe in this: Hope. Just do it. (For me. Please?)
Keep Trying, No Matter What
Folks, the above title — “keep trying, no matter what” — is my personal philosophy.
But sometimes it’s much harder to do that than others. When that happens, I have to realize that I’m human, fallible, mortal, all that…and try again the next day, and the day after that. And the day after that, etc.
What’s caused me to write this blog at this time is very simple. I’ve struggled now for about a month with an illness that started as a cold and flared into something akin to bronchitis. My asthma is acting up, and my energy is much lower than it should be.
I try to be positive, as much as I can, but I’m not into this nonsensical “happy happy joy joy” stuff, either. I am a realist. Right now, being a realist, but also being optimistic, means I have to say, “OK, today I can’t do much. But tomorrow, if I am careful, I can do more…so I will be as careful as I can.”
Of course, this isn’t the only thing I’ve got to deal with. I have a number of physical limitations that I deal with daily that I work around, including bilateral carpal tunnel syndrome, arthritis bad enough in my back and knees that I walk with a cane, and more.
But I get up every day, and I deal with it the best I can. I try to think about what I can do. Not what I can’t. Because thinking about what I can’t do is self-limiting and self-defeating.
And thinking about what I can do is life-affirming. It reminds me that as bad as things can be, as lonely as I am and have been since my husband Michael died, there’s still something I can do that’s creative and fulfilling.
Besides, something in me says about writing, editing, and music, “Yes, you should do it.”
Why? Well, it seems to me that even if the world seems against me, even if no one else seems to care, I have to do what’s inside me or I’m not being my best self.
Why does that matter? Well, as a creative person, I try hard to be my best self. It’s where the words come from, I think…or maybe the music of the words, if my late husband was right. (Michael, as you might recall, believed that I thought music first, and then only translated those musical notes and chords into words. And who am I to say he was wrong, especially as I do compose some music as well?)
I want to be attuned to whatever it is that makes me a creative person. It may not be easy to be creative. (In fact, it’s often as difficult as all get-out.) But I know who I am, and I want to keep doing whatever I can to maximize my talents and abilities the best I can.
So, the journey has been tough. (That I’m still struggling, due to the recent illness, to concentrate well enough to wrap up the last little bits for CHANGING FACES so I can turn it in to my long-suffering publisher and get it placed firmly on the schedule drives me batty, too, I must admit.) It probably will not get much easier, either.
But I will do it. I will get up every day, and keep trying.
No matter what.
See that you do the same.
#MondayMotivation: Figure Out What You’re Best At…
Folks, it’s time for a Monday Motivation post. (And as I’m still — somewhat, anyway — on Twitter, I decided to use the hashtag in the title. For my sins, I guess.)
When you were young — or at least, younger, as most of us do not enjoy pointing out that we’re not as young as we used to be — your teachers, mentors, and even your parents used to say, “Figure out what you’re best at, and do it.”
But how do you do that, exactly? Especially if you’re a creative type, when creativity isn’t exactly understood?
Maybe this is where Malcolm Gladwell’s book OUTLIERS holds a few of the clues. (I reviewed this book a while back at Shiny Book Review — yes, I do plan on writing a review or two this year, thanks for asking — and I’ve never forgotten it.) Gladwell insists that to become an expert at your field, you need approximately 10,000 hours of hard work to get there. (And even more time than that to stay there, improve upon your expert abilities, and keep going at that high level after that, no doubt.)
The way I view this has to do with persistence, otherwise known as ramming your head into the wall over and over and over again until the wall falls down. It’s not an elegant solution, but it’s the only way I know to get things done.
So, when you get a story idea, or an idea for a poem, no matter how outrageous it seems, you should write it down as best you can. (If I’m pressed for time or tired or ill or all of the above, as I’ve been lately, I try to write it down in prose note format — that is, whatever I get, I write it down, sans dialogue, sans much in the way of description unless it’s absolutely essential, so the idea is not lost.) Even if you can’t do anything with it today, even if you can’t do anything with it next week either, it’ll still be there, waiting for you, when you can look at it again and develop it.
I know this method works, because I’ve had at least four stories that I’ve developed after writing them down in prose note form…and in two cases, I got halfway into the story, then had to put it aside for six months to a year before returning to it.
(What can I say? I’m like a dog with a bone. I have to finish what I start, no matter how long it takes. No excuses.)
So, to figure out what you’re great at, you need to keep working at your talents as much as you possibly can. Whatever they are, figure them out, keep going, refuse to give up on yourself, and give it your best shot. Don’t listen to anyone who tells you differently, either…because the only person who can tell you when it’s time to stop (if it ever is) is you.
The title, above, is the main question at the heart of