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12 Years Ago Today…

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. . . I married the love of my life, Michael B. Caffrey, in Waukegan, Illinois.

Had Michael lived, we’d be celebrating twelve happy years together. I have no doubt of this.

I also have no doubt that Michael is the person I was intended to be with all along. I didn’t find him until I was in my mid-thirties, going through a second divorce. But I did find him, we did marry, and we had two wonderfully blessed years together.

I know duration does not equal value. (If it did, my first marriage would be three and a half times more important than my marriage to Michael. Which is flatly absurd.) But I do wish we’d have had more time together.

That said, out of our union came several wonderful things. The Elfyverse, for one . . . I can’t imagine writing the ELFY duology (of which part one is AN ELFY ON THE LOOSE) without knowing Michael, because I wouldn’t have had any idea at all what love truly was about without him.

In 1 Corinthians 13, verses 4-8, the Bible says this about love (quoting the GOD’S WORD® Translation from BibleHub.com):

Love is patient. Love is kind. Love isn’t jealous. It doesn’t sing its own praises. It isn’t arrogant. 5It isn’t rude. It doesn’t think about itself. It isn’t irritable. It doesn’t keep track of wrongs. 6It isn’t happy when injustice is done, but it is happy with the truth. 7Love never stops being patient, never stops believing, never stops hoping, never gives up.

8Love never comes to an end.**

Note that this is exactly how Michael was, with me. He was extremely patient. He was unfailingly kind. He certainly wasn’t jealous — he was the farthest possible thing from that. He was a self-effacing man who, when I complimented him, almost always tried to turn it away — and when he did accept it, did so modestly. (Or humorously. Or maybe both.)

And I believe verse 5 — love not being rude, not thinking about itself, not being irritable and not keeping track of wrongs — also applies to Michael. Because he wasn’t rude. (Trust me; with two ex-husbands behind me, I well know what rude can be in a marital context.) And he faced life with a courage and optimism that I’ve never seen out of another living soul . . . something that continues to give me strength, nearly ten years after his body went to dust.

I especially think verse 6 in this particular translation applies to Michael. He hated injustice with a passion. But he loved the truth, even if the truth was difficult to understand and/or frustrating.

(Personally, I think that was the Zen Buddhist in him. But I digress.)

And verse 7, too, sounds much like him. Michael believed with all his being that I would make it. No matter what happened to us — and we suffered through a flood that damaged many of our belongings, not to mention a huge and financially ruinous cross-country move, and many other things — he believed that success was what you made of it.

And because I got up and tried my best every day, whether it was playing my music, composing music, or of course writing and editing (which he went a long way toward teaching me, and I wasn’t the most apt of pupils), he honestly told me I was a success — and meant it.

To him, it wouldn’t matter that I wasn’t world-famous. What mattered to him instead was that I was my best self, and kept being my best self, no matter what other awful things might happen.

And while I intentionally truncated verse 8 (that’s what the two stars are about, in this context), I like this version’s translation — “Love never comes to an end.”

Because that’s how I feel about it, too.

So while this is a “sadiversary” for me, insofar that I’d much rather Michael be alive so we could do the normal things couples do when they’re celebrating the date of their wedding, it’s also an oddly happy day, too.

I got to marry and be with the most wonderful person I’ve ever known. Not many people can say that. And he loved me until the end of his life, with everything he had, and I believe wherever he is now in the positive Afterlife, he continues to love me, too.

And I know I will always, always, always love Michael, too.

That’s more precious to me than any amount of money or fame could ever be.

Written by Barb Caffrey

June 24, 2014 at 2:42 am

Racine Journal-Times Interviews Me for their “Our Authors” Segment

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My interview with the Racine Journal-Times went live this morning, so I thought I’d get over here and write a quick blog to point it out.

Now, how did this happen?

Well, a few weeks ago, the Journal-Times sent me a list of interview questions regarding me, my writing, and my book, AN ELFY ON THE LOOSE. I answered them.

Voila!

(Yes, I’m being intentionally deadpan today. Why did you ask?)

So if you’ve ever wondered just how long it took me to write AN ELFY ON THE LOOSE, this interview has the answer. And if you’re wondering just how long the ELFY duology has been in existence, well…

Let’s go to the interview:

How long did it take you to write the book? Thirteen months. But it took 10 years to get a publisher interested.

And if you ever wanted to know why I started writing? The interview has that answer, too:

How did you get interested in writing? I wrote as a child, but mostly poetry. When I went to college, then graduate school, I worked at my schools’ newspapers. I wrote some science fiction and fantasy stories in high school, sent one out and actually got good comments (what is called a “brass-ring rejection” in the trade, meaning I fell just short of publication), but I didn’t know what that meant at the time and put fiction aside for 10 years. Then I went back, and haven’t stopped since.

And that’s not all, as we discuss my book (including why I wrote it in the first place) and just what my connection to Racine is.

The most important part of this interview, though, is probably why I wrote AN ELFY ON THE LOOSE at all. But if you’ve read my blog before, or know anything about me at all, you probably already realize this.

Still, in case you haven’t figured it out, AN ELFY ON THE LOOSE came into existence because Michael and I got married, I had a dream about Bruno after reading an anthology about Elves (Bruno said, “It’s not like that!”), and Michael encouraged me to write down whatever was going on.

Because, you know, writer-spouses are like that. They don’t look at you like you’ve grown a second head. Instead, they tell you, “Hey, whatever is going on, you should write it down.”

So I did.

Because I knew the Journal-Times would be pressed for space, I left out the part about Michael’s encouragement in this interview. But I’ve discussed it before, most particularly here at my blog and in this particular guest blog I did for Stephanie Osborn’s Comet Tales.

Anyway, I’m pleased this interview is now up and available. So go forth and read it, OK?

Written by Barb Caffrey

June 22, 2014 at 4:06 pm

Just Reviewed Stephanie Osborn’s “A Case of Spontaneous Combustion” at SBR

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Folks, it’s Romance Saturday. And long-time readers of my blog know what that means . . .

Yes, it’s true. I reviewed another romance again at Shiny Book Review (SBR for short, as always). This time, I reviewed Stephanie Osborn’s A CASE OF SPONTANEOUS COMBUSTION, book 5 in her Displaced Detective series.

A quick after-action report for y’all:

I enjoyed Stephanie’s latest very, very much. I thought the romance was stellar, and I agreed that something like this could very easily happen (though I have to admit that I took all the high-tech devices for metaphors).

Why?

Well, without giving too much of the plot away, a miscommunication between newlyweds Sherlock Holmes and Skye Chadwick-Holmes has caused major trouble in both their personal and professional lives. And while the failure of high-tech devices to work as operated is part of it (though there is an operator behind this failure; further reviewer sayeth not), the biggest problem between them is one that any newlywed couple can have.

“What’s that?” you ask.

Simple: it’s the problem of expectations.

While Sherlock Holmes is a fictional example (in both Arthur Conan Doyle’s version and Stephanie Osborn’s), the fact of the matter is that most newlyweds don’t see one another as real, live human beings with real, live failings. Someone like Sherlock or Skye has fewer failings than the average person, but both of them still have failings.

Instead, most newlyweds wear rose-colored glasses and want to believe their spouses are the absolute best person who ever walked the face of the Earth (save, perhaps, for Jesus Christ Himself, or Gautama Buddha, or maybe Confucius).

This is both a strength and a weakness, and it can be exploited by someone malicious, as Sherlock and Skye found . . . but if you can get past this, and see your partner as a human being with flaws and challenges, just like every other human being, it deepens and broadens your love considerably.

Look. My husband Michael was the most wonderful person I have ever met, bar none. But he was still a human being. He had flaws. (Not many, but he had a few.)

Did we have a newlywed blow-up? Not one as bad as Skye’s and Sherlock’s, no. But we did have a couple of misunderstandings, mostly because we were learning how to live with one another, and sometimes even with the best of intentions, you’re not going to be able to communicate with one another.

(Yes. Even two writers cannot always communicate with each other. Go figure.)

We worked around that. We found what worked for us. And that’s why our marriage worked.

In short, we met each other as real, live human beings with real, live failings. So we entered into our marriage with a more realistic expectation — granted, it wasn’t a first marriage for either one of us, so that possibly made a difference as well. (I’d say “probably,” but who knows? Not me.)

That doesn’t mean you don’t think the other person is wonderful. Believe you me, I did — and I still do.

But it means you see him as human and mortal. Not as a demigod. And that allows you to meet him on a field of equality, where you both have something to bring to the table.

Anyway, that’s why I enjoyed A CASE OF SPONTANEOUS COMBUSTION so much as a romance. (I already discussed the mystery and hard SF elements in-depth in my review, but figured the actual romantic elements warranted a wee bit more discussion.)

You will, too, if you love honest romance with heart between two intelligent, passionate, hard-working individuals; if you love Sherlock Holmes stories (as brought to the modern-day); if you love hard SF along with your romantic mysteries; or if you love just-plain-good writing.

Deborah J. Ross Interviewed Me Regarding My “Stars of Darkover” Story…and It’s Up

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Folks, a while back, Deborah J. Ross asked me — and all the other writers with stories included in the newest Darkover anthology, STARS OF DARKOVER, which will be out in June — a series of questions. I sent them back to her, and she told me the interview would be up sometime in May.

Late last week, she wrote to me and said the interview was scheduled, and could I please spread the news far and wide?

Of course, I told her. I’ll be glad to do it.

Now, the interview is up over at her blog . . . and I do hope you’ll read it. I discussed a little bit about my story, “At the Crossroads,” and the story’s main character, Judge Fiona n’ha Gorsali, along with the three ways Marion Zimmer Bradley influenced me — one was through her writing, one was because my late husband Michael knew one of Ms. Bradley”s sons (I’m not sure which one, but I’m guessing it was probably her eldest due to the time-frame) and Michael told me that Ms. Bradley had been very encouraging to him when she didn’t have to be, and finally, the last way is because Rosemary Edghill has been my mentor for a few years now…and Rosemary worked with MZB on the Light series (WITCHLIGHT, GRAVELIGHT, GHOSTLIGHT, and HEARTLIGHT).

I haven’t ever been interviewed before. I’ve always been the one doing the interviewing, actually . . . so this was a brand-new experience.

Let me know what you think of my first-ever interview, will you?

By the way, in other news, the second half of ELFY — which I’m sure will be re-titled soon, one way or another — has been turned in to my publisher, Lida Quillen of Twilight Times Books.

What does this mean in practical terms?

Well, it means I’ve done everything I possibly can do. Now it’ll go to my editor. In a few weeks, I’ll probably have the file back and will make any changes required.

This means I still have a shot to get the second half of ELFY out by late October, if all goes well. So that’s a good thing.

Aside from that, I continue to write, edit, and comment . . . and watch the Milwaukee Brewers play baseball games, of course. (I’ll probably be writing about them again soon. But time is short and it’s had to go toward other things.)

Dealing with Frustration

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Have you ever had one of those days where you just wish you could start the day over?

Most of us have, actually. But when we have a day like that — a day where the word “frustration” is written in all-caps, and Murphy’s Law seems to be overly optimistic — it’s hard to remember that other people have suffered the same slings and arrows of outrageous fortune, too.

Or at least, most of them.

My late husband Michael used to say that no one can tell you what you’ve experienced but you. (That was his way of saying that everyone’s different, and everyone’s experiences can’t help but be different as well.) But he also said that because most of us tend to go through the same things, albeit at different times and perhaps in different ways, that helps us realize that we’re not completely alone.

I’ve been thinking a lot about my husband tonight. This isn’t much of a surprise, as I tend to think about him often . . . I can’t bring him back, no, but I can at least remember what he told me, and in that way, at least some of what he was continues to survive.**

Holiday weekends are difficult for me. (If you’ve read my blog for a while, you’ve probably figured this out.) Memorial Day weekend, which is a time to remember our servicemen who died in the line of duty, is a very somber holiday to begin with; as Michael served in the Navy honorably (albeit much more briefly than he would have wished due to a knee issue), I suppose it’s not at all surprising that I’m ruminating on frustration, on things I can’t change, on Murphy’s Law and on the whole issue of how to bear defeat, during this particular weekend.

A fortune cookie, of all things, had a cogent saying about this: “The toughest challenge in this world is in bearing defeat without losing heart.”

I think that’s what we all have to do on our darkest days. We have to believe that something will improve despite it all, and that the meaning that eludes us on days where nothing goes right and absolutely nothing makes any sense will eventually show itself.

So it’s hard — very hard — to keep going when you don’t see anything different on the horizon.

But it’s worthwhile to keep trying, no matter how tough life is, and no matter how many difficulties have befallen you.

That’s yet another thing Michael told me. And I believe it still makes sense.

———–
**Yes, I know that while I continue to survive, at least some of Michael is alive as well. But it’s a difficult concept for me to ponder.

Received Results for Writers of the Future Contest, Quarter One

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Folks, a while back I told you all that I’d sent off my last-ever story to the Writers of the Future Contest. I was under the impression that once my novel, AN ELFY ON THE LOOSE, was out, I would be ineligible.

I was wrong.**

But as I didn’t know it, the submission I sent in for the first quarter of the Writers of the Future Contest’s 2014 cycle meant a great deal to me.

You see, I was looking over one of my husband Michael’s incomplete novels. This novel, MINIATURES, features a space Naval officer who had been a Marine non-com for over fifty years, and who was more or less shanghaied into the Navy against his wishes.***

And I’d always wanted to know more about this character, Peter . . . so I wrote a story around 2,000 words of Michael’s writing, to explain just what had happened to Peter that caused him to go from a job he loved — being a Marine Sergeant-Major — to a job he really didn’t want to do, but didn’t actively despise — a Naval Ensign.

Michael’s novel picks up after Peter has become a Naval officer, you see. But one of the earliest parts of his novel discusses just how Peter meets up with his were-mouse (a companion who’s far more than an animal; were-mice are more like an allied species) while Peter’s on leave. Michael’s novel had this pivotal scene in a place where Peter had finished his training but hadn’t yet been assigned to a ship . . . yet it didn’t seem to make sense that way.

The more I thought about it, the more I realized there was much more to the story. So I wrote about what Peter had done that was so heroic that he’d be given a prestigious medal and taken from the service he loved — the Marines — and put into the Navy, where he’d never wanted to be. And flying starships seemed to be a part of it, as Peter loved to fly and could fly anything you care to name . . . but the Marines hadn’t officially known about it.

Because Marines, most especially non-coms, do not fly starships. They are ground troops. Maybe a few of them fly shuttlecraft. But Peter does a lot more than that, and because he basically had to take charge after nearly all the officers were killed (and the few who weren’t were already in Sickbay), that’s why he got the medal. And that’s why he also bonded with his were-mouse, because his were-mouse companion also loves to fly.

And as Michael already had this — yes, he did have this pivotal bit of information already in the text — why not write a story that made much more out of these events?

So that’s exactly what I did, adding seven thousand words or so to the story to make it all work out.

The story’s name is “To Survive the Maelstrom.” It won an honorable mention in the first quarter of the Writers of the Future contest. This is the first time I’ve ever had that honor — and it’s also the first time Michael had that honor.

I’m glad that “To Survive the Maelstrom” won an honorable mention, as it does validate, at least in part, what I’m trying to do in keeping Michael’s work alive while doing my best to add to it.

I will be sending “To Survive the Maelstrom” out to the various markets, including the Magazine of Fantasy and Science Fiction (they’re always the first ones I try), and if F&SF doesn’t like it, I’ll try it at Lightspeed. And Analog. And Asimov’s . . . and, down the line, if I can’t interest anyone in it, I will put it up for sale myself.

Because I believe in this story. I believe in my husband’s writing, and my own, and I think the combination of the two of our talents made for an exceptional short story — something that’s more than the sum of its parts.

And yes . . . now that I know I’m still eligible (as it’s unlikely that AN ELFY ON THE LOOSE will sell 5,000 copies any time soon, much less before June 30, 2014, the next quarter’s deadline), I’m going to try another story at the Writers of the Future Contest.

Why not?

———

**AN ELFY ON THE LOOSE is unlikely to sell 5,000 copies, most particularly not before June 30, 2014, the end of the next quarter for the Writers of the Future Contest. So because of that — and because my professional publications still stand at 1.5 (one co-written story with Michael, one alone) that have sold or will sell 5,000 copies — I am still eligible. Heard that from the Contest Administrator’s own e-mail, earlier this evening.

***BTW, the main reason MINIATURES hasn’t already been published is that I cannot find the final fourteen chapters. At all. Once I do, I will incorporate what I’ve written in “To Survive the Maelstrom” and just keep on running . . . Michael would approve.

Written by Barb Caffrey

April 30, 2014 at 2:37 am

Blog-Hop Sunday Has Arrived! Four Questions for the Writer

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Well, as promised, it’s time for me to answer the Four Questions for the Writer Blog-hop, as I was tagged by both Katherine Eliska Kimbriel and Dina von Lowenkraft in this particular blog-hop.

Before I get into that, though, you might be asking yourself, “What’s a blog-hop?”

The quick answer to that is, “A post where one writer starts it, tags a bunch of other writers, and it continues around the Internet for a while.” It’s a great way to meet other writers, if you follow the blog-hop from beginning to end, and as all of us tend to put “Four Questions for the Writer” somewhere in our title, the hope is that people will find our answers down the line.

Anyway, let’s get started!

Question One: What are you working on?

Oh, this one’s easy. But it’s also complex, because I have more than one thing going at the same time.

First is the sequel to AN ELFY ON THE LOOSE (or as I call it, the second half of ELFY, because originally the “Elfy duology” was just ELFY, the book). I am currently working on the final edit of that; once it’s done, it’ll be turned into my publisher, the copy-edits will start and we’ll be on our merry way toward another book. (Yay!)

Second is CHANGING FACES, which is a transgender fantasy romance with aliens that may as well be angels (perhaps they are; I’m not entirely sure myself!). It’s about two musicians, Allen and Elaine, and what happens to them when a heartfelt prayer is answered . . . but not the way anyone could possibly expect.

Third is a military science fiction action-adventure for Joey Maverick, set on the world of Bubastis. This story is set in my late husband Michael’s universe, and as this is a place he never went — but is a place the story “On Westmount Station” sets up nicely — I’ve been having to create Bubastis before I can set my adventure there.

Anyway, I am nearly done with all the setup work this new adventure requires, but I don’t yet have a title. I’ll keep you posted.

Fourth is the prequel to the Elfy duology, KEISHA’S VOW, with many of the same characters but set in 1954. (Obviously, Bruno and Sarah have not yet been born.) This deals with the birth of Sarah’s mother, and was started because I wanted to figure out just what went wrong with her to cause her do to and say many of the things that went on during the Elfy duology. (Most especially when I figured out that Jelena was still around, and had been a very good woman during her lifetime.) I still have this going in the back of my mind, but haven’t had time to work on it . . . it’s a similar story for AN ELFY ABROAD, which is the sequel to ELFY (now the Elfy duology).

And that doesn’t even mention the military science fiction adventure I’m writing called IN THE LINE OF DUTY . . . but it’s enough for all practical purposes.

Question Two: How does your work differ from others in its genre?

Some of the answer to this lies in originality. My mind doesn’t seem to think the same way as everyone else, which may make for more interesting stories.

But the real answer, again, is far more complex.

First, the writing I set out to do is humorous fantasy — thus, the Elfyverse. Which, if nothing else, is not boring — ’cause what’s the point of that?

But I took up my late husband Michael’s military science fiction because I didn’t want his work to die out. So in that sense, you could say my work is different because I am doing something I never set out to do in the first place.

Or you could say it’s different because I’m doing something only a handful of other writers and editors before me have done — to keep a deceased spouse’s work alive, or in the case of Deborah J. Ross, keep a beloved friend’s work alive (as Ms. Ross is completing Marion Zimmer Bradley’s work, and doing so with great flair).

The difference between me and Ms. Ross or the estimable Harriet McDougal (widow of Robert Jordan, and editor of the entire Wheel of Time series), among others, is that my spouse, Michael, was not generally known to most readers of science fiction, military SF or otherwise. And I couldn’t bear that. He’d worked so hard, and I knew what his talent was, and we were convinced he’d make it.

Then he died.

I couldn’t bear that. At all.

That’s why at least a part of Michael’s work is alive, even now. And it’s why I continue to work on it.

Question Three: Why do you write what you do?

I write the Elfyverse because it’s funny and it makes me laugh. So I hope it’ll make someone else laugh, too.

I write the Joey Maverick universe because it was Michael’s, and I know many stories can be set there. I really like Joey Maverick and many other characters Michael created, and I don’t want these stories and settings to die out.

Plus, I’ve found I enjoy writing military SF. It’s a challenge. I enjoy those. So let’s hope I can create some good stories there, and keep Michael’s work and legacy alive in the process.

And I have continued onward with CHANGING FACES because I believe it’s a story that offers hope amidst absolute despair. I think that’s something we need a lot more of in this world . . . and, again, there are some funny moments. (I have to write in some funny things here and there, nine times out of ten. Otherwise the story doesn’t feel right.)

Question Four: How does your writing process work?

It’s hard to explain. I start off with an idea for a story, same as any other writer in the history of the universe. But I usually have to ponder it awhile before something in my brain says, “OK, you can write this now.”

Then I sit down and hash it out.

I do write prose notes — this is what I do instead of outlines — and have been known to write pages and pages of those before I start a new project. There’s something about writing down all of these various things that helps me get involved in the story at the level I need to be, even if I’m not entirely sure how it works.

So it’s a combination of “think about it a lot,” then “write down whatever you have in whatever form you have it,” and then, finally, when the story is right, “put butt in chair and type.”

Then revise, tweak, revise, send to the first reader(s), etc.

That concludes my portion of the blog-hop, but I now need to tag a couple of other writers . . . so here goes.

Chris Nuttall is a prolific writer of military science fiction, alternate history and a number of interesting fantasy works. He’s constantly thinking up stories and writing them down, and is one of the most successful authors working today. His newest novel is THE TROJAN HORSE.

Jason Cordova has written in nearly every genre you could care to name. Right now, he has a new novella out with co-writer Eric Brown called KAIJU APOCALYPSE that combines science fiction, fantasy, manga, horror, and even a bit of military fiction that has delighted readers and reviewers.

So, will Chris or Jason take up the gauntlet and run with it? With their busy schedules, who knows?

But they are the two writers who came to mind . . . though if anyone else wants to be tagged, let me know in the comments and I’ll add you forthwith.

Comparing Joey Maverick to Miles Naismith Vorkosigan, and Vice Versa

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Folks, a good friend recently asked me this question: “How would Joey Maverick compare to Lois McMaster Bujold’s hero Miles Naismith Vorkosigan?”

And it got me thinking.

You see, my late husband Michael wrote about space Navy Lieutenant Joey Maverick — something I’m doing my best to carry on — and my friend felt there were a number of similarities between Joey and Miles. And since the two stories haven’t found a wide audience as of yet (stories are available here and here), perhaps a comparison might prove useful . . . and at least it’s something new and different to write about, always a plus.

So here are some of the similarities and differences I saw with regards to Joey and Miles, with a side order of my own hero Bruno the Elfy from AN ELFY ON THE LOOSE thrown in for good measure:

Similarities:

Miles is a very smart young man who out-thinks others and has any number of adventures, most of which he can’t talk about on Barrayar itself due to security concerns. He’s steadfast, resolute, has morals and ethics and principles, and will stand by them to the death, if need be — though thank goodness for cryosuspension. He has an unusual sense of humor.

Joey is a very smart young man who thinks faster than others and has several adventures, most of which he can’t talk about on the planet of his birth due to security concerns. He, too, is steadfast, resolute, has morals and ethics and principles, and like Miles, has an unusual sense of humor.

And just for kicks, Bruno the Elfy is a very smart young being who is used to out-thinking others, but gives himself no credit for doing so because he’s been told he’s stupid his entire life. He figures talking about any adventures he has is pointless, because at the start of AN ELFY ON THE LOOSE, he has no friends worth mentioning . . . and afterward, well, his new friend Sarah has been with him the whole way through, so why bother talking about anything? (She already knows it.)

Bruno’s sense of humor is so odd, it’s downright bizarre . . . and while he has morals, ethics and principles, he comes at things from a sideways angle that may or may not always be fully understood by those around him.

Differences:

Miles is handicapped with brittle bones. He’s actually died and been revived, which left him with a seizure disorder. He’s retired from his main career as a commander of a mercenary unit (that did a great deal of spying for Barrayar on the side) due to his injuries, suffered in the line of duty. He’s a man who’s maximized the totality of his existence, and knows it, and is satisfied by it.

Joey, as yet, is still a healthy young man, though eventually he’s going to lose an eye (Michael’s story “A Dark and Stormy Night” references Joey’s cybernetic eye in the prequel section, where Joey’s an old man). Only one life for Joey . . . his military career is ongoing. He’s still in the process of coming to his full adult capabilities, and many adventures await as he comes to terms with the totality of himself. Eventually Joey will bond with an empathic, sentient creature . . . but that, too, is in his future.

Bruno the Elfy is a very young being — an adolescent, in our parlance. While Bruno has enormous magical gifts, he’s not fully aware of what to do with them, and because he was intentionally mistrained at the behest of the Elfy High Council, he’s having to throw off a whole lot of nonsense in addition to becoming the Elfy he was meant to be.

Mind, it’s not that easy to compare a fantasy world — even if it’s an urban fantasy like my own AN ELFY ON THE LOOSE — with either Bujold’s own Vorkoverse or my husband’s Joey Maverick universe. But it is fun, talking about three of my favorite heroes . . .  especially as I never once thought Joey Maverick had anything whatsoever in common with Miles Naismith Vorkosigan before my friend pointed it out as a possibility.

At any rate, what do you think of this comparison? Does it make any sense? Or is it just odd? Please let me know in the comments.

Two More Guest Blogs Up Promoting My Writing and “An Elfy on the Loose”

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Folks, I’m pleased to report that two more new guest blogs are up and available for reading.**

First, Aaron Lazar over at Murder By Four accepted a guest blog from me called “Changing Voices and Heroes,” which is about the differences between writing military science fiction and comic fantasy on the one hand, and the differences between two very good heroes — space Navy Lieutenant Joey Maverick, who was my late husband Michael B. Caffrey’s character, and my hero Bruno the magically talented Elfy.

Here’s a bit from that:

Now, how did I tailor my own writing to fit these two wildly disparate genres?

When I’m writing milSF, I try to get right to the point. And I write a more action-oriented story, too – because the action often makes or breaks the story.

But when I’m writing comic fantasy, I allow my stories to spin out any way that works. There’s more time to fine-tune characterization; there’s more time to do some nifty things with word choices and puns . . . even limericks, if the story calls for it. And fully setting up my characters also allows me to better get at the humor of whatever is going on.

Clear as mud, no?

Anyway, today’s second guest blog is up over at Stephanie Osborn’s blog site Comet Tales. This discusses exactly how I came to write my novel AN ELFY ON THE LOOSE . . . and exactly what my late husband Michael did to help me along the way.

Here’s a bit from that guest blog:

When a character appears, fully formed, it’s best to listen to what he has to say. But all I knew, when I started writing, were three things: Bruno liked to wear black – when his race, the Elfys, mostly loved bright colors. He was the equivalent of a teenager. And he did not like to rhyme, even if all the other Elfys did.

Even so, that was enough for me to start writing what I then called “The Elfy Story.” I wrote the first six parts or so – less than chapters, about a thousand words per part – alone. Michael took a hand when I got to the seventh part because I had some sort of problem I couldn’t immediately solve, and he got intrigued. Then he figured this story had legs, and he wanted to help me figure out where it went.

. . .

With this huge, complex plot, I could’ve easily gotten lost. Fortunately for me, Michael was there every step of the way. He told me when I’d get frustrated, “Don’t worry. The story will come.” Or he’d tell me jokes in a similar way Bruno tries to do with Sarah from time to time in AN ELFY ON THE LOOSE (where do you think I got that from, hm?). Or he’d help me draw diagrams when I tried to figure out why the Elfy High Council did anything at all…plus, he edited what I wrote, gave me excellent advice, and heavily edited nearly all of Dennis the Dark Elf’s dialogue to make it even nastier and more hissable.

What more could anyone ever ask from her spouse than that?

Granted, if you’ve read my blog from its inception — or even in the past year or two — you’ve probably gathered that my husband Michael was the biggest influence on my writing. I’d simply not be the same writer without his help and guidance; there’s no ifs, ands, or buts about it.

And really, with AN ELFY ON THE LOOSE finally available for purchase, I want people to know how much he did.

I’m very pleased that Stephanie Osborn was willing to share my story of how the Elfyverse came to be on her blog.

Anyway, I hope you will enjoy these guest blogs. Please let me know what you think in the comments . . . and do, please, let people know about AN ELFY ON THE LOOSE as well as the Joey Maverick stories.

Because I need all the help I can get right now in order to let people know these stories exist — much less are fun stories that people should actually enjoy if they just give ’em a chance to work their magic.

———-

**

Mind, you might be wondering why I have three, count ’em, three guest blogs up in two days. This is because my fellow writer-friends are trying to help me raise my visibility, so perhaps I might be able to sell a few more books.

Besides, writing three different blogs — one about the virtues of quiet heroism, the next about the differences between the quiet Joey Maverick and the exuberant Bruno the Elfy, and the third about how I came to write AN ELFY ON THE LOOSE at all — was an intellectual challenge.

So how could I refuse?

Guest Blog about the Virtues of Quiet Heroism is Up at Chris Nuttall’s “Chrishanger”

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Folks, when writer Chris Nuttall agreed to allow me to write a guest blog for him on the virtues of quiet heroism, I was extremely happy.

You see, my late husband Michael’s character Joey Maverick is a quiet hero. He’s a military man who sees what needs to be done, and does it. (As I put it in the blog, “No muss, no fuss.”) And it seems to me that people don’t get to read nearly enough about characters like Joey, which is why I have done my best to keep Michael’s writing alive.

The third story about Joey Maverick (currently in progress, and as yet untitled) is set on the planet Bubastis. There’s a famine going on, caused by a terrible drought, and the people of that planet — which are both human and Kiral, a feline-derived race — are suffering. The rural Kiral, in particular, are in desperate shape because they will not use food synthesizers under any circumstances, and yet most of the relief supplies aren’t getting to them. People will die unless Joey and his team can put an end to it . . . but there’s a lot going on underneath the surface. I still have to rough out some characters among the rural Kiral, and have I mentioned the complexity of the black market that’s cropped up on Bubastis yet?

But I’m getting there. Truly. And it’s wonderful to know that Chris enjoyed Joey’s first two adventures (available here and here), because sometimes it just seems like I’m shouting into a wind tunnel for all the good my writing’s doing. (Maybe all writers feel this way?)

At any rate, I hope you’ll enjoy my take on “The Virtues of Quiet Heroism,” which includes more of the story about Michael’s premise behind the Joey Maverick stories and why I cannot let Michael’s work or universe die out.

And do, please, stop by Chris’s blog “The Chrishanger” often. He talks about his writing, world events, politics, has contests . . . it’s a fun site, and he always does his best to keep it lively. And goodness knows, with all of his books (the most recent being SCHOOLED IN MAGIC from Twilight Times Books and THE NELSON TOUCH, book two of the Ark Royal series, which was put out independently), there’s always something new for Chris to discuss.

Written by Barb Caffrey

April 14, 2014 at 5:47 pm