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Writing the Elfyverse . . . and beyond

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Dealing with Frustration

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Have you ever had one of those days where you just wish you could start the day over?

Most of us have, actually. But when we have a day like that — a day where the word “frustration” is written in all-caps, and Murphy’s Law seems to be overly optimistic — it’s hard to remember that other people have suffered the same slings and arrows of outrageous fortune, too.

Or at least, most of them.

My late husband Michael used to say that no one can tell you what you’ve experienced but you. (That was his way of saying that everyone’s different, and everyone’s experiences can’t help but be different as well.) But he also said that because most of us tend to go through the same things, albeit at different times and perhaps in different ways, that helps us realize that we’re not completely alone.

I’ve been thinking a lot about my husband tonight. This isn’t much of a surprise, as I tend to think about him often . . . I can’t bring him back, no, but I can at least remember what he told me, and in that way, at least some of what he was continues to survive.**

Holiday weekends are difficult for me. (If you’ve read my blog for a while, you’ve probably figured this out.) Memorial Day weekend, which is a time to remember our servicemen who died in the line of duty, is a very somber holiday to begin with; as Michael served in the Navy honorably (albeit much more briefly than he would have wished due to a knee issue), I suppose it’s not at all surprising that I’m ruminating on frustration, on things I can’t change, on Murphy’s Law and on the whole issue of how to bear defeat, during this particular weekend.

A fortune cookie, of all things, had a cogent saying about this: “The toughest challenge in this world is in bearing defeat without losing heart.”

I think that’s what we all have to do on our darkest days. We have to believe that something will improve despite it all, and that the meaning that eludes us on days where nothing goes right and absolutely nothing makes any sense will eventually show itself.

So it’s hard — very hard — to keep going when you don’t see anything different on the horizon.

But it’s worthwhile to keep trying, no matter how tough life is, and no matter how many difficulties have befallen you.

That’s yet another thing Michael told me. And I believe it still makes sense.

———–
**Yes, I know that while I continue to survive, at least some of Michael is alive as well. But it’s a difficult concept for me to ponder.

Received Results for Writers of the Future Contest, Quarter One

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Folks, a while back I told you all that I’d sent off my last-ever story to the Writers of the Future Contest. I was under the impression that once my novel, AN ELFY ON THE LOOSE, was out, I would be ineligible.

I was wrong.**

But as I didn’t know it, the submission I sent in for the first quarter of the Writers of the Future Contest’s 2014 cycle meant a great deal to me.

You see, I was looking over one of my husband Michael’s incomplete novels. This novel, MINIATURES, features a space Naval officer who had been a Marine non-com for over fifty years, and who was more or less shanghaied into the Navy against his wishes.***

And I’d always wanted to know more about this character, Peter . . . so I wrote a story around 2,000 words of Michael’s writing, to explain just what had happened to Peter that caused him to go from a job he loved — being a Marine Sergeant-Major — to a job he really didn’t want to do, but didn’t actively despise — a Naval Ensign.

Michael’s novel picks up after Peter has become a Naval officer, you see. But one of the earliest parts of his novel discusses just how Peter meets up with his were-mouse (a companion who’s far more than an animal; were-mice are more like an allied species) while Peter’s on leave. Michael’s novel had this pivotal scene in a place where Peter had finished his training but hadn’t yet been assigned to a ship . . . yet it didn’t seem to make sense that way.

The more I thought about it, the more I realized there was much more to the story. So I wrote about what Peter had done that was so heroic that he’d be given a prestigious medal and taken from the service he loved — the Marines — and put into the Navy, where he’d never wanted to be. And flying starships seemed to be a part of it, as Peter loved to fly and could fly anything you care to name . . . but the Marines hadn’t officially known about it.

Because Marines, most especially non-coms, do not fly starships. They are ground troops. Maybe a few of them fly shuttlecraft. But Peter does a lot more than that, and because he basically had to take charge after nearly all the officers were killed (and the few who weren’t were already in Sickbay), that’s why he got the medal. And that’s why he also bonded with his were-mouse, because his were-mouse companion also loves to fly.

And as Michael already had this — yes, he did have this pivotal bit of information already in the text — why not write a story that made much more out of these events?

So that’s exactly what I did, adding seven thousand words or so to the story to make it all work out.

The story’s name is “To Survive the Maelstrom.” It won an honorable mention in the first quarter of the Writers of the Future contest. This is the first time I’ve ever had that honor — and it’s also the first time Michael had that honor.

I’m glad that “To Survive the Maelstrom” won an honorable mention, as it does validate, at least in part, what I’m trying to do in keeping Michael’s work alive while doing my best to add to it.

I will be sending “To Survive the Maelstrom” out to the various markets, including the Magazine of Fantasy and Science Fiction (they’re always the first ones I try), and if F&SF doesn’t like it, I’ll try it at Lightspeed. And Analog. And Asimov’s . . . and, down the line, if I can’t interest anyone in it, I will put it up for sale myself.

Because I believe in this story. I believe in my husband’s writing, and my own, and I think the combination of the two of our talents made for an exceptional short story — something that’s more than the sum of its parts.

And yes . . . now that I know I’m still eligible (as it’s unlikely that AN ELFY ON THE LOOSE will sell 5,000 copies any time soon, much less before June 30, 2014, the next quarter’s deadline), I’m going to try another story at the Writers of the Future Contest.

Why not?

———

**AN ELFY ON THE LOOSE is unlikely to sell 5,000 copies, most particularly not before June 30, 2014, the end of the next quarter for the Writers of the Future Contest. So because of that — and because my professional publications still stand at 1.5 (one co-written story with Michael, one alone) that have sold or will sell 5,000 copies — I am still eligible. Heard that from the Contest Administrator’s own e-mail, earlier this evening.

***BTW, the main reason MINIATURES hasn’t already been published is that I cannot find the final fourteen chapters. At all. Once I do, I will incorporate what I’ve written in “To Survive the Maelstrom” and just keep on running . . . Michael would approve.

Written by Barb Caffrey

April 30, 2014 at 2:37 am

Blog-Hop Sunday Has Arrived! Four Questions for the Writer

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Well, as promised, it’s time for me to answer the Four Questions for the Writer Blog-hop, as I was tagged by both Katherine Eliska Kimbriel and Dina von Lowenkraft in this particular blog-hop.

Before I get into that, though, you might be asking yourself, “What’s a blog-hop?”

The quick answer to that is, “A post where one writer starts it, tags a bunch of other writers, and it continues around the Internet for a while.” It’s a great way to meet other writers, if you follow the blog-hop from beginning to end, and as all of us tend to put “Four Questions for the Writer” somewhere in our title, the hope is that people will find our answers down the line.

Anyway, let’s get started!

Question One: What are you working on?

Oh, this one’s easy. But it’s also complex, because I have more than one thing going at the same time.

First is the sequel to AN ELFY ON THE LOOSE (or as I call it, the second half of ELFY, because originally the “Elfy duology” was just ELFY, the book). I am currently working on the final edit of that; once it’s done, it’ll be turned into my publisher, the copy-edits will start and we’ll be on our merry way toward another book. (Yay!)

Second is CHANGING FACES, which is a transgender fantasy romance with aliens that may as well be angels (perhaps they are; I’m not entirely sure myself!). It’s about two musicians, Allen and Elaine, and what happens to them when a heartfelt prayer is answered . . . but not the way anyone could possibly expect.

Third is a military science fiction action-adventure for Joey Maverick, set on the world of Bubastis. This story is set in my late husband Michael’s universe, and as this is a place he never went — but is a place the story “On Westmount Station” sets up nicely — I’ve been having to create Bubastis before I can set my adventure there.

Anyway, I am nearly done with all the setup work this new adventure requires, but I don’t yet have a title. I’ll keep you posted.

Fourth is the prequel to the Elfy duology, KEISHA’S VOW, with many of the same characters but set in 1954. (Obviously, Bruno and Sarah have not yet been born.) This deals with the birth of Sarah’s mother, and was started because I wanted to figure out just what went wrong with her to cause her do to and say many of the things that went on during the Elfy duology. (Most especially when I figured out that Jelena was still around, and had been a very good woman during her lifetime.) I still have this going in the back of my mind, but haven’t had time to work on it . . . it’s a similar story for AN ELFY ABROAD, which is the sequel to ELFY (now the Elfy duology).

And that doesn’t even mention the military science fiction adventure I’m writing called IN THE LINE OF DUTY . . . but it’s enough for all practical purposes.

Question Two: How does your work differ from others in its genre?

Some of the answer to this lies in originality. My mind doesn’t seem to think the same way as everyone else, which may make for more interesting stories.

But the real answer, again, is far more complex.

First, the writing I set out to do is humorous fantasy — thus, the Elfyverse. Which, if nothing else, is not boring — ’cause what’s the point of that?

But I took up my late husband Michael’s military science fiction because I didn’t want his work to die out. So in that sense, you could say my work is different because I am doing something I never set out to do in the first place.

Or you could say it’s different because I’m doing something only a handful of other writers and editors before me have done — to keep a deceased spouse’s work alive, or in the case of Deborah J. Ross, keep a beloved friend’s work alive (as Ms. Ross is completing Marion Zimmer Bradley’s work, and doing so with great flair).

The difference between me and Ms. Ross or the estimable Harriet McDougal (widow of Robert Jordan, and editor of the entire Wheel of Time series), among others, is that my spouse, Michael, was not generally known to most readers of science fiction, military SF or otherwise. And I couldn’t bear that. He’d worked so hard, and I knew what his talent was, and we were convinced he’d make it.

Then he died.

I couldn’t bear that. At all.

That’s why at least a part of Michael’s work is alive, even now. And it’s why I continue to work on it.

Question Three: Why do you write what you do?

I write the Elfyverse because it’s funny and it makes me laugh. So I hope it’ll make someone else laugh, too.

I write the Joey Maverick universe because it was Michael’s, and I know many stories can be set there. I really like Joey Maverick and many other characters Michael created, and I don’t want these stories and settings to die out.

Plus, I’ve found I enjoy writing military SF. It’s a challenge. I enjoy those. So let’s hope I can create some good stories there, and keep Michael’s work and legacy alive in the process.

And I have continued onward with CHANGING FACES because I believe it’s a story that offers hope amidst absolute despair. I think that’s something we need a lot more of in this world . . . and, again, there are some funny moments. (I have to write in some funny things here and there, nine times out of ten. Otherwise the story doesn’t feel right.)

Question Four: How does your writing process work?

It’s hard to explain. I start off with an idea for a story, same as any other writer in the history of the universe. But I usually have to ponder it awhile before something in my brain says, “OK, you can write this now.”

Then I sit down and hash it out.

I do write prose notes — this is what I do instead of outlines — and have been known to write pages and pages of those before I start a new project. There’s something about writing down all of these various things that helps me get involved in the story at the level I need to be, even if I’m not entirely sure how it works.

So it’s a combination of “think about it a lot,” then “write down whatever you have in whatever form you have it,” and then, finally, when the story is right, “put butt in chair and type.”

Then revise, tweak, revise, send to the first reader(s), etc.

That concludes my portion of the blog-hop, but I now need to tag a couple of other writers . . . so here goes.

Chris Nuttall is a prolific writer of military science fiction, alternate history and a number of interesting fantasy works. He’s constantly thinking up stories and writing them down, and is one of the most successful authors working today. His newest novel is THE TROJAN HORSE.

Jason Cordova has written in nearly every genre you could care to name. Right now, he has a new novella out with co-writer Eric Brown called KAIJU APOCALYPSE that combines science fiction, fantasy, manga, horror, and even a bit of military fiction that has delighted readers and reviewers.

So, will Chris or Jason take up the gauntlet and run with it? With their busy schedules, who knows?

But they are the two writers who came to mind . . . though if anyone else wants to be tagged, let me know in the comments and I’ll add you forthwith.

Comparing Joey Maverick to Miles Naismith Vorkosigan, and Vice Versa

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Folks, a good friend recently asked me this question: “How would Joey Maverick compare to Lois McMaster Bujold’s hero Miles Naismith Vorkosigan?”

And it got me thinking.

You see, my late husband Michael wrote about space Navy Lieutenant Joey Maverick — something I’m doing my best to carry on — and my friend felt there were a number of similarities between Joey and Miles. And since the two stories haven’t found a wide audience as of yet (stories are available here and here), perhaps a comparison might prove useful . . . and at least it’s something new and different to write about, always a plus.

So here are some of the similarities and differences I saw with regards to Joey and Miles, with a side order of my own hero Bruno the Elfy from AN ELFY ON THE LOOSE thrown in for good measure:

Similarities:

Miles is a very smart young man who out-thinks others and has any number of adventures, most of which he can’t talk about on Barrayar itself due to security concerns. He’s steadfast, resolute, has morals and ethics and principles, and will stand by them to the death, if need be — though thank goodness for cryosuspension. He has an unusual sense of humor.

Joey is a very smart young man who thinks faster than others and has several adventures, most of which he can’t talk about on the planet of his birth due to security concerns. He, too, is steadfast, resolute, has morals and ethics and principles, and like Miles, has an unusual sense of humor.

And just for kicks, Bruno the Elfy is a very smart young being who is used to out-thinking others, but gives himself no credit for doing so because he’s been told he’s stupid his entire life. He figures talking about any adventures he has is pointless, because at the start of AN ELFY ON THE LOOSE, he has no friends worth mentioning . . . and afterward, well, his new friend Sarah has been with him the whole way through, so why bother talking about anything? (She already knows it.)

Bruno’s sense of humor is so odd, it’s downright bizarre . . . and while he has morals, ethics and principles, he comes at things from a sideways angle that may or may not always be fully understood by those around him.

Differences:

Miles is handicapped with brittle bones. He’s actually died and been revived, which left him with a seizure disorder. He’s retired from his main career as a commander of a mercenary unit (that did a great deal of spying for Barrayar on the side) due to his injuries, suffered in the line of duty. He’s a man who’s maximized the totality of his existence, and knows it, and is satisfied by it.

Joey, as yet, is still a healthy young man, though eventually he’s going to lose an eye (Michael’s story “A Dark and Stormy Night” references Joey’s cybernetic eye in the prequel section, where Joey’s an old man). Only one life for Joey . . . his military career is ongoing. He’s still in the process of coming to his full adult capabilities, and many adventures await as he comes to terms with the totality of himself. Eventually Joey will bond with an empathic, sentient creature . . . but that, too, is in his future.

Bruno the Elfy is a very young being — an adolescent, in our parlance. While Bruno has enormous magical gifts, he’s not fully aware of what to do with them, and because he was intentionally mistrained at the behest of the Elfy High Council, he’s having to throw off a whole lot of nonsense in addition to becoming the Elfy he was meant to be.

Mind, it’s not that easy to compare a fantasy world — even if it’s an urban fantasy like my own AN ELFY ON THE LOOSE — with either Bujold’s own Vorkoverse or my husband’s Joey Maverick universe. But it is fun, talking about three of my favorite heroes . . .  especially as I never once thought Joey Maverick had anything whatsoever in common with Miles Naismith Vorkosigan before my friend pointed it out as a possibility.

At any rate, what do you think of this comparison? Does it make any sense? Or is it just odd? Please let me know in the comments.

Two More Guest Blogs Up Promoting My Writing and “An Elfy on the Loose”

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Folks, I’m pleased to report that two more new guest blogs are up and available for reading.**

First, Aaron Lazar over at Murder By Four accepted a guest blog from me called “Changing Voices and Heroes,” which is about the differences between writing military science fiction and comic fantasy on the one hand, and the differences between two very good heroes — space Navy Lieutenant Joey Maverick, who was my late husband Michael B. Caffrey’s character, and my hero Bruno the magically talented Elfy.

Here’s a bit from that:

Now, how did I tailor my own writing to fit these two wildly disparate genres?

When I’m writing milSF, I try to get right to the point. And I write a more action-oriented story, too – because the action often makes or breaks the story.

But when I’m writing comic fantasy, I allow my stories to spin out any way that works. There’s more time to fine-tune characterization; there’s more time to do some nifty things with word choices and puns . . . even limericks, if the story calls for it. And fully setting up my characters also allows me to better get at the humor of whatever is going on.

Clear as mud, no?

Anyway, today’s second guest blog is up over at Stephanie Osborn’s blog site Comet Tales. This discusses exactly how I came to write my novel AN ELFY ON THE LOOSE . . . and exactly what my late husband Michael did to help me along the way.

Here’s a bit from that guest blog:

When a character appears, fully formed, it’s best to listen to what he has to say. But all I knew, when I started writing, were three things: Bruno liked to wear black – when his race, the Elfys, mostly loved bright colors. He was the equivalent of a teenager. And he did not like to rhyme, even if all the other Elfys did.

Even so, that was enough for me to start writing what I then called “The Elfy Story.” I wrote the first six parts or so – less than chapters, about a thousand words per part – alone. Michael took a hand when I got to the seventh part because I had some sort of problem I couldn’t immediately solve, and he got intrigued. Then he figured this story had legs, and he wanted to help me figure out where it went.

. . .

With this huge, complex plot, I could’ve easily gotten lost. Fortunately for me, Michael was there every step of the way. He told me when I’d get frustrated, “Don’t worry. The story will come.” Or he’d tell me jokes in a similar way Bruno tries to do with Sarah from time to time in AN ELFY ON THE LOOSE (where do you think I got that from, hm?). Or he’d help me draw diagrams when I tried to figure out why the Elfy High Council did anything at all…plus, he edited what I wrote, gave me excellent advice, and heavily edited nearly all of Dennis the Dark Elf’s dialogue to make it even nastier and more hissable.

What more could anyone ever ask from her spouse than that?

Granted, if you’ve read my blog from its inception — or even in the past year or two — you’ve probably gathered that my husband Michael was the biggest influence on my writing. I’d simply not be the same writer without his help and guidance; there’s no ifs, ands, or buts about it.

And really, with AN ELFY ON THE LOOSE finally available for purchase, I want people to know how much he did.

I’m very pleased that Stephanie Osborn was willing to share my story of how the Elfyverse came to be on her blog.

Anyway, I hope you will enjoy these guest blogs. Please let me know what you think in the comments . . . and do, please, let people know about AN ELFY ON THE LOOSE as well as the Joey Maverick stories.

Because I need all the help I can get right now in order to let people know these stories exist — much less are fun stories that people should actually enjoy if they just give ’em a chance to work their magic.

———-

**

Mind, you might be wondering why I have three, count ’em, three guest blogs up in two days. This is because my fellow writer-friends are trying to help me raise my visibility, so perhaps I might be able to sell a few more books.

Besides, writing three different blogs — one about the virtues of quiet heroism, the next about the differences between the quiet Joey Maverick and the exuberant Bruno the Elfy, and the third about how I came to write AN ELFY ON THE LOOSE at all — was an intellectual challenge.

So how could I refuse?

Guest Blog about the Virtues of Quiet Heroism is Up at Chris Nuttall’s “Chrishanger”

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Folks, when writer Chris Nuttall agreed to allow me to write a guest blog for him on the virtues of quiet heroism, I was extremely happy.

You see, my late husband Michael’s character Joey Maverick is a quiet hero. He’s a military man who sees what needs to be done, and does it. (As I put it in the blog, “No muss, no fuss.”) And it seems to me that people don’t get to read nearly enough about characters like Joey, which is why I have done my best to keep Michael’s writing alive.

The third story about Joey Maverick (currently in progress, and as yet untitled) is set on the planet Bubastis. There’s a famine going on, caused by a terrible drought, and the people of that planet — which are both human and Kiral, a feline-derived race — are suffering. The rural Kiral, in particular, are in desperate shape because they will not use food synthesizers under any circumstances, and yet most of the relief supplies aren’t getting to them. People will die unless Joey and his team can put an end to it . . . but there’s a lot going on underneath the surface. I still have to rough out some characters among the rural Kiral, and have I mentioned the complexity of the black market that’s cropped up on Bubastis yet?

But I’m getting there. Truly. And it’s wonderful to know that Chris enjoyed Joey’s first two adventures (available here and here), because sometimes it just seems like I’m shouting into a wind tunnel for all the good my writing’s doing. (Maybe all writers feel this way?)

At any rate, I hope you’ll enjoy my take on “The Virtues of Quiet Heroism,” which includes more of the story about Michael’s premise behind the Joey Maverick stories and why I cannot let Michael’s work or universe die out.

And do, please, stop by Chris’s blog “The Chrishanger” often. He talks about his writing, world events, politics, has contests . . . it’s a fun site, and he always does his best to keep it lively. And goodness knows, with all of his books (the most recent being SCHOOLED IN MAGIC from Twilight Times Books and THE NELSON TOUCH, book two of the Ark Royal series, which was put out independently), there’s always something new for Chris to discuss.

Written by Barb Caffrey

April 14, 2014 at 5:47 pm

Odds and Ends, April 2014 Version

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Well, folks, as usual, I’ve been so busy the past week that I have barely had enough time to turn around.

Whenever I get this busy, I don’t blog much, I don’t do much other than what must be done first — editing, in this case, and glad to have the work — and everything else basically takes a backseat.

This is why I didn’t review anything last week at Shiny Book Review (SBR).

This is why I didn’t write a follow-up blog regarding the two elections that the Koch Brothers-backed Americans for Prosperity group threw a lot of money into . . . and it’s also why, despite the Milwaukee Brewers’ impressive sweep of the Boston Red Sox, I didn’t get back here to write about that, either.

That being said, here’s a few quick hits regarding the odds and ends I left open last week:

  1. The elections in Iron County, WI, and in Kenosha County for the Kenosha Unified School Board seemed to be largely unaffected by the huge amount of money Americans for Prosperity threw into the races. The folks in Iron County basically said in a number of televised interviews that they disliked interference from people who didn’t live in Iron County — so the money that AFP threw into the election seems to have gone by the boards. And the people in Kenosha County didn’t change their minds regarding their candidates, either . . . so it does appear, as my late friend Jeff Wilson once put it, that there is a monetary ceiling to an election where a group (or groups) can spend whatever they like, but after a certain point, people just tune out.
  2. The Brewers going into Boston and sweeping the Red Sox was completely unanticipated, at least by me. After only scoring four runs in three games and losing two out of three at home in the Brewers’ own opening series, it was particularly impressive that the Brewers could go into Boston, win all three games (including an 11th inning thriller), and actually have some clutch hits in games that mattered.
  3. What a shame that Wisconsin lost to Kentucky in the NCAA Basketball Tournament. I’m glad the Badgers did so well and got to the Final Four — that’s the one thing I got right in my NCAA bracket — but I wish they’d have had just one more game in them. (C’est la vie.)
  4. Normally after turning in a really big edit — as I did on  Saturday morning — I’d take a few days off. Right now, I can’t, because I’m looking over my master file for AN ELFY ON THE LOOSE. There is a reason for that: The e-book will be up on Amazon and most other major dealers on April 15 — so if you’ve ever wanted to find out what the deal is with regards to my Elfyverse or my character Bruno the Elfy, now’s your chance to set your clocks.

Later in the week, I should have at least a bit of time to get a review or two in over at SBR, and I hope to be able to talk more about baseball, or politics, or maybe even the recent decision by the NLRB arbitrator in Chicago who ruled that Northwestern University’s football players should be able to form a union, as they are employees like any other (as that last really intrigues me, but I haven’t had enough time to do justice to the subject as of yet).

But for now, all I can do is please ask you to let people know that AN ELFY ON THE LOOSE is coming soon . . . and if you think anyone will be interested (or even if they aren’t), tell them that my late husband Michael B. Caffrey’s two stories of military science fiction about his excellent character Joey Maverick, a quiet and responsible man who is nonetheless every bit a hero, are available now at Amazon (here and here).

Even with my own novel coming out, it still matters a great deal to me that Michael’s stories find their audience, especially as, years ago, Michael had hundreds of people who said they wanted to buy them as soon as he was willing to put them out. (I don’t know where these people went, mind you. But maybe at least a few of them are still alive, and if so, perhaps they’ll discover the stories one of these years. Hope springs eternal, and all that.)

Written by Barb Caffrey

April 7, 2014 at 8:46 pm

Story Complete, Sent to Lightspeed’s Special Women Destroy SF Issue

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I’m pleased to report that I was able to finish my military science fiction story to my satisfaction, and sent it off earlier this evening to Lightspeed magazine for their “Women Destroy SF” special issue.

The main reason I’m discussing this, other than the fact I mentioned I was writing the story in the first place and wanting to give y’all an update, is because it’s Valentine’s Day.

I know that sounds like a non sequitur, but it isn’t. (Hear me out, OK?)

This particular story is set in my husband’s universe, the same one used in both Joey Maverick stories (available right now at Amazon, here and here). It does not feature Joey Maverick. Instead, it features a doctor, Amanda Hirschbeck, and the choices she must make during a brutal firefight.

I don’t want to give too much away about the plot, partly because I’m hoping that somehow, some way, this story is going to come out and you’ll all be able to read it. But I will say that it deals with loss, redemption, sacrifice, and personal integrity . . . I’m proud to have written it, and I’m even more proud to say this is the first story I’ve written in Michael’s universe that’s entirely mine.

When I started working on Michael’s stories, years ago, I wasn’t sure I could do this. I really didn’t think I’d ever get to the point I could write a decent-to-better story set in a milSF milieu, as that’s not my normal genre — I usually write fantasy, and humorous fantasy at that.

But I’ve had some very good people cheering me on, including the inestimable Katharine Eliska Kimbriel, the incomparable Rosemary Edghill, my first writing mentor (she told me years ago that I needed to make these stories my own, and I wasn’t ready to listen; now, though, I finally am, and I owe it all to her for planting the seed in my mind that I could, indeed, do this), and everyone involved in my writer’s group Barfly_Slush.

Note that the reason I mentioned both Ms. Kimbriel and Ms. Edghill is because they are both outstanding writers and editors. They have many good books out. And as I can’t possibly ever repay either one of them, much less both, for all of their advice and guidance, it seems wise to let you all know about them in the hopes that maybe you’ll go to their respective Amazon Author Pages (Ms. Edghill’s is here, Ms. Kimbriel’s is here) and find a book you like — then buy it.

At any rate, I’m proud that I was able to write a story in my husband’s universe. It’s a good story. I hope it’ll find a home.

But I hope you can excuse me if I think of it as my own, personal Valentine’s Day gift to Michael . . . because without him, and leaving his universe behind for me to play in it as much as I like, this story would not exist.

Written by Barb Caffrey

February 14, 2014 at 9:10 pm

Heard from the WotF Contest . . .

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Folks, I didn’t expect that I’d still be able to send off my story — the one I told you about a few days ago that I carefully did not identify — to the Writers of the Future contest (WotF for short).  (Please see my last post for further details; just hit the “back” button.)  But I heard from the Contest Administrator, Joni, who said that under the circumstances, she’d accept my entry.

(Perhaps I wasn’t the only person who had this problem?)

At any rate, the story is away.  We’ll see what happens . . . it’s possible that sending it today (as I just received the e-mail today) is too late to be entered into the WotF contest for last quarter.

If so, I’ll send it to Fantasy and Science Fiction (F&SF), as previously planned.

But if they do accept it, I hope this will be the entry that finally gets noticed.  It truly was my final attempt after eleven long years of trying.  And as it’s based off an unfinished story of my late husband Michael’s — though I did much rearranging to suit myself, and wrote over two-thirds of it in the process — it has even more meaning.

Speaking of stories of my late husband’s, I’d appreciate it if you’d go to Amazon and check out Michael’s Adventures of Joey Maverick series.  (Please go here and here for further details.)  They’re both tales of military science fiction, one set on a low-tech sailing vessel, the other at a space station.  I edited these stories and completed them to the best of my ability . . . if you want to support my and Michael’s writing, this is the best way to do so.

But there are two other ways if you would rather read something else . . . my story “On the Making of Veffen” is included in HOW BEER SAVED THE WORLD, while my co-written story with Michael, “Bright as Diamonds,” is included in BEDLAM’S EDGE.  (Even though I have been led to believe that the latter anthology never earned out, it’s possible it may someday, and if so, I’d perhaps get some more money out of it.  But  even if it never does, I’m proud of our story and I want people to read it.)

If you’re waiting for ELFY, though, I guess I can understand that . . . though really, I’d prefer it if you’d buy everything I ever wrote, just because it makes it a little easier to keep going in this crazy business.

Anyway, the story is off and I’ve done what I can . . . now to figure out what else I can send to F&SF.

Guest Blog at Murder X 4 Is Up . . .

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Folks, when writer Aaron Paul Lazar asked me if I was willing to write a guest blog for his shared blog site Murder x 4, I leaped, yelled, and said yes . . . though of course only the last part was verbalized as I didn’t want to scare the dogs.

Aaron asked me if I had anything Christmas-themed that might be interesting, and as my relationship with my late husband Michael started around Christmas of 2001 — and as I have two of his stories up at Amazon right now that are desperately in need of new readers, “A Dark and Stormy Night” and “Joey Maverick: On Westmount Station” — I decided to talk about that.  And because Murder X 4 is a writer’s blog site where they often talk about the process of writing, I asked if it was OK to talk about everything I’ve done to keep Michael’s words and work alive.

Fortunately for me, Aaron said yes.

Those of you who’ve known me a while, or who’ve faithfully read my blog posts since I was coerced — er, convinced to start blogging will most likely know why I’ve done my best to keep Michael’s work alive.  Even though it’s now at least partly mine, and at least some of the choices I’ve made might not be the choices he would’ve made, I had to try.

Michael meant everything to me, and in many ways, he still does.  So I just couldn’t bear the thought of his work not getting any chance to find a readership . . . bad enough he was dead, but did his work have to die out, too?

Not everyone is going to like what I’ve done.  I know that.

I also know that some people have told me along the way that Michael is dead, I’m not, and that it doesn’t really matter if his work stays alive.  Michael, had he lived, would’ve undoubtedly written more things, and he might not even have wanted these particular works to stand.

But I knew Michael very well, and the people who’ve told me this other stuff did not.  Michael did not give up, not on himself, not on other people.  He was trying to figure out how to get action into his novel about Joey Maverick (MAVERICK, LIEUTENANT) at the time of his passing; he and I were both wracking our brains to figure out what he could add that wouldn’t blow his premise completely out of the water.  (That premise being “quiet heroism,” which I discussed in today’s guest blog.)

Michael definitely would’ve kept trying to figure it out, and I can’t believe he’d have let these adventures rot.

But he almost certainly would’ve found other ways toward the same ends . . . and I truly wish he were alive so he would’ve found them, rather than me doing my poor best toward getting whatever I possibly can done.

Still, as a good friend of mine told me a few nights ago, the important thing is to write something Michael would’ve liked and enjoyed reading.  Michael would like what I’ve done, by that logic, and even if he quibbled with me as to how I got things done, he’d still like it that I did it.

That’s why I’ve kept trying, both on his behalf and my own.

Anyway, please do go read my guest blog, and see what you think of my efforts.  Then come back here, if you would, and tell you if it makes any sense . . . I just know it’s what I have to do, or else I’ve failed.

And I refuse to fail.

Written by Barb Caffrey

December 13, 2013 at 6:41 am