Archive for the ‘Michael B. Caffrey’ Category
Odds and Ends, April 2014 Version
Well, folks, as usual, I’ve been so busy the past week that I have barely had enough time to turn around.
Whenever I get this busy, I don’t blog much, I don’t do much other than what must be done first — editing, in this case, and glad to have the work — and everything else basically takes a backseat.
This is why I didn’t review anything last week at Shiny Book Review (SBR).
This is why I didn’t write a follow-up blog regarding the two elections that the Koch Brothers-backed Americans for Prosperity group threw a lot of money into . . . and it’s also why, despite the Milwaukee Brewers’ impressive sweep of the Boston Red Sox, I didn’t get back here to write about that, either.
That being said, here’s a few quick hits regarding the odds and ends I left open last week:
- The elections in Iron County, WI, and in Kenosha County for the Kenosha Unified School Board seemed to be largely unaffected by the huge amount of money Americans for Prosperity threw into the races. The folks in Iron County basically said in a number of televised interviews that they disliked interference from people who didn’t live in Iron County — so the money that AFP threw into the election seems to have gone by the boards. And the people in Kenosha County didn’t change their minds regarding their candidates, either . . . so it does appear, as my late friend Jeff Wilson once put it, that there is a monetary ceiling to an election where a group (or groups) can spend whatever they like, but after a certain point, people just tune out.
- The Brewers going into Boston and sweeping the Red Sox was completely unanticipated, at least by me. After only scoring four runs in three games and losing two out of three at home in the Brewers’ own opening series, it was particularly impressive that the Brewers could go into Boston, win all three games (including an 11th inning thriller), and actually have some clutch hits in games that mattered.
- What a shame that Wisconsin lost to Kentucky in the NCAA Basketball Tournament. I’m glad the Badgers did so well and got to the Final Four — that’s the one thing I got right in my NCAA bracket — but I wish they’d have had just one more game in them. (C’est la vie.)
- Normally after turning in a really big edit — as I did on Saturday morning — I’d take a few days off. Right now, I can’t, because I’m looking over my master file for AN ELFY ON THE LOOSE. There is a reason for that: The e-book will be up on Amazon and most other major dealers on April 15 — so if you’ve ever wanted to find out what the deal is with regards to my Elfyverse or my character Bruno the Elfy, now’s your chance to set your clocks.
Later in the week, I should have at least a bit of time to get a review or two in over at SBR, and I hope to be able to talk more about baseball, or politics, or maybe even the recent decision by the NLRB arbitrator in Chicago who ruled that Northwestern University’s football players should be able to form a union, as they are employees like any other (as that last really intrigues me, but I haven’t had enough time to do justice to the subject as of yet).
But for now, all I can do is please ask you to let people know that AN ELFY ON THE LOOSE is coming soon . . . and if you think anyone will be interested (or even if they aren’t), tell them that my late husband Michael B. Caffrey’s two stories of military science fiction about his excellent character Joey Maverick, a quiet and responsible man who is nonetheless every bit a hero, are available now at Amazon (here and here).
Even with my own novel coming out, it still matters a great deal to me that Michael’s stories find their audience, especially as, years ago, Michael had hundreds of people who said they wanted to buy them as soon as he was willing to put them out. (I don’t know where these people went, mind you. But maybe at least a few of them are still alive, and if so, perhaps they’ll discover the stories one of these years. Hope springs eternal, and all that.)
Story Complete, Sent to Lightspeed’s Special Women Destroy SF Issue
I’m pleased to report that I was able to finish my military science fiction story to my satisfaction, and sent it off earlier this evening to Lightspeed magazine for their “Women Destroy SF” special issue.
The main reason I’m discussing this, other than the fact I mentioned I was writing the story in the first place and wanting to give y’all an update, is because it’s Valentine’s Day.
I know that sounds like a non sequitur, but it isn’t. (Hear me out, OK?)
This particular story is set in my husband’s universe, the same one used in both Joey Maverick stories (available right now at Amazon, here and here). It does not feature Joey Maverick. Instead, it features a doctor, Amanda Hirschbeck, and the choices she must make during a brutal firefight.
I don’t want to give too much away about the plot, partly because I’m hoping that somehow, some way, this story is going to come out and you’ll all be able to read it. But I will say that it deals with loss, redemption, sacrifice, and personal integrity . . . I’m proud to have written it, and I’m even more proud to say this is the first story I’ve written in Michael’s universe that’s entirely mine.
When I started working on Michael’s stories, years ago, I wasn’t sure I could do this. I really didn’t think I’d ever get to the point I could write a decent-to-better story set in a milSF milieu, as that’s not my normal genre — I usually write fantasy, and humorous fantasy at that.
But I’ve had some very good people cheering me on, including the inestimable Katharine Eliska Kimbriel, the incomparable Rosemary Edghill, my first writing mentor (she told me years ago that I needed to make these stories my own, and I wasn’t ready to listen; now, though, I finally am, and I owe it all to her for planting the seed in my mind that I could, indeed, do this), and everyone involved in my writer’s group Barfly_Slush.
Note that the reason I mentioned both Ms. Kimbriel and Ms. Edghill is because they are both outstanding writers and editors. They have many good books out. And as I can’t possibly ever repay either one of them, much less both, for all of their advice and guidance, it seems wise to let you all know about them in the hopes that maybe you’ll go to their respective Amazon Author Pages (Ms. Edghill’s is here, Ms. Kimbriel’s is here) and find a book you like — then buy it.
At any rate, I’m proud that I was able to write a story in my husband’s universe. It’s a good story. I hope it’ll find a home.
But I hope you can excuse me if I think of it as my own, personal Valentine’s Day gift to Michael . . . because without him, and leaving his universe behind for me to play in it as much as I like, this story would not exist.
Guest Blog at Murder X 4 Is Up . . .
Folks, when writer Aaron Paul Lazar asked me if I was willing to write a guest blog for his shared blog site Murder x 4, I leaped, yelled, and said yes . . . though of course only the last part was verbalized as I didn’t want to scare the dogs.
Aaron asked me if I had anything Christmas-themed that might be interesting, and as my relationship with my late husband Michael started around Christmas of 2001 — and as I have two of his stories up at Amazon right now that are desperately in need of new readers, “A Dark and Stormy Night” and “Joey Maverick: On Westmount Station” — I decided to talk about that. And because Murder X 4 is a writer’s blog site where they often talk about the process of writing, I asked if it was OK to talk about everything I’ve done to keep Michael’s words and work alive.
Fortunately for me, Aaron said yes.
Those of you who’ve known me a while, or who’ve faithfully read my blog posts since I was coerced — er, convinced to start blogging will most likely know why I’ve done my best to keep Michael’s work alive. Even though it’s now at least partly mine, and at least some of the choices I’ve made might not be the choices he would’ve made, I had to try.
Michael meant everything to me, and in many ways, he still does. So I just couldn’t bear the thought of his work not getting any chance to find a readership . . . bad enough he was dead, but did his work have to die out, too?
Not everyone is going to like what I’ve done. I know that.
I also know that some people have told me along the way that Michael is dead, I’m not, and that it doesn’t really matter if his work stays alive. Michael, had he lived, would’ve undoubtedly written more things, and he might not even have wanted these particular works to stand.
But I knew Michael very well, and the people who’ve told me this other stuff did not. Michael did not give up, not on himself, not on other people. He was trying to figure out how to get action into his novel about Joey Maverick (MAVERICK, LIEUTENANT) at the time of his passing; he and I were both wracking our brains to figure out what he could add that wouldn’t blow his premise completely out of the water. (That premise being “quiet heroism,” which I discussed in today’s guest blog.)
Michael definitely would’ve kept trying to figure it out, and I can’t believe he’d have let these adventures rot.
But he almost certainly would’ve found other ways toward the same ends . . . and I truly wish he were alive so he would’ve found them, rather than me doing my poor best toward getting whatever I possibly can done.
Still, as a good friend of mine told me a few nights ago, the important thing is to write something Michael would’ve liked and enjoyed reading. Michael would like what I’ve done, by that logic, and even if he quibbled with me as to how I got things done, he’d still like it that I did it.
That’s why I’ve kept trying, both on his behalf and my own.
Anyway, please do go read my guest blog, and see what you think of my efforts. Then come back here, if you would, and tell you if it makes any sense . . . I just know it’s what I have to do, or else I’ve failed.
And I refuse to fail.
Michael’s Two “Joey Maverick” Stories Available at Amazon
Folks, it’s official — both of my late husband Michael’s two “Joey Maverick” stories — “A Dark and Stormy Night” and “On Westmount Station” — are available at Amazon as of 9:07 CST Sunday December 1, 2013. These stories both previously appeared at e-Quill Publishing (one in 2010, the other in 2011), and in addition “A Dark and Stormy Night” appeared at the Written Word Online Magazine in May of 2005 (but was not archived).
This means “A Dark and Stormy Night” has been published three times, and “On Westmount Station” has now been published twice. (I know, I know; it’s boring and mundane to count it up this way. But these are the only stories I’ve worked on thus far that have actually been republished, and I like to think that my husband would be happy with my efforts on his behalf.)
If you’re wondering what I actually did with these stories (as in: Did I edit them? Did I write anything into them?), here’s a brief rundown:
For “A Dark and Stormy Night,” I added about 1400 words, mostly dealing with internal monologue (what Joey’s thinking about as he acts) or beefing up a few (romantic) scenes to make it a little clearer as to Joey’s motivations. I also edited the final version, proofread it, did my best to format it, actually sent it out to two different people to format it for me, and after all of that ended up posting the file I’d started with anyway . . . just a little work, all told.
For “On Westmount Station,” I did a lot more writing, as I added at least 5000 words to the story, doubling its original size. This included writing subplots, adding additional interior monologue for several characters (as “On Westmount Station,” unlike the first Joey Maverick adventure, has multiple POV so multiple characters are sharing the storytelling load), came up with several all-new characters and gave a completely different spin on what Joey is doing while he waits to ship out at Westmount Station than what Michael had to begin with. I also edited it, again tried to format it, again sent it out to two different people and again ended up using the file I started with as I just liked it better. (I still intend to do something nice for the people who tried hard to help me. Just haven’t figured it out yet, that’s all.)
Now, for those of you who read any of Michael’s work years ago — this means the Baen’s Bar crowd, as Michael showcased his novel MAVERICK, LIEUTENANT there many moons ago — you’re obviously going to know what I did. But you might not know why.
The main reason I added subplots and action and characters to “On Westmount Station” is because of something Jim Baen said to Michael on Baen’s Bar. What Baen said was very succinct: “Where is your plot, sir?”
And, of course, Michael took grave exception to this. (Had Jim Baen said instead, “Where is your action, sir?” Michael would’ve understood. Sometimes communication hinges on these tiny things.) Because Michael’s novel had plenty of plot — but after the opening novella (“A Dark and Stormy Night”), there wasn’t a whole lot of verifiable action to be had.
Even though Michael was quite distressed by Baen’s comments — I remember this clearly — he took them to heart once he understood (via another friend of ours, a professional writer and editor) that what Baen actually meant was action. And that while our friend felt Michael could still sell his novel as it stood, perhaps it might be a good idea to look for places action could be added.
As Michael had a very strong belief that many military men and women often had careers consisting of “quiet heroism” — that is, they did important things, but most of the time the public either didn’t know or care what they’d done — this action had to take place in such a way that it wouldn’t call attention to Joey Maverick. Because Michael’s further conceit was that Joey Maverick’s one known piece of heroism was going to be during “A Dark and Stormy Night” (where Joey takes command of the low-tech sailing ship he’s been crewing on during an emergency, and rescues a whole lot of people and not-so-incidentally meets the love of his life in the process), that made it tough to figure out where to add some action in.
Michael and I were still brainstorming and trying to figure this out at the time he passed away, very suddenly, in September of 2004.
So here I was, a newly-made widow, desperately and deeply grieving the loss of my husband, and I had what I knew to be an excellent novella. I added 1400 words to it mostly to make it a legal collaboration so I could more easily sell it — but “A Dark and Stormy Night” probably would’ve been just fine as it was. (I’ll be honest. I like the version I’ve worked on better, but the original is quite good.)
But figuring out what to do with Chapter 1 of Michael’s novel was much harder (yes, this is my roundabout way of saying this is where I got much of the backbone of “On Westmount Station”). All Michael had Joey doing was picking up his ship assignment and forming up his temporary troops, admittedly with great flair and elan. But it would be hard to make a stand-alone story out of that, which is why I thought long and hard about what to do next.
Over the course of a year, I added material, came up with new characters, and figured out just what could threaten a space station (at least in part) but be kept quiet enough that no one would hear about it but a few of the higher-ups in Joey Maverick’s command . . . and, of course, the men and women who helped Joey stop whatever the problem was in its tracks. Once I had all that, I wrote the scenes, integrated them into what Michael had, sent it to my first readers (my long-time writer’s group, Barfly Slush) and then tried to sell it.
But I couldn’t find any buyers.
I even tried the Writers of the Future contest with “On Westmount Station,” as I felt it was the best work I’d ever done. (I made sure, of course, that it was OK to submit it despite it being a collaborative work with my deceased husband.) But it sank like a stone there, just as everything else I’ve ever sent to Writers of the Future has always done.
Soon after “On Westmount Station” was rejected, I offered it to Lawrence at e-Quill Publishing and it was accepted. And there it stayed until I dissolved my relationship with e-Quill in 2012.
Now, as to why I brought them back out? It’s simple. They’re really good stories. Michael worked hard on “A Dark and Stormy Night,” and it consists of some of his finest work. And I’m extremely proud of what I did with “On Westmount Station,” as I feel it’s exactly what Michael would’ve done . . . if he’d have only had time to do just that.
Some people have told me over the last few years that I shouldn’t waste my time on keeping Michael’s stories alive. He’s dead, I’m not, and if Michael were still alive he probably wouldn’t be still trying to get these stories published — whether it be independently (as I have now) or through a publisher.
I disagree — and disagree very strongly — with that assessment, mostly because I know how persistent Michael was. I also know that Michael, like myself, would never give up on his stories. And finally, I know that Michael wrote very well and deserved to get a chance for his stories to find their audience.
All of that is why I kept trying to get the stories back out and available for sale.
And now, they are.
Please, do go take a gander at ’em. Let me know if you enjoy them. And spread the word . . . ’cause if you can do all that, I plan to bring out more of Michael’s other stories in the years to come. (Promise.)
Just Reviewed Katharine Eliska Kimbriel’s “Night Calls” at SBR
Folks, today’s review of Katharine Eliska Kimbriel’s NIGHT CALLS is up over at Shiny Book Review (SBR for short) and it’s something special.
You might be wondering why that is. Well, today is the ninth anniversary of my beloved husband Michael’s death. It’s not easy for me to do much of anything on days like this, so if I feel strong enough and competent enough and capable enough to review a book, right there — in and of itself — you should realize I feel very strongly about it.
But more to the point, NIGHT CALLS is a heartwarming book that should delight all lovers of fantasy. It features a strong, capable young woman in Alfreda Sorensson who’s no one’s plaything; unlike the meek and mild female characters in Stephanie Meyer’s conception, Alfreda does for herself, thank you. And in taking on responsibility slowly, we can see how Alfreda grows and changes and learns . . . all good, all life-affirming, all an excellent message if you need one, but done in such a way that it’s subordinate to the story itself.
To write a novel that’s more than the sum of its parts is very difficult. Now, I’ve reviewed four of Katharine Eliska Kimbriel’s novels, and all four have been able to do this to one degree or another, in two different genres, no less — an outstanding record that I’ve rarely seen out of anyone not named Rosemary Edghill. And best of all, to my mind, is this — NIGHT CALLS is a comfort book in that there’s so much good in it, so much meaning in it, that it’s something that I can see myself turning back to read and re-read many times over the years — just as I’ve done with Rosemary’s TWO OF A KIND and MET BY MOONLIGHT and all her shared work with Mercedes Lackey, not to mention Rosemary’s excellent “Hellflower” series (written as eluki bes shahar) and her three novels in the “Twelve Treasures” series.
That’s the highest praise I can possibly give.
Now, why would I want to write all this on one of the most difficult days of the year? Well, it’s simple. Michael and I both loved to read young adult novels. We found them to be interesting, in the main, because seeing a coming of age story done well is, in and of itself, life-affirming. If you can do it with some humor and heart — as Patricia C. Wrede did in CALLING ON DRAGONS, say, or as Diana Wynne Jones did in her “Chrestomanci series” — so much the better.
And trust me, Ms. Kimbriel did exactly that in NIGHT CALLS.
It was reading books like Ms. Kimbriel’s that inspired me to start writing ELFY in the first place. Which is why I’m very glad to be able to read and review her work, even though until this last year I hadn’t a clue it was available. The good part about that is that I’ve read four of her excellent books this year, and all four of them — the three in her “Chronicles of Nuala” series and NIGHT CALLS — are likely to be on my “best books of 2013” list.
This makes me wonder how many other excellent writers are out there that I don’t yet know about. (“More writers left to explore?” I say. “Whee!”)
And it also gives me some hope that my own writing career is not yet dead, even though my health this year has been terrible and I’ve been slow off the mark to get things done despite all the good will in the world due to that.
Anyway, that’s why I reviewed Ms. Kimbriel’s excellent NIGHT CALLS today. For hope. For inspiration. For the belief that despite bad things happening, good people can still win out.
And I think that if you give Ms. Kimbriel’s work a try, you, too, will be favorably impressed.
SF Writer Ann (A.C.) Crispin Has Died
Science fiction and fantasy writer Ann (A.C.) Crispin has died at 63 due to cancer, numerous sources have confirmed. (Here’s an obituary from Tor.com.) Ms. Crispin wrote numerous novels, many of them being media tie-ins with emotional depth and resonance (such as her two Star Trek novels, YESTERDAY’S SON and TIME FOR YESTERDAY); she also wrote two excellent novels with André Norton, GRYPHON’S EYRIE and SONGSMITH, and several in her own STARBRIDGE series.
Ms. Crispin was an excellent writer, but she also was very interested in helping newcomers navigate the world of publishing. Alongside this blog is a list of links, one being to a site called Writer Beware. That site was co-founded by Ms. Crispin and Victoria Strauss because they both wanted writers to arm themselves with knowledge and to know what a reasonable, honest contract from a publisher should look like — and what one definitely should not look like.
I never met Ms. Crispin personally, never talked with her in any depth online, but I still feel a debt is owed to her due to all of her advocacy through Writer Beware. And as I read and enjoyed many of her twenty-four complete novels (much less her numerous short stories), but never reviewed any of them (some of them predate my excursions into reviewing; others were printed in the years right after my beloved husband Michael’s passing, where I rarely reviewed anything or had much of an online presence, either), I wish I had said something while there was still time.
Others who did know Ms. Crispin personally have shared at least some of their experiences, including Crispin’s best friend, Victoria Strauss a few days ago (Crispin had posted a message saying she knew her time was short, and Ms. Strauss posted a wrap-around message with a picture of the two of them together, walking along the beach — it’s a beautiful shot). As Ms. Strauss said today, “Please honor Ann’s memory, and her work, by reading her books and spreading the word about Writer Beware.”
I agree.
On a personal level, I wanted to mention that my late husband, Michael, was also a fan of Ms. Crispin, partly because he was a huge fan of Andre Norton and knew about Crispin’s two collaborations with Norton. He started reading Ms. Crispin’s work because of those collaborations, as did I, then read her Star Trek novels and the entire Starbridge series, among others. We also recommended her books to our friends, though we found that most of them had already read her books before we got a chance to recommend them. (Strange how we all tended to read the same books, but that is a subject for a different blog than this one.)
In case you haven’t read Ann Crispin’s work, here’s a link to her available books on Amazon. Take a look. Then buy something, and look forward to a great read with emotional depth and poignance.
Because that’s what Ms. Crispin was best at, whenever she wasn’t over at Writer Beware helping out other writers.
My condolences to Ms. Crispin’s family, especially her husband, writer Michael Capobianco, her best friend, writer and Writer Beware co-founder Victoria Strauss, and to all of her fans, everywhere. She will be greatly missed.
———-
Note: Earlier this week, the SF&F community lost another great writer — a pioneer in the field, no less — Frederik Pohl — at the age of 93, and the world at large lost writer and television broadcaster David Frost at 74. Supposedly, it’s a myth that noteworthy passings come in threes . . . yet here, that myth has proven out. (Strange, that.)
An Update Regarding Michael’s Novellas
It’s time, and past time, to give you all an update regarding my late husband Michael B. Caffrey’s “Joey Maverick” novellas. So here we go.
Over the next several weeks, I’m going to offer two different “Maverick” stories, “A Dark and Stormy Night” and “On Westmount Station.” Cover art has been chosen, and formatting is about to get underway for independent e-book publication.
“A Dark and Stormy Night” is about a low-tech sailing regatta in the future; Joey Maverick is merely a crewman on one of the sailing ships. When a vicious storm sets in, the captain is incapacitated, and Joey must take charge. Rescues ensue, and Joey encounters feisty nurse Belinda Simpson, who is a pain in the caboose to deal with as she questions Joey’s authority at every turn . . . so why does Joey feel so attracted to her? Ultimately, “A Dark and Stormy Night” is an excellent action-adventure story with just a touch of low-key romance that’s appropriate for all ages.
“On Westmount Station” is a more typical milSF story because Lieutenant Joey Maverick is about to go off to space. However, there’s a little problem on Westmount Station that no one quite expected as there’s a bomb in an unexpected place. Joey’s the man on the spot; he and his new team must defuse the bomb before it’s too late, and deal with the terrorist in question besides . . . there’s action, there’s suspense, there’s mystery, and then there’s Joey, who has to be one of the more fun, albeit low-key, characters I’ve ever had the pleasure to read about. Truly, this is a story that many people will enjoy, especially if you like your military adventure with just a touch of wry.
If these stories do well, I plan to work on fleshing out a third novella in 2014.
These stories will have bylines of “by Michael B. Caffrey with Barb Caffrey” as I edited and smoothed out various things in the first novella, while I added a subplot, action and additional characters in the latter. But they firmly are Michael’s stories, set in Michael’s universe, using Michael’s main character Joey Maverick and should be enjoyed by anyone who loved my husband’s work.
People have asked me many times over the years since Michael’s passing why I’ve been bound and determined to keep Michael’s writing alive (as Michael wrote the first novella back in 2000, and what turned into the second novella in 2001). It’s very simple, really; Michael was an exceptionally gifted writer. I want his words to live, because he worked hard on them, the stories are excellent, and I think many people will enjoy them if they only have the opportunity to find and read them.
I don’t know what else Michael would have written had he lived. But I do know this: He was every bit as persistent as I am. He would not have given up on his own work. And he would want me to get these stories out there in whatever form, because he knew what he’d done and he wanted others to read his stories.
I plan to offer the two novellas at Amazon through Kindle Direct Publishing, at Smashwords, and at BN.com, among others . . . and I hope that everyone who has an interest in my husband’s work will buy them. (Please!)
Barb Caffrey's Blog 