Archive for the ‘Persistence’ Category
Ernie Banks, “Mr. Cub,” dies at 83
Ernie Banks died last night at the age of 83.
Banks played his entire career for the Chicago Cubs. He was their first-ever African-American player, was an All-Star 14 times, won a Gold Glove as a shortstop in 1960, won two MVP awards in 1958 and 1959, and won the Lou Gehrig Memorial Award in 1967. He was elected to the Baseball Hall of Fame in 1977 on the first ballot. And he also won the Presidential Medal of Freedom in 2013.
Banks had a remarkable career (check out this article from Yahoo Sports’ “Big League Stew” blog if you don’t believe me). He was a trailblazer, both as a player and as a coach.
But it’s not because of any of those things that I felt so terrible when I heard the news that Ernie Banks had died.
Banks was a quality individual, you see. He was one of those people who made you smile, simply by being around him. And he was the best ambassador for his beloved Cubs they’d ever had — hence his nickname, “Mr. Cub” — much less Major League Baseball as a whole.
Banks never went to the playoffs with his Cubs, but he always believed he would go — and nearly did in 1969, the year of the Cubs’ epic collapse. Because of his positive attitude, people loved being around him. And he enjoyed talking to the media, mostly because he saw it as a privilege rather than an obstacle. (Check out these great quotes as listed by the Chicago Tribune.)
Ernie Banks, quite simply, was a hero. He didn’t see himself that way, of course, but heroes never do.
I mourn his passing deeply.
Why Writing a Book Is Like Preparing for a Marathon
Why is writing a book so much like preparing for a marathon?
Writing a book takes time. Effort. Forethought, planning, a certain drive and sticktuitiveness…it’s a test that will push you to your limit. It shows you, as a writer, what you are made of — because you have to believe that your persistence, your effort, and your skill will pay off.
Runners do this, too, when they prepare to run marathons. They must get into condition, learn to eat efficiently, and prepare their bodies for a maximum effort. And they must believe that all of the training, all of their skill, will pay dividends when they finally run their races.
Runners are strong. They have to be. And they must believe in themselves, even if no one else does, or they can’t run their best races.
You have to be strong to be a writer, too. And you have to have faith in yourself that what you’re doing is the right thing, all because you have a creative vision that will not be denied.
Perhaps thinking about writing in the terms of preparing for a marathon will help you, especially if you are stalled or frustrated with your work-in-progress. While a completed book is not like running an actual marathon, writing that book is very much like preparing to run a marathon.
I know the metaphor only goes so far. But it’s still an interesting way to think about writing — as a marathon, not a sprint.
Vinny Rottino Signs with the Miami Marlins, and Other Stuff
Happy New Year, everyone!
I figured I’d write a quick blog tonight and mention a few things, mostly in passing, that may be of interest only to me.
First, as the title says, Vinny Rottino has been signed by the Miami Marlins to a minor league deal. This means he’ll have a job in baseball as a player during 2015, which is definitely worth celebrating. Rottino made the AAA All-Star team for the Marlins franchise back in 2011, and got a call-up from them in September as his reward. (I wrote about that here.)
I’m glad that the Marlins front office remembered Rottino, and is giving him another shot to play despite his advanced age (in baseball years only). He’s a smart player, he’s always maximized his ability, and while it’s unlikely now that he’ll be able to make a serious run at a major-league job as a player, it’s far from unlikely that he’ll be able to make the majors in some other capacity later. So it’s very good that the Marlins signed him; my guess is that Rottino’s going to end up mentoring other players in the minors, and probably playing every second or third day. And that may lead him to a managerial or coaching job down the line…which I’m sure he doesn’t want quite yet, but is something to consider for future reference. (Thank goodness it’s still “for future reference,” as I was really worried after he became a free agent again.)
Aside from that, I finished a new short story and sent it to the Writers of the Future Contest on 12/31/14 as I remain eligible. (Not enough book sales as of yet.) I’m glad I was able to do that, as with all of the editing I do — and the holidays, and the family appearances that are well worth going to but normally take away from any available writing time — I don’t get anywhere near as much time to write as I’d like.
And I’m working on two different editorial projects right now, so my blogs may be sporadic for a few weeks until/unless something really grabs my attention…but I do hope to have at least a few book reviews in January 2015 over at Shiny Book Review that may interest you. (Namely the three I didn’t get to at the end of 2014 like I’d planned.)
May your 2015 be all that you want it to be, folks. And may it be a better year for us all.
Craig Wayne Boyd, Persistence…and You
Folks, it’s no secret that I am a fan of Southern country/rock singer Craig Wayne Boyd. His time on NBC’s The Voice was in some ways magical, especially considering his eleven-year odyssey in the music business. And that he made it all the way to the end, and then actually won The Voice, was just that much more special.
What I found in Craig Wayne Boyd’s story were a number of things. Persistence. Faith, not only in a higher power, but in himself and his talent. And the drive to succeed against all odds.
Consider, please, that Mr. Boyd has said in several televised interviews that he considered quitting music altogether not too long before he auditioned for The Voice. And he knocked around Nashville and the touring circuits for eleven long years, singing his heart out, with talent and drive and dedication — but all of that garnered him very little.
Or so it seemed at the time.
Because in retrospect, what Mr. Boyd was learning all that time was to have faith in himself and his talent. He was also learning to perform, and the limits of what he could do and what he could — and couldn’t — control.
This is something we all need to learn. Because like Craig Wayne Boyd, we cannot control what other people do. We can’t control who will take notice of us, who will show up at our gigs, who will buy our books and/or recordings, or who will care about what we’re doing.
All we can control is what we do and how we do it. That’s all.
And that’s why being persistent is so very, very important. You don’t know when the next audition you do will result in a major breakthrough (as was the case for Craig Wayne Boyd). You don’t know when someone will read what you’re writing and decide it’s wonderful and tell all his friends, because you don’t know when your big break will come.
The only thing you do know is this: Once you stop trying, you have absolutely no chance of doing whatever it is you want to do.
That’s why I’ve said over and over again that you cannot and should not give up. Because you don’t know what’s around the corner…for all you know, it might just be your big break.
What Auditions Are Like
Folks, I remain more sick than well. But as I listen to my readers, and had a request a week or so ago to discuss what auditions are like, I figured, “Why not?”
Before I get started, I’d best explain something for readers who are somewhat new to me. I’m a trained classical musician; I also play jazz, have backed up pop vocalists, and understand most if not all musical forms. (I can even explain Gregorian chant to a degree, even if I cannot sing it.) I have two degrees in music performance — specifically, in saxophone performance from the University of Nebraska-Lincoln, and in clarinet and saxophone performance from the University of Wisconsin-Parkside. My first instrument was the oboe, and I was known for that in high school; I took up the saxophone at age 15 because I wanted to play in the jazz ensemble, and took up the clarinet at age 17 because I liked the sound of the instrument (besides, on jazz charts that needed the clarinet, I felt inadequate because I didn’t know how to play it).
All of this may give you some idea as to what my qualifications are, but in case it doesn’t, let me make it clear. I’ve auditioned for colleges, both for positions and for scholarships; I’ve auditioned for symphony orchestras; I’ve auditioned for local groups, upon occasion; I’ve auditioned for small groups, large groups, jazz groups, classical groups…you name it, I’ve probably auditioned for it.
Regardless of your instrument, there are some things every musician who auditions for a group or placement needs to consider.
First, what’s the venue? If it’s an orchestra, you’re going to need to bone up on your orchestral excerpts — and the orchestra in question will send you a list of the pieces they’re expecting you to play, so you’d best get familiar with them. If it’s a jazz band, you’ll have to prove you can sight-read a few jazz charts, and possibly show that you can improvise a jazz solo with a rhythm section (you’ll especially need to do this if you’re auditioning for tenor saxophone, bass or trumpet, but you should be prepared to improvise if needed on any instrument). If it’s a pop group, you’ll need to sight-read, show that you can play a short, tasteful improvised solo (as for the most part, pop groups play with vocalists and they are the stars, not you), and if it’s for anything else, you’ll need a familiarity with the music being played and a willingness to sight-read anything put in front of you.
Second, what instruments are you going to need to bring? I am a woodwind specialist and play three instruments — oboe, clarinet, and saxophone. But if I’m going for an audition with a symphony orchestra to become their principal clarinetist, I’ll need to bring my clarinet and an A clarinet (a clarinet tuned one half-step below a B-flat clarinet, the standard clarinet played in the United States). If I’m going to an audition with a jazz ensemble, I might need to bring my saxophone and my clarinet (only rarely will you play oboe with a jazz band). And if I’m going to an audition with a concert band, I’d best make sure what instrument they want and what additional instruments they may need me to play down the road before I go.
Third, you need to have a strategy when you audition. You need to be prepared for your nerves, for the possibility of long waits that run far over your expected audition time, and as many other problems as possible in order not to get thrown so you can perform the best possible audition you can.
My last symphonic audition for a position as a clarinetist with a symphony orchestra is a case in point (note: this was over ten years ago, but very little has changed since then). The committee was running at least an hour and forty minutes behind, it was the middle of summer and the air conditioning had conked out, and the toilets were overflowing — one of the worst possible combinations I could’ve ever imagined auditioning amidst, to be perfectly honest.
But those weren’t the only hurdles. There were the other clarinetists warming up that I couldn’t help but hear, all of whom sounded (in the moment, at least) better than me. Some had better “pedigrees” than I did — that is, degrees from more acclaimed music schools, or better-known teachers, or who were younger and/or had traveled the world with other groups and could prove it. And some had all of the very best and most up-to-date instruments with all of the optional trill keys, and of course none of their keys were sticking despite the humidity and the terrible conditions, but mine were, and then they called my name…
Under such bad conditions, it’s surprising anyone can win an audition, to be honest. (To be fair, most auditions are held under much, much better conditions. Thank goodness, or none of us would be likely to try for jobs.) You’ve practiced for hours, sure, and you have the music down cold, but you weren’t expecting any of the other stuff to occur.
In my case, I did not win that audition. I did, however, perform credibly enough that I was asked to stick around for a few hours while they made a determination (meaning I wasn’t one of the first people dismissed to go home). And under those particular conditions, I was happy with that — and secretly, I wondered if I were better off not to win this particular audition.
Now, how does an instrumental audition compare to a vocal audition? Most of what I just told you is the same. You prepare a piece or two of your own, usually, and must be ready to sight-read something or prove you can sing (or play) another style if requested. You have no control over the venue, you have no control over how long they may be running behind…the only person you can control is yourself.
That’s why I said something about audition strategies. Because thinking in advance about what the worst-case scenario could be sometimes brings peace of mind. And thinking in advance about the best-case scenario — that you are going to give your best-ever performance, that they will love what you’re doing and want to hire you on the spot — certainly does no harm, either.
Figure out which strategy works for you, whether you’re a fatalist, an optimist, or a combination of both. And use it.
That’s the best way to make sure you’ll have a good audition. Because you’ve done all the work in advance to set yourself up for success.
Car Is Repaired After 52 Days — Thank Goodness!
Folks, I’m very happy to report that my 2010 Hyundai Accent has finally been repaired after 52 days. The folks at Racine Hyundai did a very good job in putting a new transmission into the car, and I am pleased with their efforts. (Hyundai USA, not so much, as I’ve said before. Several times.)
I’m grateful to the people who helped through GoFundMe and also privately, so I could repair this car; it was an enormous expense, and I needed all of the help I could find.
Anyway, the car is back. I am extremely happy to be mobile again!
We now return you to your regularly scheduled blog posts, already in progress…
Barb Caffrey's Blog 