Barb Caffrey's Blog

Writing the Elfyverse . . . and beyond

Archive for the ‘Persistence’ Category

Heartwarming Holocaust story of survival, love.

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Who said writing’s not important?

This Yahoo post, entitled, “After 62 years, Holocaust survivor reunites with lost friend whose passport led her to America,” is one of the most heartwarming stories I’ve ever read, and it all started with one essay.

Intrigued?  Well, read on . . . .

In 1947, Cherie Rosenstein was five years old and living in an orphanage in Paris.  Her name at that time was Maria Helena Chuchnowicz, but when she was placed in the home of Eleanor Bohne-Hene, she was quickly nicknamed “Cherie,” meaning “dear,” by Bohne-Hene’s daughters Monique and Catherine.  The nickname stuck.

Here’s a link to the story:

http://news.yahoo.com/s/yblog_upshot/20100924/us_yblog_upshot/after-62-years-holocaust-survivor-reunites-with-lost-friend-whose-passport-led-her-to-america

As the Yahoo story says:

The next phase of the plan was for Bohne-Hene to take Rosenstein to the United States — but America’s quota system blocked Rosenstein. So the little girl posed as Monique Bohne-Hene, her hair bleached blond to resemble Monique’s passport photo.

She boarded what she recalls as a “monstrous bird of steel,” which deposited her in her new home in Ohio.

Cherie Rosenstein was eventually adopted by Libby and John Moskowitz of Ohio, and was taught English by the couple.  How she got past all the difficulties of her unusual entry into the United States was related by her own essay, entitled “Child of the Holocaust” at the Dayton Jewish Observer and available at this link:

http://www.jewishdayton.org/page.aspx?id=141073

Here’s a bit of that:

The war’s end brought problems of staggering proportions: thousands of Jewish survivors with no homes, families or money. Palestine was the only place in the world to unconditionally welcome these homeless Jews. Because Palestine desperately needed people to populate, build and defend the land, Vaad Hatzalah chose this land to resettle its refugees and children, including those of my orphanage.

Since he was a close friend of Rabbi Silver and Rev. Schmidt, John Moskowitz of Cincinnati turned to them to help him and his wife find a Jewish orphan to adopt as their own.

When Rev. Schmidt went to Paris and visited my orphanage, pictures were taken of some of the children. Upon returning to Cincinnati, he showed the pictures to the Moskowitzes. I became the chosen one.

Just the thought of little Cherie (née Maria Helena) having to endure all that after her parents had died at the Bergen-Belsen concentration camp made me shiver, yet she survived.

And the story gets better, because Rosenstein has recently been reunited with her childhood friend and companion, Monique (Bohne-Hene) Valvot after trying for many years, unsuccessfully, to find her.  And it was Rosenstein’s own essay in the Dayton Jewish Observer that helped lead Valvot, who’d also been looking for any word of little Cherie, to find her, because Valvot saw the article on the Internet.

Behold the power of writing, folks, at its best.

Written by Barb Caffrey

September 25, 2010 at 10:19 pm

Research in progress to finish Michael’s fourth “Columba” story

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I’ve been quiet this week, folks, partly because earlier this week was the sixth-year observance of my late husband Michael’s death.  I don’t enjoy this — who does? — but I feel it’s important to do my best to remember his life, and what he meant to me (I do this every day, but try especially hard during this particular week), and re-dedicate myself toward this difficult, often frustrating and sometimes rewarding business of writing.

Michael left behind a fourth “Columba” story that is, at best, 1/3 finished.  I know the title, which I will not share right now, and I know the circumstances Columba and her husband, the Duc d’Sanchestre, were in after they attempted to cross to his demesne but ended up somewhere else instead.

Complicating matters, I don’t have any notes for this story or universe — none whatsoever, unlike the “Maverick” universe (where there’s two completed stories there I’ve finished, and two novels I’m working on), which has plenty — all I have is the title, my knowledge of Michael’s writing style, and the completed 1/3 (or maybe 1/4) I have of the story to work with.

What I’ve done is figure out the setting — Michael has set this well, but I need to know how I can continue to describe it as it doesn’t come naturally to me — figure out some of what’s about to happen next, and because I know these characters very well (even though I’ve never written them before, I’ve read these stories over and over as they are outstanding), I believe I’ll be able to start writing the fourth story (or at least my continuation of it) very soon.

Very few authors have attempted what I’m doing — what I’ve already done to a degree with Michael’s “Joey Maverick” stuff — most especially in the realm of trying to finish in the same style as the original author .  A husband-wife pair (or spousal unit pair, if you prefer), where only one is left to finish the work of the deceased, is even more rare — I know of Ariel Durant, the much younger wife of Will Durant, completing her husband’s work, and of a few SF authors (Leigh Brackett, C.L. Moore, perhaps Janet Asimov to a degree) working in their late husband’s universes by permission or actually finishing stories in their late husband’s style.

At any rate, it can be done, but it’s difficult and often frustrating — this is not the writing that comes easily to me, and it tends to block out everything else I want to do until I’ve gotten enough of it out that I can get back to my work — and that’s the main reason my blog is languishing at present.

Aside from that, I continue to submit stories, write more stories, and edit various things — so I’m doing whatever I can to keep my dreams alive.

I can only believe that Michael would very much approve.

—–

Note:  Please, please go to eQuill Publishing and look for my late husband’s “Columba” stories — it’s not too late for his work to gain a following.

Here’s the link:

http://www.equillpublishing.com/manufacturers.php?manufacturerid=13

Written by Barb Caffrey

September 23, 2010 at 7:05 pm

State of the Elfyverse, and other writing stuff.

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OK, now for a quick update as to the state of the Elfyverse, AKA, “What else has Barb been doing along with readying her and Michael’s reprints — and Michael’s three great, but previously unpublished, ‘Columba’ stories — for publication at eQuill?”

Three more chapters were revised and posted to my writer’s group for AN ELFY ABROAD, the direct sequel to ELFY, in the past month.  I now have completed between 85 and 90% of this novel — but as it’s well over 250,000 words as it is, I know I will have to cut back somehow and/or split it into two books.  (It’s even longer than ELFY!)

Two more chapters were revised and posted to my writer’s group for KEISHA’S VOW, with two more chapters currently in progress but with nagging problems I haven’t yet solved.  (And as I tend to get blocked if I don’t solve ’em, I usually have to struggle for a while before I can go on.  I don’t know why this is, but I know it is my process, for better or worse.)  KEISHA’S VOW now stands about 50% complete with about 60,000 words written of a projected 110K novel.  (KEISHA’S is an ELFY prequel set in 1954 with many of the same characters from ELFY — just younger, or at least more alive, versions.)

As for CHANGING FACES, my non-Elfyverse novel that’s been in progress since 2002, it remains stalled out.  (Sorry.)  At 95K of a projected 110K novel for the fourth month in a row.)

Six stories and six poems are at various markets, while “Trouble with Elfs,” a reprinted version of the story published in 2007 at the Written Word online magazine (a tighter, better formatted version) is now available at eQuill Publishing.  Here is the link to my author page there:

http://www.equillpublishing.com/manufacturers.php?manufacturerid=12

At any rate, you all know I’ve blogged, submitted to publishers, submitted to magazines, submitted to agents, and then done the same again several times (rinse and repeat).  I am a serious writer, at least with regards to getting my work in print; I am also serious about getting Michael’s work in print (see my parallel post about Michael’s “Columba” stories, which I blogged about just before this here at the Elfyverse blog site).

Thank you for following along with my journey; it is not yet over, and is not yet complete, for which I give whatever thanks I may.

******

Note: I have not put “Bright as Diamonds” up as a reprint yet, though I believe I have the rights to it after all this time (five years since publication).  I probably won’t, either, unless for some reason enough of my short fiction sells that I want or need to put out a short fiction collection — and that’s looking optimistically way down the road.

Written by Barb Caffrey

September 16, 2010 at 2:04 am

Michael’s never-before-published “Columba” stories up at eQuill

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This was a long time in coming, folks.

I’ve done my best to keep my beloved husband’s work alive since his untimely death in 2004.  It has been a struggle, but I’ve managed to sell a few things now and again — my story “Trouble with Elfs” sold in ’07 (Michael added 10% to it, so it’s credited as a collaboration), “A Dark and Stormy Night” sold in ’05 (this was his story, which I’d added 10% to round it out a little), — after our first sale to the BEDLAM’S EDGE anthology in ’04 (“Bright as Diamonds, released in ’05).

But all this time, I knew Michael had three completed fairy-tale fantasy stories set in an alternate United States of America — technically, in the demense of Illinowa, where Princess-Coronet Columba had a great deal of distress trying to separate herself from all the drama of being royal.  Columba, you see, wanted her own, independent life — she was a musician, and a mage, and a very strong woman, stuck in a life that wasn’t right for her.

Then she rescues a cat . . . and things dramatically change.  The cat isn’t a familiar, quite  — you’d have to read the stories at eQuill to understand what’s going on fully — rather, he’s the gateway to an unexpected romance between two lonely, complementary souls who are equal, but not the same.

Michael wrote these stories for me — the first, “Columba and the Cat,” was written in early 2002 after we became engaged to be married.  The second, “Columba and the Committee,” was written to celebrate our marriage in June of 2002.  Finally, “Columba and the Crossing” was written for our anniversary — our second, as it had been in progress for well over a year due to the vagaries of life (a move across country, some ill health for the pair of us, and trying to find work in a new, strange place).  A fourth, “Columba and the Cromlech,” was in progress at the time of Michael’s passing in September of 2004.

I wrote the blurbs, checked over the Columba stories, and am pleased to offer them now for the very first time to the public.   I also am pleased to announce that the fourth “Columba” story will be completed, by me, as soon as possible.

Don’t be put off by eQuill being an Australian e-book publisher, folks — they have a monetary conversion thing through PayPal that allows any currency to be used as far as I am aware.  (I checked this before I placed any of my or Michael’s stories there.)

Please check out Michael’s author’s page at eQuill and the stories available for sale now:

http://www.equillpublishing.com/manufacturers.php?manufacturerid=13

And if you wish to see my page at eQuill (so far only one of our stories is listed with me; the others are listed with Michael), it is available here:

http://www.equillpublishing.com/manufacturers.php?manufacturerid=12

Thanks, and as Michael always said, “Good reading!”

Written by Barb Caffrey

September 16, 2010 at 1:23 am

Reprinted stories soon to go up at eQuill Publishing.

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Finally, some good news to report — I have agreed in principle to place Michael’s Joey Maverick SF/adventure story “A Dark and Stormy Night,” my Elfyverse story “Trouble with Elfs,” and a poem, “A Love Eternal,” with eQuill Publishing.  They are a new e-press located in Australia, and I know about them mostly due to my friend Piotr S. Mierzejewski, who has placed a number of stories there already.

At any rate, “A Dark and Stormy Night” is a novella — 14,000 words — and my contribution to it is about 1400 words to even it out a tad and up the romance a mite.  “Trouble with Elfs” is 8,000 words — a long short story, if that’s not an oxymoron — and is an urban fantasy set in the same universe, with many of the same characters, as ELFY.  The Maverick novella is the very start of Michael’s book MAVERICK, LIEUTENANT, currently being revised by me in order to add action.  And for the record, the Maverick story carries the byline “by Michael B. Caffrey, with Barb Caffrey,” while the Elfyverse story carries the byline “by Barb Caffrey, with Michael B. Caffrey,” though I wrote well over 85% of that story.  (I simply believe that without Michael’s 15%, the story wouldn’t be worth reading, which is my prerogative.)

As for my poem “A Love Eternal,” it is the best way I’ve come up with yet to describe how Michael’s loss has affected me — and how to describe how I felt while Michael was alive.

All three reprinted stories/poems accepted for publication originally appeared at the Written Word — “A Dark and Stormy Night” appeared in ’05 and is not archived online, while “Trouble with Elfs” appeared in ’07 and the poem “A Love Eternal” appeared in ’06.

I may have further good news in the reprint quarter to note soon — but for now, please check out eQuill Publishing here:

http://www.equillpublishing.com

Also, please know that while publishing remains a very difficult occupation to break into, there are good moments from time to time.  This is one of those moments, and I’m pleased that my persistence has paid off in order for these stories to appear in the way I’d always hoped.

Michael did not live long enough to see our first story, “Bright as Diamonds,” published, though he did know it had been sold.  (We cashed the check and enjoyed the proceeds immensely, going to a Japanese restaurant and seeing the “floor show.”)  He was looking forward to seeing the BEDLAM’S EDGE anthology in print at the time of his passing, but did not get that wish.  And Michael obviously did not get the chance to see any of his own work published, either — me getting Michael’s “Maverick” novella published in ’05, after adding the 1400 words to make it a legal collaboration and thus, much easier to sell, was an act of love, faith and persistence. 

Michael believed very strongly in my ability to write.  Without his faith in me, without his help (as he’d already completed a novel before I started on ELFY), I would not be the same writer.  And I’d be no kind of editor, as Michael had major skills there that he did his level best to pass on.

I continue onward as best I am able though sometimes it seems like an inordinately difficult task.  Still, I was not raised to give up, and my wonderful, amazing husband believed I could do anything I set my mind to do.

My mind is set on publishing, in case you hadn’t figured it out already, and I will continue onward toward this goal.

Btw, the title of “Trouble with Elfs” is not a misprint.  (You need to read the story to find out why.)

Written by Barb Caffrey

August 29, 2010 at 4:09 am

Persistence Pays Off, Part II — Chris Capuano Wins Again. Also Ben Sheets Surgery Update.

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This past week hasn’t been much fun; I celebrated my birthday while dealing with a nasty sinus infection, and thus my blog was inactive during that time as I hadn’t much to write about — or at any rate, what I would’ve tried to write wouldn’t have made much sense due to feeling so terrible.

But last night, I had another epiphany, and thus, a second blog post about Brewers left-handed pitcher Chris Capuano.  Capuano, as you might recall, has returned to the major leagues after having a second “Tommy John” ligament replacement surgery performed in mid-2008.  His rehabilitation was extensive, and without a whole lot of faith in himself, along with a great deal of hard work rehabilitating his surgically-repaired left arm, he’d never have returned to pitch again, period — much less in the majors.

But he has, and he has pitched for the most part with amazing efficiency — or to be less unnecessarily wordy, he’s been very good indeed, one of the best pitchers the Brewers have had during this lost season of 2010.

Last evening, Capuano came in after Yovani Gallardo — the Brewers’ best starting pitcher, and their supposed “ace” of the staff thereby — gave up six earned runs (ERs) in only three and one third innings pitched.  He left the bases loaded, too, meaning if those runners had scored, nine runs would’ve been charged to Gallardo.

So what did Capuano do?  He mopped up the damage, that’s what.  He got out of the fourth inning with none of Gallardo’s runs scoring — and pitched 3 2/3 innings of scoreless baseball.  Eleven men up, and eleven men down — no hits, only one walk, and one double-play ball which wiped the walk off the board.

This was Chris Capuano’s first win at Miller Park since May of 2007.  And in it, he also went one for two in hitting — getting his first hit in the bigs since 2007.  See this post about the game, although it did not stress enough to my mind the magnitude of Chris Capuano’s second win:

http://www.jsonline.com/sports/brewers/101197154.html

At any rate, you probably see where, if Chris Capuano were a different sort of person, all that rehab might’ve put him off from returning to baseball.  You can also see that Chris Capuano, fortunately for the Brewers, has more dedication, drive and determination than most people — because it’s incredibly difficult to recuperate from one “Tommy John” surgical procedure to pitch well.  It’s even more difficult to recover from two.

Chris Capuano’s stats for the season are now two wins, two losses.  He’s started two games, winning one, losing one.  He has a 3.86 ERA in 28 innings pitched, with 8 walks, 27 strikeouts (Ks), and has given up three home runs.  These may not seem like outstanding stats, but consider how hard this man has worked — then consider the Brewers staff pitching ERA average of 4.90, and the fact that only Yovani Gallardo, Zach Braddock, Kameron Loe and John Axford have lower ERAs on the entire Brewers staff of thirteen pitchers.

Chris Capuano is now thirty-two years old.  He’s recovered from two surgeries that are life-altering for pitchers; usually, if a pitcher works hard and is fortunate, he can recover from one such procedure.  Only rarely has a pitcher recovered from two on the same arm — and Chris Capuano is, if not the first, possibly the second pitcher in the majors to have returned from two “Tommy John” surgeries.

I mention this because another of my favorite players, former Brewers pitcher Ben Sheets, recently had a surgery so extensive that it was reported by Susan Slusser of the San Francisco Chronicle (Web site www.sfgate.com) as a “surgery (that) involved every structure in the elbow — both tendons and the ligament — ” that Slusser was:

“amazed he was pitching with that kind of damage, and he wasn’t getting shelled; he was adequate.  That’s extraordinary.  There was basically nothing working in his elbow.”

The rest of Slusser’s blog from 8/11/10 is available here:  http://www.sfgate.com/cgi-bin/blogs/athletics/detail?entry_id=69876

Sheets, like Capuano, is thirty-two years old.   He’ll be nearly thirty-four (and that only because he has a July birthday)  if — and when — he can attempt a comeback.   His surgery has been called the “most extensive” in the history of baseball — this headline at NBC Sports Hardball Talk on 8/11/2010 says it all:

Ben Sheets just had the most massive surgery in the history of pitching

Or how about this headline from the Contra Costa Times of 8/11/2010 — 

A’s update: Pitcher Ben Sheets faces long odds after undergoing Tommy John surgery

http://www.contracostatimes.com/sports/ci_15749396?source=rss&nclick_check=1

This article points out that Sheets is looking at nearly a two-year rehab cycle to rehab his surgically repaired right elbow, complete with both tendons and the “Tommy John” ligament replacement surgery.   And he’s a pitcher, unlike Capuano, who’s always relied on his plus-fastball and his plus-curveball (meaning he throws high heat, really fast, over 90 mph fastballs with serious movement on them, and the curveball he has moves so much that it’s not only hard to hit, it’s hard to catch, besides) to win in major league ball, whereas Capuano was always a control pitcher.  These surgeries do take a toll on the arm and they do lower the velocity on the fastball for most pitchers; it will be harder for Sheets to be effective in the majors afterward even if his rehab goes successfully.  (As I sincerely hope it will.)

Sheets ended his season with a 4.53 ERA, a 4-9 record (a bit deceptive; the A’s didn’t give Sheets much in the way of run support), and a walks plus hits per inning (WHIP) rating of 1.39, the highest in his career.  But as Ms. Slusser said, basically nothing was working in Sheets’ elbow; it’s amazing Sheets struck out 84 guys while walking 43 in 119 1/3 innings, considering that datum.

At any rate, Chris Capuano was always known to Brewers fans as a “workout warrior” while Ben Sheets was considered, at best, to be a guy who would rather pitch than do running, stretching, weight training, or anything else pitchers are supposed to do these days to keep themselves in shape.  This perception of Sheets by Brewers fans is probably less than accurate, especially considering Sheets’ recovery from his surgery after the 2008 season for a torn labrum (a different elbow ailment) took all of 2009 to rehab.  So it’s obvious Sheets can and will rehabilitate serious injuries — the main question here is, can he do it twice, as has Capuano?  And can he do it at an advanced age for any pitcher, much less a power pitcher like Ben Sheets?

Granted, Capuano (who’s now 32) was able to come back from two serious surgeries.  But it took him nearly two years the second time, and he had to swallow a great deal of pride, no doubt, when he signed a minor league deal with the Brewers in ’09 (he was in the low minors, mostly rehabilitating, toward the end of August last year), then again in ’10.

Chris Capuano has shown that it’s possible for someone with a strong will and a strong gift to win out over a recalcitrant body.  I hope Ben Sheets will be able to do the same; I hope his body will let him.   I do know that Sheets should be well aware of Capuano and the struggles Capuano had returning to the majors, because Sheets and Capuano were teammates for many years, though were never known to be close friends.

At any rate, the lesson here for writers, or for anyone at all, is the same as my first post about Chris Capuano — persist.  Keep trying.  Don’t give up.  Don’t lose hope.  Or if you do, shake it off and keep trying some more.  Because that is literally the only way — the only way — to win.

Written by Barb Caffrey

August 22, 2010 at 2:16 am