Barb Caffrey's Blog

Writing the Elfyverse . . . and beyond

New Interview, Book Review Up at SBR Over the Weekend

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Over the weekend, I put up two new things over at Shiny Book Review (SBR for short, as always). One is an interview with the incomparable Katharine Eliska Kimbriel, while the other is a book review for Vera Nazarian’s COBWEB FOREST, the third book in Ms. Nazarian’s Cobweb Bride series.

Now, you might be wondering why it is that I did two such labor-intensive things on the weekend. (Well, you’re probably not wondering that, for all I know. But take my word for it: Reviews take effort, and interviews also take effort, plus a goodly amount of pre-planning on the part of both me, the interviewer, and whoever the interviewee is, in this case Ms. Kimbriel.) Why not do them earlier in the week?

Well, like most people, I have all sorts of things going on during the week that tend to preclude me from doing things that take several hours apiece, no matter how much I might enjoy doing them. And as I tend to review romances on Saturday over at SBR for our Romance Saturday promotion, that’s why Ms. Nazarian’s book was reviewed then.

Note I’m not talking much about why my interview with Ms. Kimbriel went up on Sunday . . . that’s mostly because I ran out of time on Friday, and I also thought of a few last-minute questions late Thursday evening. Ms. Kimbriel answered them very quickly, bless her, but I was still in the process of figuring things out on Friday evening, so the interview did not get done until Sunday.

I don’t do a whole lot on Sunday at SBR, mostly because Jason Cordova tends to review on that day, Monday, Tuesday, and/or Wednesday. But he and I can arrange for me to review — or in this case, interview — on other days, and that’s what we did here.

I hope you enjoy both my interview with Ms. Kimbriel, as she had a great deal of insight to offer about writing, editing, and the whole publication process as she’s part of Book View Cafe, an author’s consortium that does well by its writers and editors, and the review of Ms. Nazarian’s COBWEB FOREST.

Now, as for my plans for this week’s blog posts? Some of it depends on what happens in the world, but I can say I do plan to do a Milwaukee Brewers pre-season report — what I’ve seen from the various Spring Training games that have been televised, what I’ve noticed among a few high-profile (and not-so-high-profile) players — later this week. So do stay tuned for that.

As far as reviews over at SBR, I hope to review three things: Stephen R. Donaldson’s THE LAST DARK, the concluding book of the entire Thomas Covenant series, is the main book of the three, with the other two being Grant Hallman’s well-received debut novel IRON STAR (a work of military science fiction that’s perfect for readers of Michael Z. Williamson or Ric Locke) and his prequel to IRON STAR, the novella UPFALL. Figure THE LAST DARK for Saturday, while if all goes well I should be able to review UPFALL, at least, on Friday — and perhaps IRON STAR as well. (Have I mentioned that I’m a big fan of IRON STAR yet?)

Now, speaking of “Mad Mike” Williamson, I do have a special treat in store in a few, short weeks, as his debut novel FREEHOLD has been re-released by his publisher, Baen Books, in hard cover. Because of that auspicious event — something that was a long time in coming — I’ve decided to review FREEHOLD over at SBR. I read FREEHOLD years ago but never reviewed it anywhere, partly because it came out in 2005 — and because of my husband Michael’s passing the year before, I really didn’t pay much attention to anything that happened then. (I think I actually read FREEHOLD in 2007, but don’t quote me.)

So is the world ready for me to review FREEHOLD?

I don’t know, but we’re all about to find out . . . :insert evil chuckle here:

Time to Forgive Mel Gibson?

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Yesterday, journalist Allison Hope Weiner (writing for Deadline.com) asked an interesting question: Why won’t Hollywood forgive Mel Gibson?

Most of us remember Gibson’s rants during his split with ex-girlfriend Oksana Grigorieva in 2010, as they were heavily publicized. He sounded demented, and there was no plea from Gibson for the media to back off that was ever publicized — something I found a bit odd at the time, but dismissed considering the state of the media, as  sometimes a Hollywood star’s denials are given but not publicized widely, depending on what other stories happen to be going on at the same time that might crowd out the denial(s).

And those weren’t the first of Gibson’s problems, as he made widely publicized anti-Semitic remarks once stopped by a Jewish policeman after driving while intoxicated back in 2006. Again, Gibson’s pleas for forgiveness were not widely covered, which in retrospect is very odd.

Consider, please, that Lindsay Lohan or Britney Spears or any number of other Hollywood types have asked for forgiveness. This is something many celebrities do as a matter of course, often in as insincere of a manner as can be possibly imagined. And most of the time, the media is all over it.

Not necessarily the case back in 2006. But again, I dismissed the thought as irrelevant.

But to Ms. Weiner’s mind, that thought was and is very relevant. Which is why she’s made her plea to Hollywood that they should just forgive Mel Gibson and be done with it.

Ms. Weiner’s plea with regards to Mel Gibson is significant for more than one reason. She’d been harshly critical of him back in 2006 and again in 2010, and even now isn’t shy about saying so. His actions were reprehensible, she said so, and she hasn’t changed her mind about those actions.

What has changed, she says, is how she views Gibson’s actions now that she can put them into better context. Gibson is someone who’s helped many other actors, including Robert Downey, Jr., when they’ve been down and out, which is the sign of someone who cares. But he’s never wanted publicity for that, or most of his charitable pursuits, or most of the good things he’s done outside of the public eye, because as a moral person who believes in the Higher Power, you’re not supposed to do these things for any reason aside from wanting to glorify God/dess.

And it makes Ms. Weiner wonder about other Hollywood celebrities who’ve been vilified by the media for comments that seem off the wall or even flat-out wrong, too, such as Alec Baldwin and Tom Cruise: Could it be that we are not getting the full picture about these people?

As Ms. Weiner says:

It might sound naïve after 20 years writing about celebrities, but my friendship with Gibson made me reconsider other celebrities whose public images became tarnished by the media’s rush to judge and marginalize the rich and famous. Whether it’s Gibson, Tom Cruise or Alec Baldwin, the descent from media darling to pariah can happen quickly after they do something dumb. I was part of that pack of journalists paid to pounce, so I know. I consider myself intelligent, someone who makes up her own mind, but just like readers do, I have accepted some reports at face value. The press said that based on Gibson’s statements, he was a homophobe, a misogynist, a bully, an ant-Semite, so he must be. What he was, I discovered, was an alcoholic whose first outburst was captured after he fell off the wagon. What the later release of audiotapes showed was a man with a frightening temper, capable of saying whatever will most offend the target of his anger.

Later, Ms. Weiner discusses what Gibson has done quietly and outside of the public eye to try to redeem himself from such things:

In his second apology on the anti-Semitic statements, Gibson promised to reach out to Jewish leaders. Gibson followed up by meeting with a wide variety of them. He gave me their names when I asked, but Gibson asked me not to publish them because he didn’t want them dragged into public controversy or worse, think he was using them. The meetings were not some photo op to him, he told me, but rather his desire to understand Judaism and personally apologize for the unkind things he said. He has learned much about the Jewish religion, befriending a number of Rabbis and attending his share of Shabbat dinners, Passover Seders and Rosh Hashanah and Yom Kippur dinners. I believe that effort, along with our conversations, helped him understand why Jewish people reacted as they did to The Passion Of The Christ and why there was Jewish support for the Second Vatican Council. Gibson has quietly donated millions to charitable Jewish causes, in keeping with one of the highest forms of Tzedakah in the Jewish faith, giving when the recipient doesn’t know your identity.

In other words, Ms. Weiner is saying that Gibson basically has hurt himself in Hollywood because he’s not been the typical self-serving actor/director Hollywood generally sees. And because Gibson’s sense of responsibility is strong, but very quiet, Hollywood continues to feel good about its collective self because it continues to ostracize Gibson — one of the highest-grossing actors the world has ever seen, and one of its best directors and producers, too.

Her essay is an intriguing portrait of a difficult, yet vivid man. A sinner among sinners, perhaps, if you use the terminology of Christianity as seems appropriate during this time of Lent. Far from an altar boy, but much less than an unrepentant anti-Semite, Mel Gibson is a human being, with all the quirks and talents of any other human being.

But because Hollywood insists you must be perfect all the time — “fake it ’til you make it” — and Gibson is demonstrably not perfect, it’s OK to vilify him?

After reading Ms. Weiner’s essay, I came away with three thoughts:

  • We are all human beings who make mistakes, sometimes bad ones.
  • Most of us would not want those mistakes to be broadcast to millions upon millions of people due to the basis of some sort of international celebrity status.
  • Why isn’t forgiveness viewed as essential any longer in contemporary American society?

Because make no mistake about it: if forgiveness was important in the United States, Mel Gibson would’ve been forgiven — or at least forgotten — long ago. And while Gibson didn’t publicly ask for forgiveness, he certainly did so privately.

And really, isn’t that more than enough?

Adam Lanza’s Father Finally Speaks . . .

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In a new article in the New Yorker, writer Andrew Solomon discusses Adam Lanza with one of the very few people who knew him well — his father, Peter Lanza.

Now, why is this significant? Well, no one’s sure why Adam Lanza killed twenty-six children at Sandy Hook Elementary School to this day, and despite what we’ve learned about Adam Lanza over the past year-plus, we possibly never will know, either.

But at least Peter Lanza knew his son, Adam, and can discuss Adam’s mental illness and other issues . . . which is probably why Mr. Lanza consented to be interviewed by Andrew Solomon in the first place.

I wrote about the Sandy Hook school shooting back in December of 2012, and at that time asked the basic question: Why did this happen?

As I said at the time:

I normally have sympathy for the mentally ill, even severely mentally ill types like it sounds like the latest shooter, Adam Lanza, probably was. (And I’m decidedly not talking about his Asperger’s Syndrome; I’m talking about the behavioral issues he’d have likely had whether he had AS or not.) But in this case, I can find no mercy in my heart for him — far less mercy than one of the parents of the victims, Robbie Parker, who’s already expressed sympathy for the surviving family members of Adam Lanza.

Mr. Parker is a far better person than I.

My focus is elsewhere, because I just do not understand why any responsible parent, such as Nancy Lanza has been described, would ever allow a troubled young man like her son to get a hand on any of her guns.

Much less teach him to shoot them herself, as it appears she did.

What Peter Lanza has done by consenting to an interview by Mr. Solomon in the New Yorker is to answer that question — why did Nancy Lanza teach her son to shoot in the first place? And why did she seemingly enable her son to withdraw into his own violent fantasy world rather than get him treatment?

In addition, Mr. Lanza also discusses many, many other things. He believes that his son Adam would’ve gladly shot him, too, if Adam had had the chance . . . a tremendously sad thing for any father to say about his own son. And he discusses why he thinks Nancy Lanza, his ex-wife, took the odd approach of laissez-faire parenting on the one hand with over-the-top enablement on the other, too, and through writer Solomon comes to a somewhat healing conclusion that perhaps this was just the best Nancy Lanza knew how to do.

The eight-page article in the New Yorker is well worth reading, if you haven’t seen it already (again, the link is here), but it is unsettling.

I’m glad Peter Lanza, Adam’s father, has spoken. I’m glad he was able to shed some light on things from his perspective.

I know that speaking must’ve been difficult for Mr. Lanza. I applaud him for doing it, and hope it will help others in some way.

But it’s a sad, sad commentary when a father says of his own son, “I wish he’d never been born.”

Especially when it’s true.

Cover Art is in for “An Elfy on the Loose”

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Folks, I’m excited. I have cover art for my book, AN ELFY ON THE LOOSE (book 1 of ELFY).

And here it is!

Cover art for AN ELFY ON THE LOOSE

Cover art for AN ELFY ON THE LOOSE

Written by Barb Caffrey

March 10, 2014 at 11:12 pm

Book Discussion: “Schooled in Magic,” “Kindred Rites,” and More

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What makes a book interesting enough that you want to pick it up immediately and start reading? Or, for those of you who exclusively read e-books, what makes you willing to sit down and read the sample pages?

While no one’s quite sure of the answers to the above questions, one thing’s for certain: Books aren’t written in a vacuum, and it’s hard for them to gain traction if no one knows about them.

Even if you’re an author with a following, as is the case with Christopher G. “Chris” Nuttall, Katharine Eliska Kimbriel, and Rosemary Edghill, it’s unclear what makes someone decide to read one of your books as opposed to another. Sure, there’s genre preference and all — some people just enjoy reading, say, fantasy-romances, and if your book falls into that category, you’re more likely to be read. But a book that’s so good that people are willing to fall all over themselves recommending it is rare . . . unless you’re a regular book reviewer, as I am.

Then, perhaps, it’s not so rare.

At any rate, Chris Nuttall’s newest novel is SCHOOLED IN MAGIC, the first in a series about Emily, a girl from our Earth who’s transported to another world and finds she can do magic . . . but only if she can get away from the necromancer who transported her there, first.

I’ve read SCHOOLED IN MAGIC and found it to be an interesting take on the old “fish out of water” tale . . . what Emily does in this brand-new world is often life-affirming, but she can’t help but make mistake after mistake due to being unfamiliar with this world and its environs. (Note that this new world is never named; it’s simply “the world.” That’s done for a reason, as the people of this world are decidedly backward by Earthly standards, being roughly at a feudal level.)

A sample chapter is available here for your perusal . . . if you like what you see, please follow the links from that page (there are many) and get yourself your own copy (’cause I’m not sharing mine).

I recently reviewed two of Rosemary Edghill’s books over at Shiny Book Review, IDEALITY: VENGEANCE OF MASKS and FAILURE OF MOONLIGHT. The former is a dark fantasy with elements of SF and horror (tough to quantify, very interesting to read, and extremely thought provoking), while the latter is a series of short stories about Ms. Edghill’s popular character Bast, a Wiccan detective who has only her wits and her faith to help her solve crimes. Bast is extremely intelligent, makes many witty asides, and can be exceedingly trenchant in her opinions . . . which is one of the reasons I enjoy reading about her so much.

FAILURE OF MOONLIGHT is one of those books that you just can’t stop thinking about once you’ve finished reading it. While the one-liners are great and well worth the price of admission, it’s Bast’s mind, thoughts and opinions that call me back again and again. Bast is moral, ethical, and principled, and while she mostly walks apart from others due to her Wiccan faith being profoundly misunderstood (even by other NeoPagans), she’s someone many people would want to befriend if they ever met someone like her outside of a story.

Best of all, if you enjoy these stories, there are three excellent novels about Bast available in BELL, BOOK AND MURDER. These, too, are well worth reading, and are books I return to again and again as I ponder various thoughts and wonder just how Bast managed to come up with the answers this time . . .

Finally, what can I say about the incomparable Katharine Eliska Kimbriel that I haven’t said before? Her work in both hard science fiction with her Chronicles of Nuala series and now in dark fantasy/frontier fantasy with her Night Calls series is outstanding; best of all, she’s currently working on the third book of the latter series even as I write this.

Her most recent release is KINDRED RITES, book two in the Night Calls series; I reviewed it over at SBR back in January. It features Alfreda “Allie” Sorensson. Allie is now thirteen, a burgeoning magician with unusually strong powers, and is studying with her Aunt Marta as she must learn self-control. Fortunately, Allie is a good-hearted young lady who has no wish to coerce others; she only wishes to live her life unmolested, and help others as need be.

In other hands, Allie could easily have turned into a Mary Sue-type of character. Instead, Ms. Kimbriel wisely shows Allie struggling with the things any young girl struggles with — boys. How other girls treat boys. Puberty (or at least the fact of it, as inexorable as the sun coming up in the morning). Learning her craft, which includes birthing babies, digging for herbs in foul weather, and many other unpleasant things . . . and dealing with the effects of magical “hangovers” when too much magic is expended, no doubt. (This is more sketched than shown, but is there nonetheless.)

And, of course, because Allie is so powerful, other people want to steal her away before she can fully come into her own, magical birthright.

In other words, there’s many practical elements to both of Allie’s stories, NIGHT CALLS and KINDRED RITES, plus many speculative elements, and both add immeasurably to the richness of these tales. Allie’s innate goodness is refreshing, while her natural curiosity and wisdom also appeal . . . in short, if you’re looking for YA fantasy done right, look no further than Katharine Eliska Kimbriel.

So there you have it — three fine works of fiction by three disparate writers, all different, each with something interesting and special to offer. I consider all of them “comfort books” for different reasons, and enjoyed them all immensely.

Your next assignment, Dear Reader, is to figure out which one you want to devour first . . . then have at.

Review Delay

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For those of you waiting for my review of Vera Nazarian’s COBWEB FOREST, I’m sorry to say that it’ll be another week before I’m able to review it.

Why?

Mostly, I ran out of time . . . partly, it’s because other things have gotten in the way of reviewing and blogging over the past week or so. (As you might’ve noticed from how little I’ve blogged lately.)

I’m hoping to blog tomorrow about a few new books I’ve enjoyed, including my friend Chris Nuttall’s new SCHOOLED IN MAGIC and perhaps discussing in a little more detail Rosemary Edghill’s new short-story collection FAILURE OF MOONLIGHT . . . maybe I’ll throw in a bit of talk about Katharine Eliska Kimbriel’s KINDRED RITES in the bargain.

But that’ll have to wait until the morrow . . . until then, keep on keepin’ on. (And for my fellow baseball fans, enjoy Spring Training — the most optimistic time of the year.)

Written by Barb Caffrey

March 8, 2014 at 11:14 pm

Lightspeed Magazine Passes on My Story…

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Folks, Lightspeed’s “Women Destroy SF” issue has passed on my story, which I still won’t name as I’ve immediately sent it off to another market (as writers must do).

Let us hope the second market will be more interested than the last, hey?

Written by Barb Caffrey

March 3, 2014 at 1:31 am

Two New Reviews Up at SBR Over the Weekend

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Folks, I had a busy weekend with regards to reviews, which is one reason I wasn’t able to write an after-action report right away with regards to Friday’s review of Sharon Lee and Steve Miller’s newest novel in their ongoing Liaden Universe, TRADE SECRET.

You see, my latest review, up as of a few, short minutes ago, is for Vera Nazarian’s haunting and compelling COBWEB EMPIRE, the second in her Cobweb Bride series. Her series is dark fantasy, yet there’s somehow an underpinning of optimism that carries you through nearly unimaginable suffering . . . in Ms. Nazarian’s conception, Death needs a bride and has refused to go on taking souls until he gets one. But he can’t have just any bride . . . oh, no. He needs a specific bride he calls the “Cobweb Bride” (hence the name of the first book of the series, COBWEB BRIDE, and the series itself, natch), and nothing else will do.

This universe is unlike anything I have ever seen. It is rich, dark, menacing, yet there are plenty of good people who populate it, including the couple at the heart of all the chaos, Persephone “Percy” Ayren and her own dark knight, Duke Beltain Chidair. (Note that Beltain hasn’t yet accustomed himself to being the Duke as his father is undead and certainly doesn’t wish to give up the title, being as distressing a personage as can be imagined . . . at least until an even worse one, Sovereign Rumalar Avalais of the Domain, shows up.)

I have enjoyed reading Ms. Nazarian’s conception thus far, and can’t wait to dive into COBWEB FOREST . . . which is why I plan to read and review it this week. (I’ve already skimmed it, but there’s many, many more things to discover by reading it multiple times.)

At any rate, I also enjoyed Sharon Lee and Steve Miller’s TRADE SECRET quite a bit. It’s told in an unusual way that I likened to a mosaic, as nothing really fell into focus for me until right before the end — then I understood it completely.

Why a mosaic? Well, with a lot of mosaics, you can’t really tell what’s going on until you can stand outside and ponder them. And as that was definitely the case here, it seemed to fit.

So there you have it: Two new reviews are up at Shiny Book Review for two interesting and thoughtful books that both delighted me enormously, albeit in radically different ways.

Hope you’ll enjoy the reviews — then, if they intrigue you anywhere near as much as they did me, go buy the books. (Hours of reading enjoyment await. And the re-reads . . . did I mention the re-reads yet?)

Reviewed “Failure of Moonlight,” “Ideality” at SBR on Thursday

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Folks, sometimes I don’t get a chance after reviewing a book to come over here and write a quick blog about it in a timely manner.

I’m not sure why this is, except that the pace of my life seems to be accelerating the longer I’m on this planet. (Weird thing to say, I know. But it’s four a.m., so maybe that accounts for it.)

At any rate, I’m pleased to report that I reviewed two works by Rosemary Edghill at Shiny Book Review (SBR for short, as always) on Thursday afternoon, these being IDEALITY: VENGEANCE OF MASKS and the short-story collection FAILURE OF MOONLIGHT, which features Ms. Edghill’s popular Bast character (a Wiccan detective who takes no nonsense from anyone, not even herself).

Because IDEALITY is a new name for an older title, I mostly just wrote a quick few lines about it and pointed people at the earlier review. I spent most of my time on the six stories and essays comprising FAILURE OF MOONLIGHT.

At any rate, if you are in the mood for some interesting, intelligent stories that will keep your attention long after you’ve turned the final page, please take a gander at these two works. IDEALITY is a fantasy/horror hybrid that’s original, complex, and sometimes shocking — that’s one of the reasons I liked it so much — while FAILURE OF MOONLIGHT is set in our present-day world (albeit slightly in the past, now, as the stories range from the early 1970s to probably the mid-1990s) and features murder mysteries (and Bast; have I mentioned Bast yet?)

Note that IDEALITY is more of an adult read (mind you, if anyone had told me that a book is more of an adult read when I was thirteen or fourteen, that’s the first book I’d have grabbed off the shelf, so it feels really strange to say that), while there’s a mix of age-ranges in FAILURE OF MOONLIGHT.

So please do take a gander at my review, then go read the books.

 

Written by Barb Caffrey

February 28, 2014 at 5:17 am

Breaking News: Arizona Gov. Brewer Vetoes SB 1062

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Folks, it’s official — as of 6:50 PM CST, Arizona Governor Jan Brewer (R) has vetoed Arizona state Senate Bill 1062. MSNBC showed a press conference, where Gov. Brewer said many different things about how she listened to both sides, conferred with advisors, and came to the only decision that made sense.

Thus her veto.

This is a very good thing, both for Arizona and for the nation. As I said earlier, this was terrible legislation. It was impractical at best, too broadly worded (as Gov. Brewer herself said), and unConstitutional on its face.

Good for Gov. Brewer for vetoing this bill.

 

 

Written by Barb Caffrey

February 26, 2014 at 8:02 pm